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 The G ospel
accor ding t o
W il d Indig o

p oems by
c y rus c a ssel l s
the gospel accor ding to w ild indigo

Crab Orchard Series in Poetry

Editor’s Selection
 the g ospel
accor ding to
w ild indig o

poems by
cyrus cassells

Crab Orchard Review &

Southern Illinois University Press
Carbondale
 Southern Illinois University Press
www.siupress.com

Copyright © 2018 by Cyrus Cassells

All rights reserved
Printed in the United States of America

21 20 19 18 4 3 2 1

The Crab Orchard Series in Poetry is a joint publishing venture

of Southern Illinois University Press and Crab Orchard Review.
This series has been made possible by the generous support of
the Office of the President of Southern Illinois University and
the Office of the Vice Chancellor for Academic Affairs and
Provost at Southern Illinois University Carbondale.

Editor of the Crab Orchard Series in Poetry: Jon Tribble

Cover illustration: Silhouette against the Blue (cropped),

watercolor painting, by John L. Mendoza, 2010

Library of Congress Cataloging-in-Publication Data

Names: Cassells, Cyrus, author.
Title: The gospel according to wild indigo / poems by Cyrus
Cassells.
Description: Carbondale : Crab Orchard Review & Southern
Illinois University Press, 2018. | Series: Crab Orchard Series
in Poetry
Identifiers: LCCN 2017035952 | ISBN 9780809336609
(paperback) | ISBN 9780809336616 (e-book)
Subjects: | BISAC: poetry / American / General.
Classification: LCC PS3553.A7955 A6 2018 | DDC 811/.54—dc23
LC record available at https://lccn.loc.gov/2017035952

Printed on recycled paper.

This paper meets the requirements of ANSI/NISO Z39.48-1992

(Permanence of Paper)
 contents

I. The Gospel according to Wild Indigo

The Gospel according to Wild Indigo 3
I. Dayclean 3
II. A Is for Augustus 5
III. A.’s Childhood 7
IV. The Pine-Tree Sweetens My Body 9
V. A Gullah Valentine (Nearabout Spring) 11
VI. The Low Country Magazine 14
VII. Communion 16
VIII. Caesars and Dreamers 20
IX. Wild Indigo, Because 22
X. The White Iris Beautifies Me 23
XI. Moon-Huggers 25
XII. The Abandoned Name 26
XIII. Deacon Costen’s Handclap Joy 28
XIV. I’ll Take You to Africa 31
XV. The Hurricane 33
XVI. A Siren Patch of Indigo 35
XVII. Itzak’s Mighty Oak 37
XVIII. The Gospel according to Wild Indigo 39

v
 II. Lovers Borrowing the Language of Cicadas
Return to Florence 45
The Pines of the Villa Pamphili 46
Ethos 48
Federico’s Querencia 50
In Robert Graves’s Mallorcan Garden 55
The Red-Haired Puppet 56
The Shadow 58
If Van Gogh Didn’t Shoot Himself, Who Did Shoot Him? 60
Two Poets Quarreling under the Jacarandas 62
Pentimento 74
Massimo and Silver 77
Jasmine 80
Lovers Borrowing the Language of Cicadas 81
The Sibyl’s Song 84
Antinoüs 86
Necropolis 88
Lazaretto 91
Spring and the Spirit of Saint Joan 95
A Tale of Two Hikers 97
Elegy with a Gold Cradle 99

Acknowledgments 103

vi
 I.
the gospel
accor ding to
w ild indigo

The pine-tree sweetens my body.

The white iris beautifies me.

—Wallace Stevens,
“In the Carolinas”
the gospel according to wild indigo

I. Dayclean

Dayclean’s the Gullah word

for the gala sun, the looked-for

melon, meticulous,
up-and-coming,

impossibly hale,
ecstatically gilding

the Canaan of marshlands,

Low Country cosmos of scurrying

punchclock crabs,
dauntless kingfishers, frolicking

estuary herons—
Dayclean caresses

the praise houses—

eoho, eoho—

A.’s boy-time tree house

nestled in a Galahad

ancient oak.
Gold takes the street musician’s

dented coronet—
Why’s he still up?

Why’s he still playing?—

burnishes the early-bird fingers

3
on a Mount Pleasant porch,
tea-brown Merlin fingers

fashioning palmetto roses,

palmetto crosses—

Crab castle, Jew’s harp,

foxglove, sea junk,

marsh bridge, stilt house,

the white of hominy

and fine-sifted flour;

Lady’s Island, Cat Island,

Daufuskie, St. Helena . . .

Rummaging gold matter-of-factly

gleans them all—

shell colors and dories,

rugged shrimp-sellers
and wind-blessed reeds—

rapacious gold.
Dayclean, dayclean:

sun like a schoolgirl

eager for show-and-tell.

4
II. A Is for Augustus

On a glove-yellow morning
of gleaming oyster shells,

crow-carried mussels,
placid seagulls perched

in priest-gentle pines
like festive Christmas ornaments,

beside an alluring Sea Island beach,

I first met up-front A.—

Bring your high yellow self

over here!

The name’s Augustus

but folks call me A.—

Like vying truants with never-fail

cat’s-eye marbles,

in no time flat, we traded

lived-to-tell tales

of our rambunctious
“North Cackalacky” childhoods—

an invigorating banter laced

with a tattoo of lapping water.

Later, when brash Mr. A. bent,

in a lazybones glory,

5
to brush my lips for the first time,
a snatch-gossip gust

hurled his cracked-brimmed hat

into a busybody

chorus of reeds, an eager-to-hear

amen corner,

and he darted, almost doe-quick,

to retrieve

the rash, wayward owl

of his windblown hat:

in-a-rush Augustus of the cattails,

the Indian summer estuary.

6
III. A.’s Childhood

Dayclean:
the mornings were moss-laden

and muleheaded—
kingdom of consoling porch swings

and steeping sun tea,

kingdom of throat-slick okra—

the mornings were mudplay

and faux-cannonfire and a makeshift

fortress of spartina;
a Gullah flourish

of gathered starfish in an heirloom

sweetgrass basket—

If you weren’t hawkeyed,

the tantalizing but turncoat sea

could pick your pockets,

the gypsy-fingered sea

(filched forever,
the ward-away-trouble cat bone,

beachfront boy, the careworn

buffalo nickel)—

Summoned in the first gold hours,

A.’s usually rakehell hands

7
alongside his robust grandmother’s
were lima-shelling hands,

and the music,

the music of “how do” and “I recollect.”

8
IV. The Pine-Tree Sweetens My Body

As pine needles coalesce

with bulrush and sweetgrass, Augustus,

to shore a cherished
Sea Island basket,

so it seems, the fortifying,

peace-granting pines

have been nonchalantly

woven into my days.

Out of childhood and enmeshing memory,

they appear:

co-dreamers,
immobile shepherds, surely.

From a precocious, roving boy’s

avid-to-learn vantage,

not as supreme as a giraffe—oh no,

but just as heaven-reaching—

For the inveterate pines, perhaps,

the crab-ruled Low Country

marshes have always been

arresting theatres:

whatever was shouted or gasped

at jubilee, at the silverpoint

9
of the bridegroom’s climax
or the baby’s crowning,

they ably cached

in their commanding branches,

so that if I lay my Hardy Boy ear

to the telltale bark

(as I did the tobacco-scented

summer I was nine),

some long-dead singing

from vanished dooryards,

from cabins and heart-stopping fields

(supper-getting-ready songs

hummed in pie-cooking heat)

is still ensconced in the pine.

10
V. A Gullah Valentine (Nearabout Spring)

Augustus, what I’m gung-ho to praise:

Mount Pleasant aunties who quell

ghosts of feet-don’t-fail-me-now,
ghosts of if-you’re-black-stay-back,

specters of inglorious slaving ships

and wolf-tough phantoms,

savvy, okra-cooking grannies,

who daily keep the flame

for the always-present-tense glory

of living Gullah—

What I love: the loop the loop

of our intoxicating days;

shredded barbecue
in a Winn-Dixie plastic bucket

and your younger sister Marquetta’s

buttered and peppered stone-ground grits;

the bull’s-eye of the beguiling

compound words of Gullah:

dayclean for the brisk, new,

indomitable day;

daylean for the dash-away

light on Kiawah or Edisto;

11
bukruhbittle for a lording
white man’s “superior” food;

the timeworn brick leviathan

of fabled Catfish Row,

and the long-dreaming,

Apollo-lofty

Angel Oak on John’s Island—

Lord, we were spat on;

we were whipped
in a Sea Island school,

the soul-struck, still-scrappy locals

sing out, but now us speak

our Gullah proudly—

A true Gullah valentine

would surely have to feature

Low Country branches graced

with green and lion-colored glass,

sun-washed empties

(Dr. Pepper, Mountain Dew,

Chardonnay, Manischewitz . . . ),

chockablock shrimp shacks,

lush, leafy chinquapins,

and “sugar, sugar,

how’d you get so fly!”—

12
A., I know you had the gumption
or nervy bravery to share

news of our pistol-hot love

with your pew-strict,

disowning father (a catastrophe!),

and boy, it hurts,

but even so, let’s hail

our hard-to-hold-still,

nearabout-spring moments,
the way the magnanimous

Low Country moon rises

past our gunwale

and fashions an unfolding,

March-into-April fan

in the big, rippling night mirror

of the marina.

13
VI. The Low Country Magazine

It’s a rousing dream that mirrors

the schoolhouse beauty of these days

alongside you in the Low Country:

The sweep of the Gullah world

magically looms, under my lids,

as a bustling magazine:

not earnest Ebony, gossipy Jet,

or Ladies’ Home Journal,

but like the lavish, brimming Bon Marché—

the French meaning of the word:

on the first floor,

a swift-as-a-robin runagate

trailing a fugitive-guiding star;

a stirring spectacle

of unfailing harvest women

fanning rice in round

winnowing baskets;
a coffle of chanting men

active in the sweat

of malarial Junes and Julys,

as summering rice kings

time and again consign them

14
to bullheaded sun,
unceasing swamp-labor

and unremitting malady—

On the second floor, a steely,

gray-eyed Gullah slave who endured

Job-and-Jonah-harsh snares

to savor a life, scot-free

of ironhearted masters,

blessing her uphill descendants,

still hardy, long-despised, still

winsome as luxuriant willows,

still abraded and believing in

the unkillable dream

of color-blind justice and respect—

On the last vaulted floor,

the ease and freedom

of nowadays, spread
like a vast fisherman’s net

full of lost things and surprises,

like the reed-shifting ivory

of lithe herons lifting

from the marshland’s darkening hem . . .

15
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