PHILIPPINE ASSOCIATION OF STATE

UNIVERSITIES AND COLLEGES

(PASUC)

12TH PASUC NATIONAL CULTURE

AND THE ARTS FESTIVAL 2026
(NCAF 2026)

2026 MANUAL OF OPERATION

Revised and Amended during the National Training and Workshop of SUC Sports and Socio-Cultural Directors in May 19-21,
2015, Crown Regency, Cebu City and in MUST, Cagayan de Oro City during the National Adjudicators Training and Workshop in
August 26-28, 2015.

Reviewed and updated during the National Adjudicators Training and Workshop held in Batangas State University, July 20-22,
2016 and during the Regional Cultural Directors Meeting held in Negros Oriental State University, Dumaguete City – August 17
– 19, 2016

Reviewed and updated in Aklan State University, August 16-18 2017

Revised and updated in PASUC SECRETARIAT OFFICE, August 20, 2018
Revised and Updated in PASUC SECRETARIAT OFFICE, January 2024

1
 PASUC NATIONAL CULTURE AND THE ARTS FESTIVAL
General House Rules and Regulations/Guidelines

1. Each contest category is open to all bona fide UNDERGRADUATE STUDENTS (not more than 26
years) on or before April 2026. Graduate students of degree programs or those taking post
baccalaureate studies are disqualified from the contest.
2. Delegations are required to adhere to the guidelines and rules of the contest as provided.
3. Every contest category is presented with guidelines, contest rules and regulations, criteria for
judging and contest proceedings. The contest Head Master shall meet all coaches, trainers, and
judges prior to the contest.
4. Each contest category will have its own programming and shall be directed by the Contest Head
Master.
5. All competitions will use the Ranking System in computing the scores of the contestants.
6. Winners shall be declared/ announced immediately in the contest venue.

A point system shall be used in all contest categories:

13 points - 1st Place
12 points- 2nd Place
11points- 3rd Place
10points- 4th Place
9points - 5th Place
8points 6th Place
7 points 7th Place
6 points 8th place
5 points 9th place
4 points 10th place
3 points 11th place
2 points 12 place
1 point 13th place

7. The awarding ceremony for the General Championship shall be announced and declared during
the Closing Ceremonies.
8. All contestants must not wear any mark that will identify the school where they are from during
the actual competition.
9. All manuscripts, winning pieces, materials and other proceedings shall be collected and filed at
the UCAOl Office for reference.
10. The decision of the Board of Judges is final.
11. Violation of any of the rules and regulations shall be subjected to disqualification in the contest.
12. No protest or complaint shall be entertained as judgment is done with finality. Only
queries and suggestions shall be entertained for future competitions.

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VISUAL
ARTS

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 ON-THE-SPOT POSTER MAKING CONTEST
By College
Description of the Category:
The On-the-spot Poster Making Contest is a creative competition where participants visually express their
ideas, insights, and advocacies based on a given theme within a time limit. The contestants must create an
original poster that communicates a powerful message through creativity, artistry, and relevance to the
theme.

Mechanics and Rules of the Contest:

1. The poster must be based on the theme provided by the UCAO facilitator.
2. The contestant must bring his/her own painting brushes, easel, mixing plate, palette and rugs.
Any kind of brush will be allowed. All other competition materials will be provided by each
college.
3. The contestant will use water-based paint (acrylic). Materials will be provided by the
organizers. Only the three primary colors (red, blue and yellow) and two neutral colors (black
and white) shall be allowed.
4. Mixing of colors is allowed.
5. The contestants will use the 17” x 20” canvas which will be provided by each college.
6. The contest duration is for a period of four (4) hours.
7. Only the contestants are allowed in the contest venue.
8. No distinguishing mark or name of the constant shall appear in the entry.
9. Contest output (artworks) will be the property of UCAO and proper labelling for recognition
will be given (Artist, UCAO, Coach).
10. The Judge’s decision is final.

Criteria for Judging:

CRITERIA Points
Concept 10
 Objective/Intent
 Knowledge of the Subject Matter
 Relevance to the theme
Techniques 10
 Mastery of Specific Skills and Utilization of Media
Composition 10
 Organization of Visual space
Total 30

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 PENCIL DRAWING
By College
Description of the Category:
The Pencil Drawing Competition is a showcase of artistic talent and creativity using the simplicity
pencil as the main medium. Participants are challenged to create original drawings that highlight
techniques, concept, and expression while interpreting a given subject.

Mechanics and Rules of the Contest:

1. Materials will be provided by each college including the illustration board with the size of
15”x20”.
2. The contestants must use a Steadler/Rotring pencil from 2H/3H, B/2B and/or 5B/6B.
3. Charcoal Pencil, art gunner or equivalent, brush, cotton, tissue paper, sand paper, pantograph
and air brush are not allowed.
4. Smudging is also not allowed.
5. The head master will decide on the subject.
6. The contest duration is for a period of four (4) hours.
7. Only the contestants are allowed in the contest venue.
8. No distinguishing mark or name of the constant shall appear in the entry.
9. Contest output (artworks) will be the property of UCAO and proper labelling for recognition
will be given (Artist, UCAO, Coach).
10. The Judge’s decision is final.

Criteria for Judging:

CRITERIA Points
Concept 10
 Objective/Intent
 Knowledge of the Subject Matter
 Similarity or Likeness
Techniques 10
 Mastery of Specific Skills and Utilization
of Media
Composition 10
 Organization of Visual space
Total 30

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 CHARCOAL RENDERING
By College
Description of the Category:
The Charcoal Rendering competition is an art competition that highlights the expressive power of
charcoal as a medium. Contestants are tasked to create original artworks reflecting a portrait using
the shading, texture, and technique.

Mechanics and Rules of the Contest:

1. Materials will be provided by each college including illustration board with the size of
15”x20”.
2. Pantograph, air brush, ruler, and the like are not allowed.
3. Erasing tools like kneaded erase, eraser pen, and electric erase are allowed.
4. The head master will decide on the subject (portrait picture).
5. All contestants will be given a portrait picture individually by the head master during the
contest proper.
6. The contest duration is for a period of four (4) hours.
7. Only the contestants are allowed in the contest venue.
8. No distinguishing mark or name of the constant shall appear in the entry.
9. Contest output (artworks) will be the property of UCAO and proper labelling for recognition
will be given (Artist, UCAO, Coach).
10. The Judge’s decision is final.

Criteria for Judging:

SUGGESTED CRITERIA FOR JUDGING Points

Similarity or Likeness to the subject 10
-Degree to which the portrait accurately
captures the facial features and overall
character
Proportion 10
-Correct scale and relationship between
different facial feature and overall head
Tone building (Value and Contrast) 10
-Skillful use of range of darks and lights to
create depth form and volume
Workmanship and detail 10
-Quality application of the medium, smooth
blending, crisp lines, and overall sense of
control of the medium
Overall composition and impact 10
-Visual appeal of the subject (portrait)

Total 50

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 PAINTING
By College
Description of the Category:
The Painting Contest is an art competition designed to showcase creativity, concept, techniques and
composition and skill in the use of colors and techniques. Participants are challenged to create an
artwork based on the given subject.

Mechanics and Rules of the Contest:

1. The subject will be decided by the UCAO head master.

2. The contestant must bring his/her own painting brushes, easel, mixing plate/palette and rugs.
Any kind of brush will be allowed. All other competition materials will be provided by each
college.
3. The contestant will use water-based paint (acrylic). Materials will be provided by the
organizers. Only the three primary colors (red, blue and yellow) and two neutral colors (black
and white) shall be allowed.
4. Mixing of colors is allowed.
5. The contestants will use the 17” x 20” canvas which will be provided by each college.
6. The contest duration is for a period of four (4) hours.
7. Only the contestants are allowed in the contest venue.
8. No distinguishing mark or name of the constant shall appear in the entry.
9. Contest output (artworks) will be the property of PASUC and proper labelling for recognition
will be given (Artist, UCAO, Coach).
10. The Judges’ decision is final.

Criteria for Judging:

CRITERIA Points
Concept 10
 Objective/Intent
 Knowledge of the Subject Matter
 Similarity or Likeness
Techniques 10
 Mastery of Specific Skills and Utilization of Media
Composition 10
 Organization of Visual space
Total 30
Composition 10
 Organization of Visual space
 Over-all impact
Total 30

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 PHOTO CONTEST
By College
Description of the Category:
The Photo Contest is a creative competition that highlights the art of photography as a medium for
story telling and expression. Participants are invited to capture original images that reflect a given
theme showcasing creativity, composition, and technical skill. The photo should communicate a
powerful message through the lens of a camera.

Mechanics and Rules of the Contest:

1. The contestant will provide and use digital cameras (DSLR/Mirrorless).

2. The setting of the camera will be provided by the head master.
3. The photo subject will be provided by the head master.
4. Editing of photo/picture is not allowed, edited photo will be disqualified.
5. The picture/photo must be taken/shot by the contestant.
6. The contestants will submit a raw + jpeg file of his/her entry together with an entry form
together with a title.
7. The contestant may use any aperture (F stop), shutter speed & ISO.
8. The PASUC secretariat will print the pictures/photo upon verification of entry.
9. The contest duration is for a period of one (1) hour.
10. Only the contestants are allowed in the contest venue.
11. The contestants may take as many shots as he/she can however will only submit his/her
BEST official entry. The contestants will be given a maximum of 15 minutes to select his best
shot before submitting to the UCAO secretariat or contest facilitators.
12. Contest output (photo) will be the property of UCAO and proper labelling for recognition will
be given (Artist, UCAO, Coach).
13. The ranking system will be used to determine the winners. Averaging will be used.
14. The judges’ decision is final.

Criteria for Judging:

CRITERIA Points
Concept 10
 Creativity/Uniqueness
 Originality
 Expression
Techniques 10
 Clarity of the Subject
 Artistic merit
Composition 10
 Organization of Visual space
 Over-all impact
Total 30

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MUSIC ARTS

9
 SONG WRITING
By College

Description of the Category:

The Songwriting Competition is a creative contest that celebrates the art of music and lyric writing.
Participants are tasked to compose an original song that reflects a given theme, showcasing talent in
melody, rhythm, and storytelling through lyrics. The contest aims to develop musical creativity, self-
expression and inspiration.

Mechanics and Rules of the Contest:

1. All composition entries must be based on the official contest theme, which will be announced
prior to the competition.
2. Entries must be original and have not been previously published, recorded, or used in other
competitions.
3. Any form of plagiarism or copyright infringement will result in disqualification.
4. Songs may be written in English, Filipino or the local dialect (provide translation).
5. Lyrics must be decent, respectful and aligned with the contest theme.
6. The song should have a minimum duration of 2 minutes and a maximum of 4 minutes.
7. Any genre is allowed as long as it reflects the theme appropriately.
8. Contestants must provide their own minus one of the pieces.
9. Instruments used can be acoustic, digital, or a cappella.
10. Contestants must perform their entry live singing but with taped accompanying music.
11. Decision of the board of judges is final and irrevocable.

Criteria for Judging:

CRITERIA Points
Lyrics and Message 40
Relevance to Theme (10) – How well the lyrics reflect and capture
the given
theme.
Clarity and Coherence (10) – The flow of ideas, structure and how
understandable the message is.
Creativity and Originality (10) – Uniqueness of the concept, use of
imagery, metaphors, or storytelling
Emotional Impact (10) The ability of the lyrics to inspire, move, or
connect with the audience.
Melody and musicality 30
Melodic Quality (10) Catchiness, memorability and how the melody
supports the lyrics.
Harmony and Chord Progression (5) Appropriateness and creativity
of harmonies/chords used.
Rhythm and timing (5) – Flow, Tempo, and Rhythmic consistency of
the song.
Arrangement and Structure (5) Balance of verses, chorus, bridge,
and overall song form.
Originality and Creativity 20
Innovative Concept (5) uniqueness of the song’s central idea or
theme interpretation.
Freshness of melody and Harmony (5) Avoidance of cliches,
distinctive musical style.
Creative use of lyrics (5) Imaginative wordplay, metaphors, and
lyrical techniques.
Artistic Style and Expression (5) How the songwriter’s individuality
and originality are reflected in the piece.

Overall Impact/ Audience Impact 10

Performance Impact (5) stage presence, delivery, and how well
the song comes across when performed.
Audience Engagement (5) – The level of interest, attention, and
response from the audience.
Total 100

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 INSTRUMENTAL SOLO (PIANO)
By College

Description of the category:

The instrumental solo (piano) competition is a musical event that highlights the artistry, technical
skill, and expressiveness of individual performers on the piano. Contestants are tasked to perform a
piece of their choice from the selected composers, showcasing mastery of technique, interpretation,
and musicality.

Mechanics and Rules of the Contest:

1. The music piece shall be one straight piece and any of the following composers:
Ryan Cayabyab
George Canseco
Francisco Buencamino, Sr.
Antonio Molina
Lucrecia Kasilag
2. Grand or upright piano will be used for the National Level. In the Regional/university level,
if no upright piano is available, an electronic piano/keyboard with 88 keys in piano mood
setting can be used.
3. Time starts on the first note produced. Performance shall be 3-5 minutes. Beyond this
limit, a total of five (5) points will be deducted from the total score of each judge.

Criteria for Judging:

CRITERIA %
Technique 30
Intonation 15
Dexterity 15
Mastery (Fidelity of the score) 30
Artistic Quality 30
Expression 15
Interpretation 15
Stage Deportment 10

Total 100

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 INSTRUMENTAL SOLO (Violin)
By College

Description of the Category:

The instrumental solo (violin) competition is a musical event that highlights the artistry, technical
skill, and expressiveness of individual performers. Contestants are tasked to perform a piece of their
choice from the selected musical pieces, showcasing mastery of technique, interpretation, and
musicality.

Mechanics and Rules of the Contest:

1. The music piece shall be one straight piece and any of the following:
Kundiman
Balitaw
Harana
Filipino Folk Song/Music
Classic Filipino Love Song
Popular OPM Music (Ryan Cayabyab, George Canseco, Louie Ocampo)
Danza
2. The contestant shall play the instrument with the accompaniment of piano.
3. The title of the piece, arranger, composer, and songwriter must be given to the board of
Judges before the performance. The master of ceremonies shall announce the title of the
piece.
4. Time starts on the first note produced using the solo instrument or accompaniment.
Performance shall be 3-5 minutes. Beyond this limit, a total of five (5) points will be
deducted from the total score of each judge.

Criteria for Judging:

CRITERIA %
Tone Quality 20
Musicality (Rhythm, Intonation, Techniques) 60
Performance Factor (Interpretation, Stage Deportment) 20
Total 100

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 INSTRUMENTAL SOLO (Classical Guitar)
By College
Description of the Category:

The instrumental solo (classical guitar) competition is a musical event that highlights the artistry,
technical skill, and expressiveness of individual performers using the classical guitar. Contestants are
tasked to perform a piece of their choice from the selected pieces, showcasing mastery of technique,
interpretation, and musicality.

Mechanics and Rules of the Contest:

1. Classic Guitar (nylon string) will be used.

2. The music piece shall be any of the following:
Kundiman
Balitaw
Filipino Folk Song/Music
Classic Filipino Love Song
Danza
3. The contestant shall play the instrument without any back-up,
accompaniment or background music. No electronic device/pitch up.
4. The title of the piece must be given to the board of Judges before the
performance. The master of ceremonies shall announce the title of the
piece.
5. Performance shall be 3-5 minutes.

Criteria for Judging:

CRITERIA %
Technique 30
Intonation 15
Clarity of Tone 15
Mastery (Fidelity of the score) 30
Artistic Quality 30
Expression 15
Interpretation 15
Stage Deportment 10

Total 100

13
 INSTRUMENTAL SOLO (Banduria)
By College

Description of the Category:

The instrumental solo (banduria) competition is a musical event that highlights the artistry, technical
skill, and expressiveness of individual performers using the banduria instrument. Contestants are
tasked to perform a piece of their choice from the selected pieces, showcasing mastery of technique,
interpretation, and musicality.

Mechanics and Rules of the Contest:

1. The music piece shall be one straight piece and any of the following:
Kundiman
Balitaw
Harana
Filipino Folk Song/Music
Classic Filipino Love Song
Popular OPM Music (Ryan Cayabyab, George Canseco, Louie Ocampo)
Danza
2. The contestant shall play the instrument with the accompaniment of classical guitar.
The title of the piece, arranger, composer, and songwriter must be given to the board of
Judges before the performance. The master of ceremonies shall announce the title of the
piece.

Criteria for Judging:

CRITERIA %
Technique 30
Intonation 15
Clarity of Tone 15
Mastery (Fidelity of the score) 30
Artistic Quality 30
Expression 15
Interpretation 15
Stage Deportment 10

Total 100

LIVE BAND COMPETITION

14
 Selection (Champion Last Year)
Description of the Category:

The Live Band Competition is an exciting musical event that showcases the talent, creativity, and
stage presence of student and local bands. Each group will perform live on stage a specific genre of
music as a competition piece, bringing their unique sound and energy to captivate the audience and
impress the judges.

Bands will be evaluated based on their musicality, performance quality, and overall impact. This
contest not only celebrates musical artistry but also encourages the appreciation of diverse music
genres while inspiring future musicians to pursue their passion.

Mechanics and Rules of the Contest:

1. Each group will perform unpublished (meaning: played live on-air) Original Pilipino music but
the following will be the sequence of genres to be observed for the annual competition,
(2017-rock, 2018-reggae, 2024-Jazz, 2026 – Disco) as long as there is no obscene, lewd or
green words in the lyrics.
2. Each group will have a minimum of four and a maximum of seven members.
3. Each group will perform a warm up song and should be a regional/ local song prior to the
contest piece with a limited time of five minutes including set up/ preparation time. A total of
10 minutes will be allotted. Beyond this a total of five points will be deducted from the group
total score from each judge.
4. Each group must provide their respective instrument except for the drum set which will be
provided by the host institution. Change of cymbals will be allowed. A minimum of 4
amplifiers shall also be provided by the host institution for one lead guitar, rhythm guitar, one
bass guitar and one keyboard.
5. The members of the band may be composed of all males, or all females, or mixed.
6. The use of pyrotechnic gadgets, smoke, or combustible materials as props are not allowed.
7. Medley arrangement of songs is not allowed.
8. Coaches/ trainers are allowed to guide the song technicians provided by the host institution
during the warm up song only (Note: No more interference of coaches and trainers during the
delivery of the contest piece)
9. Judges should attend the solidarity meeting, the day before the competition.
10. The host institution should provide an official time keeper to monitor and remind the
performers. (Note: the timer should be projected on the side of the stage).
11. Judges’ decisions are final and irrevocable.

Criteria for Judging:

CRITERIA %
Musicality (harmony, rhythm, sound quality) 50
Performance (stage presence, style) 30
Technicals (handling of instruments) 10
Over-All Impact (includes interpretation) 10
Total 100

15
 VOCAL SOLO (Kundiman)
By College
Description of the Category:

The Kundiman Vocal Solo Competition is a celebration of Filipino culture and heritage through the
performance of the traditional kundiman, a classic love song genre that reflects deep emotion,
artistry, and patriotism. This competition provides a platform for solo vocalists to showcase their
vocal skills, interpretation, and expressive ability in delivering the timeless beauty of kundiman
music.

Participants are expected to highlight not only technical proficiency and vocal quality but also the
heartfelt emotion and cultural essence embedded in the song. The contest aims to preserve and
promote the richness of Filipino musical traditions while inspiring a deeper appreciation of kundiman
among today’s generation.

Mechanics and Rules of the Contest:

1. The song shall be one straight KUNDIMAN to be chosen from the following songs only and
one choice piece.
a. Ako’y Ibong Sawi by Buencamino
b. Madaling Araw by Nicanor Abelardo
c. Kung Hindi Man ni Nicanor Abelardo
d. Nasaan Ka Irog? Ni Narciso Asistio
e. Malungkot ang Maya by Jose Estrella
f. Pakiusap ni Francisco Santiago
g. Kundiman by Abdon
h. Kundiman ng Luha
i. Ang Aking Bayan by San Pedro
j. Bayan ko (Ako ay Pilipino)
k. Kundiman (Ako’y Anak ng Dalita) by Santiago
l. Pahiwatig

2. Transposition is NOT allowed.

3. ONLY piano should be the accompaniment.
4. Delivery should not be more than seven (7) minutes.
5. Filipiniana attire is required but should avoid shining and shimmering costumes.
6. The judges’ decision is final.

Criteria for Judging:

CRITERIA %
Tone quality (Vocal Technique/Intonation) 45
Musicianship (dynamic nuances, interpretation, diction) 45
Deportment 10
Total 100

VOCAL DUET
16
 By College
Description of the Category:

The Vocal Duet Competition highlights the beauty of harmony, teamwork, and vocal artistry of two
singers performing together on stage. This provides an opportunity for vocal partners to showcase
their blending, coordination, and musical expression while interpreting their chosen piece.

The competition emphasizes the balance, synchronization, and chemistry between the performers.
Participants are expected to deliver a performance that demonstrates unity of voices, creativity, and
emotional connection.

Mechanics and Rules of the Contest:

1. The contestants shall sing straight published Original Pilipino Music (OPM) songs, either
English or Filipino/Visayan. Published regional songs with translations are allowed.
Rearrangement into a duet of an OPM song is allowed. Revival or adaptations from
foreign compositions is disallowed.
2. Singing shall be accompanied by a minus one. Multiplex, karaoke/videoke, and live
accompaniment shall not be allowed.
3. Delivery of each piece is for 3-7 minutes.
4. Judges’ scores shall revert to zero in the succeeding rounds. Judges’ decision is final and
irrevocable.
5. The judges’ decision is final and irrevocable.
6. Criteria for judging are as follows:

Criteria for Judging:

CRITERIA %
Tone quality/Vocal technique 25
Blending/Harmony 40
Musicianship (Interpretation, Dynamic Nuances, Diction) 25
Deportment 10

Total 100

17
 POP SOLO
By College
Description of the Category:

The competition showcases the versatility, style, and star quality of individual performers through
the dynamic genre of pop music. This competition gives solo vocalists the chance to highlight their
vocal ability, artistry, and stage presence while delivering an engaging and entertaining
performance.

Mechanics and Rules of the Contest:

1. The contestant shall sing straight published Original Pilipino Music (OPM) songs in any
language (prepare translations as needed). Rearrangement or revival of an OPM song is
allowed. Revival or adaptations from foreign compositions is disallowed.
2. Singing shall be accompanied by a minus one. Multiplex, karaoke/videoke, and live
accompaniment shall not be allowed. Soft/electronic copy (MP3/MP4 format) shall be
provided to the host institution prior to the contests for compilation.
3. Delivery of each piece is for 3-7 minutes.
4. Judges’ scores shall revert to zero in the succeeding rounds. The judges’ decision is final and
irrevocable.
5. Criteria for judging are as follows:

Criteria for Judging:

CRITERIA %
Tone quality (Vocal Technique/Intonation) 45
Musicianship (dynamic nuances, interpretation, intonation, 45
diction)
Deportment 10
Total 100

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 QUARTET
By Campus
Description of the Category:

The competition celebrates the art of harmony and teamwork as four vocalists unite to create one
powerful and well-balanced performance. It provides a platform for groups of four singers to
showcase their vocal skills, blending, and coordination while interpreting their chosen piece. The
competition highlights not only individual talent but also the precision, synchronization, and tonal
balance achieved through collaboration.

Mechanics and Rules of the Contest:

1. Eligibility Each group must consist of four (4) bonafide students only.
2. Members of the Quartet must be members of the choral group either in the standard choir
or show choir to save funds.
3. Each quartet shall prepare one (1) contest piece of their choice that is Original Pilipino
Music (OPM).
4. Maximum performance time is 5–7 minutes, including stage entrance and exit.
5. Use of live or recorded instrumental accompaniment is allowed (specify if a cappella only).
6. Costumes and simple choreography or gestures may be used to enhance performance,
provided they do not overshadow the singing.
7. Lyrics and performance must be wholesome and appropriate for a general audience.
8. Groups must perform live; lip-syncing or pre-recorded vocals is strictly prohibited.
9. Any form of vulgarity, offensive language, or disrespectful behavior on stage will result in
disqualification. Exceeding the time limit will incur point deductions of 1 point per judge per
10 seconds of excess.
10. The decision of the board of judges is final and irrevocable.

Criteria for Judging:

CRITERIA %
Judging Criteria Vocal Quality and Technique 30
Harmony and blending 25
Synchronization and Coordination 20
Interpretation and Expression 15
Stage Presence and Overall Impact 10
Total 100

19
 STANDARD CHORAL SINGING
For Bayombong Artists
Description of the Category:

The competition highlights the artistry, discipline, and unity of a choir as they perform the official
contest piece and a warm up piece. This emphasizes precision in vocal blending, balance of parts,
and faithful interpretation of the contest piece. Participating choirs are expected to demonstrate
technical mastery, clarity of diction, and expressive delivery while maintaining proper choral
discipline and coordination.

Mechanics and Rules of the Contest:

1. There shall be 16 to 20 members per group, who are all bona fide students of the
participating SUCS.
2. Each choral group will sing one official contest piece entitled CONDANSOY Music and Lyrics by
Fr. Rudy Villanueva. This contest piece will require piano accompaniment. Score piece to be
provided by PASUC council. Warm up song should be Original Pilipino Music (OPM) open entry:
means either Filipino or English in any song classification / genre.
3. Equal bearing of scores will be given to both rendered songs.
4. Medley for warm up songs is not allowed.
5. The voice composition for both pieces: Sopranos, Altos, Tenors and Basses
6. No alteration of notes for obligatory parts and strictly observe and follow score pieces.
7. Maximum allowable time is 12 minutes. An excess of a minute or a fraction thereof means a
deduction of 5 points per judge.
8. Time starts on the first note and ends on the last note.
9. Choreography is not allowed.
10. Attire will be white polo shirt for both male and female. Leather shoes for males and high heel
for females with brushed up hair in a bun.
11. The use of wired condenser microphones, choir microphones will depend on the venue and
should not be rearranged.
12. Submit four (4) copies of the warm up song on schedule for screening of documents.
13. The decision of the judges is final and irrevocable.

Criteria for Judging:

CRITERIA %
Tone quality 30
Intonation
Resonance
Harmony and Balance 30
Technique Interpretation (Syllabication, enunciation, phrasing, 30
tempo, dynamics)
Deportment 10
Total 100

SHOW CHOIR
20
 For Bambang Artists
Description of the Category:

The competition is a vibrant showcase of music, movement, and creativity that combines choral
singing with choreography and theatrical performance. Unlike traditional choir contests, this event
highlights not only vocal excellence but also stage presence, energy, and visual artistry. Participating
choirs are expected to perform dynamic arrangements that blend harmony, rhythm, and expressive
interpretation with synchronized movements or dance. The competition encourages innovation and
creativity, as groups deliver entertaining performances that captivate both judges and audience.

Mechanics and Rules of the Contest:

1. There shall be 16 to 20 members per group, who are all bonafide students of the participating
SUC’s.
2. Each choral group will sing one Original Pilipino Music (OPM) either English or Filipino in fast
tempo with choreography.
3. Medley arrangement is not allowed.
4. Score piece in Acapella arrangement.
5. The voice composition: Sopranos, Altos, Tenors and Basses
6. No alteration of notes for obligatory parts and strictly observe and follow the score piece.
7. Maximum allowable time is 4 to 6 minutes. An excess of a minute or a fraction thereof means
a deduction of 5 points per judge.
8. Time starts on the first note and ends on the last note.
9. Attire will be white polo shirt for both male and female. Leather shoes for males and high heel
for females with brushed up hair in a bun.
10. Hand props are applicable for this event (any light equipment, head dress, scarf, hats etc..)
11. The use of wired condenser microphones, choir microphones will depend on the venue and
should not be rearranged.
12. Submit four (4) copies of the choice piece on schedule for screening of documents.
13. The decision of the judges is final and irrevocable.

Criteria for Judging:

CRITERIA %
Tone quality 40
Intonation
Resonance
Harmony and Balance
Technique and Interpretation (Syllabication, enunciation, 30
phrasing, tempo, dynamics)
Choreography and appropriate use of hand props and other 20
materials
Deportment 10
Total 100

21
DANCE
ARTS

22
 PHILIPPINE FOLK DANCE
By Campus
Description of the Category:

The competition is a celebration of the nation’s rich cultural heritage expressed through traditional
music and movement. From the identified published Philippine Fork Dances, this event provides a
platform for performers to showcase the grace, rhythm, and artistry that reflect the customs, values,
and way of life of various regions in the country. Participants are expected to demonstrate proper
staging, proper execution of steps, appropriate use of costumes, and cultural sensitivity in their
performance. The competition not only highlights the beauty and diversity of Filipino dance traditions
but also aims to preserve and promote the country’s intangible cultural heritage for future
generations.

Mechanics and Rules of the Contest:

1. The dance must be taken from the published Philippine Folk Dances authored by
known dance-researcher-writer published in the books listed below. The following are
the specific titles of the books.
a. Philippine Folk Dance, Volumes 1-6, by Francisca R. Aquino
b. Philippine National Dance by Francisca R. Tolentino
c. Visayan Folk Dance, Volumes 1-3, by Libertad Fajardo
d. Pangasinan Folk Dance by Jovita Sison Friese
e. Sayaw: Dances of Philippine Islands, Volumes 1-8, by the Philippine Folk Dance
Society
f. Samar Folk Dances by Juan Miel
g. Handumanan by Jose Balcena
h. Philippine Folk Dances and Songs by the Bureau of Public Schools 1965
i. Indak Sayaw Series, Volumes 1-3
2. The dance selected must only be one straight dance: (ALL BOYS)
a. Palopalo (Batanes)
b. Maglalatik (Laguna)
c. Pinga-Pinga (Negros)
d. Tubong/Kalatong (Pangasinan)
e. Pandanggo sa Bulig (Bulacan)
3. No combination of dances is allowed. PASUC NCAF will provide the five (5) official
music accompaniments for the dance inclusive of music for entrance and exit.
4. Dancers should be composed of ten (10) dancers and a maximum of sixteen (16). Two
alternate dancers are allowed to join but actual performers will strictly follow the
maximum of sixteen (dancers) only.
5. An ocular inspection or checking of costume, props and instruments an hour prior to
contest proper will be done.
6. The decision of the judges is final.

Criteria for Judging:

CRITERIA %
Performance Skill and mastery of the dance. 30
(Stage projection, grace and poise. Showmanship, unity,
expression and precision)
Interpretation 20
(Correct interpretation of the dance literature. No
arrangement of figures.)
Costume, Music, Accessories and Equipment 20
Costume approximates the original. Musicality. Equipment
is required of and relevant to the dance)
Staging 20
Use of Space (levels, pathways, directions), Time, Design
Over-All Impact 10
Total 100

23
 INDIGENOUS DANCE
By Campus
Description of the Category:

The Indigenous Dance Contest showcases the rich traditions, rituals, and artistry of the Philippines’
indigenous communities through appropriate music and movement. This competition serves as a
cultural platform where performers present dances that embody the stories, beliefs, and ways of life
of indigenous groups, highlighting their deep connection with nature, community, and spirituality.

Participants are expected to portray their chosen indigenous dance, proper execution appropriate to
the given literature and respect for its cultural context. Performances should include traditional
costumes, props, and music that accurately reflect the heritage being represented. The contest aims
to promote awareness, appreciation, and preservation of indigenous culture while instilling pride in
the nation’s diverse roots.

Mechanics and Rules of the Contest:

1. The dance selected must only be one straight dance from the list of approved dances
for the festival.
2. The dance selected must follow the prescribed one minute entrance and one minute
exit. A deduction of 2 points per judge will be given if contestants exceed the 1
minute.
3. Live or recorded musical accompaniment is required.
4. The maximum number of dancers is ten (10), all females. Instrumentalists will be
required, a minimum of 4 and maximum of 8. Two alternate dancers are allowed to
join but actual performers will be strictly followed to the maximum of 10.
5. Published indigenous dances will be chosen as contest pieces (from Mindanao).
a. Pig Apir (Maranao)
b. Tutup (Maranao)
c. Kadal Tahu (Tiboli)
d. Dugso (Bukidnon)
e. Kapamalong malong (Maranao)
f. Pansak Si Laley (Yakan)
6. The decision of the judges is final.

Criteria for Judging:

CRITERIA %
Performance Skill and mastery of the dance. 30
(Stage projection, grace and poise. Showmanship, unity,
expression and precision)
Interpretation 20
(Correct interpretation of the dance literature. No
arrangement of figures.)
Costume, Music, Accessories and Equipment 20
Costume approximates the original.Instruments used and
musicality. Equipment is required of and relevant to the
dance)
Staging 20
Use of space (level, pathways, directions), Design, Time
Over-All Impact 10
Total 100

24
 CONTEMPORARY DANCE DUO
By College
Description of the Category:

The Contemporary Dance Duo Competition highlights the creativity, expression, and partnership
of two dancers as they perform an original contemporary dance piece. This event emphasizes
storytelling through movement, blending technique, artistry, and emotional connection to
create a powerful performance.

Participants are expected to demonstrate synchronization, fluidity, and balance while

showcasing individuality and unity as a pair. Performances may explore themes of human
experience, emotion, and innovation, expressed through dynamic choreography and artistic
interpretation.

Mechanics and Rules of the Contest:

1. The contest piece must be at least four (4.0) minutes but not more than five (5.0)
minutes.
2. The theme of the Contemporary Dance for this year is Neo-Ethnic “Malakas at Maganda
Storylne”.
3. The dance piece should be an original choreography in contemporary form. It should not
copy any movement found in any media source. A notarized affidavit must be secured on
the originality of the choreography to be submitted to the organizers.
4. Soft ballet shoes or pointe shoes is optional.
5. Sets are not allowed (e.g. risers, back drop, tables, etc.). Hand held props may be used
(e.g. stick, fan, ring, umbrella, etc.). Bamboo, wood, steel or plastic poles may be used but
must not be more than 3 meters long.
The following are strictly not allowed in the performance:
a.) The use of real fighting armor (e.g. sword, knife, guns, arrow, spears, etc…)
b) The use of any form of liquid (e.g. blood, oil, water, etc.)
c.) The use of fire, candles and any pyrotechnic materials.
d.) The use of confetti either drops or bombs.
e.) Breaking of glass, pots, etc…
f.) Audio visual presentation or screen projection.
g.) Body paint
6. Costume must be appropriate to the concept of the dance. Skin toned cycling, leggings, or
leotards are allowed. Nudity or toplessness for both male and female is strictly prohibited.
7. Obscene choreography/indecent movements and killing of animals are strictly prohibited.
Tossing will not be allowed.
8. A close door preliminary screening of dance performance and music will be done a day
before the contest.
9. A workshop will be done for the modern contemporary.
10. This competition will have five (3) members of the board of judges.
11. Deliberation of the results between the board of judges will be done prior to the
announcement of winners.
12. Violation of any of these contest guidelines will result disqualification of the participating
group.
13. The decision of the board of judges is final and irrevocable.

Criteria for Judging:

CRITERIA %
Choreography/composition 40
Theme and Variation
Structure
Organization of Movement
Use of Movement Space
Performance/ Artistry/Costuming 20
Expression
Characterization
Concept 20
Ideas
Content/Storyline
Technique 20
Movement Skills
Precision of Movement
Synchronization and Coordination
Clarity of Movement and Lines
Timing
Total 100

25
 CONTEMPORARY DANCE
By Campus
Description of the Category:

The Contemporary Dance Competition is a dynamic showcase of creativity, technique, and emotional
expression through the art of modern movement. Unlike traditional forms, contemporary dance
emphasizes freedom, innovation, and storytelling, allowing dancers to explore themes of human
experience and translate them into powerful performances.

Participants are expected to present original choreography that demonstrates mastery of technique,
fluidity of movement, and depth of interpretation. The competition highlights not only physical skill
but also artistry, creativity, and the ability to connect with the audience.

Mechanics and Rules of the Contest:

1. The contest piece must be at least four (4.0) minutes but not more than five (5.0)
minutes.
2. The theme of the Contemporary Dance for this year is “VIRAL: Moving with the Algorithm”.
3. A maximum of ten (10) and a minimum of six (6) dancers are allowed to participate. All
males/females or combination of both.
4. The dance piece should be an original choreography in contemporary Form, it should not
copy any movement found in any media source. A notarized affidavit must be secured on
the originality of the choreography to be submitted to the organizers.
5. Soft ballet shoes or pointe shoes is optional.
6. Sets are not allowed (e.g. risers, back drop, tables, etc.). Hand held props may be used
(e.g. stick, fan, ring, umbrella, etc.). Bamboo, wood, steel or plastic poles may be used but
must not be more than three (3) meters long.
The following are strictly not allowed in the performance:
a.) The use of real fighting armor (e.g. sword, knife, guns, arrow, spears, etc…)
b) The use of any form of liquid (e.g. blood, oil, water, etc.)
c.) The use of fire, candles and any pyrotechnic materials.
d.) The use of confetti either drops or bombs
e.) Breaking of glass, pots, etc…
f.) Audio visual presentation or screen projection.
g.) Body paint
7. Costume must be appropriate to the concept of the dance. Skin toned cycling, leggings, or
leotards are allowed. Nudity or toplessness for both male and female is strictly prohibited.
8. Obscene choreography/indecent movements and killing of animals are strictly prohibited.
Tossing will not be allowed.
9. A close door preliminary screening of dance performance and music will be done a day
before the contest.
10. A workshop will be done for the modern contemporary.
11. This competition will have five (5) members of the board of judges.
12. Deliberation of the results between the board of judges will be done prior to the
announcement of winners.
13. Violation of any of these contest guidelines will result in disqualification of the
participating group.
14. The decision of the board of judges is final and irrevocable.

Criteria for Judging:

CRITERIA %
Choreography/composition 40
Theme and Variation
Structure
Organization of Movement
Use of Movement Space
Performance/ Artistry 20
Expression
Characterization
Concept 20
Ideas
Content
Technique 20
Movement Skills
Precision of Movement
Synchronization and Coordination
Clarity of Movement and Lines
Timing 26
Total 100
 STREET DANCE
By College
Description of the Category:

Street Dance is an umbrella term used for dances created in the street which encompasses a wide
range of dance styles and street art forms which can be enjoyed both for recreation and competition.
It involves foundational and fundamental steps and patterns which are essential in creating dance
improvisation or freestyle and dance variations that can lead into making of dance choreography.

The following are the known street dance arts forms and styles:
1.Vogueing
2.Locking
3.Breaking (B-boying/B-girling)
4.Popping
5.Waacking/Punking
6.House Dance
7.Hip Hop Dance (Freestyle) and Lite Feet
8.Party Dances or Club Dances (Old and New Skool Trendy dances)
9.KRUMP
10.Dance Hall and Afro Dance
11.Choreography (former term as URBAN Dance)

Mechanics and Rules of the Contest:

1. Groups are permitted to mix and bring music of their choice on a standard MP3 format. The
contest piece
and routine’s length for each group is with a minimum of three (3) minutes and a maximum
of five (5)
minutes. Music should not contain obscene lyrics or words.
2. The routine will focus on the theme – “VIRAL: Moving with the Algorithm”

Theme definition:

VIRAL refers to content that spreads rapidly across digital platforms, often driven by
trends, shares, and algorithmic boosts.

Moving with the Algorithm suggests adapting or innovating movements—especially dance

—to the patterns, preferences, and mechanics of digital algorithms (like those on
Facebook, TikTok, Instagram, or YouTube and across the internet).

3. The Routine may include any street dance art forms and styles must be performed, in its
entirety to the
music selected, prepared and submitted by the group.
4. A maximum of ten (10) and a minimum of six (6) dancers are allowed to participate.

RULES ON SAFETY:

The following are not allowed:

a.Dangerous stunts.
b.Excessive use of cheerleading, gymnastics or acrobatic moves.
c.Tossing
d.Pyramid building
e.Double/triple back flips
f.Coin drop (suicide drop)
g.Knee drop
h.Head spins and halos
5. Lifting is allowed provided it is only up to the second level (chest to shoulder level.)
6. Use of body oil, paints or substances that will affect the stage is not allowed.
7. Attire may include accessories such hats, caps, gloves, scarves, jewelries, etc. Removing
pieces of
clothing during the performance is allowed provided it is not offensive or out of character.
Appropriate
clothing should be observed in the competition.
8. Performers should not wear any identifying marks of their college.
9. A closed-door preliminary screening/assessment will be done a day before the contest
proper.
10. A violation of any of the ground rules will be subjected to disqualification.

27
 11. A notarized affidavit must be secured in the originality and must be submitted to the
organizer.
12. Deliberation of the members of the board of judges will be done prior to the announcement
of winners.
13. Decision of the board of judges is final and irrevocable.

Criteria for Judging

CHOREOGRAPHY - 30%
Original choreography, use of variety and unique dance movements and foundations,
street dance arts forms and styles together with impressive formations, musicality,
elements and transitions.

EXECUTION- POWER, INTENSITY AND CLARITY OF MOVEMENTS- 20%

Proper execution of the choreography that displays power,
intensity, synchronization, precision and clean movements.

CONTENT, CREATIVITY, AND ARTISTRY-20%

Use of dance elements and fresh themes, creativity, and artistic interpretation of the
theme, concept that makes the routine stand out from all other performances.

• ENTERTAINMENT VALUE AND IMPACT-15%

Showmanship, stage presence and projection. Use of entertaining and interesting routine,
concept, and blow ups that will bring the crowd to cheer for the crew.

STREET PRESENCE, ATTIRE AND MUSIC-15%

TOTAL=100%

DRAMATICS
ARTS
28
 SHORT AND SWEET PLAY (DIALOGUE)
(One Act Play that runs for ten (10) minutes)
By Campus
Description of the Category:

A short and sweet play is a brief stage performance, usually 5 to 10 minutes long that tells a
complete story in a simple yet engaging way. Its “sweet” because it leaves the audience smiling,
touched, or inspired – without being too long or complicated.

Mechanics and Rules of the Contest:

1. The category is a presentation of a short play with limited time and number of characters
2. Performers will be limited to a minimum of three (3) and a maximum of six (6). No multiple
character role for an actor will be allowed.
3. Language to be used may be pure or a combination of English, Filipino, or any Philippine
language with English/Filipino translation.
4. Technicians, musicians, and all personnel needed for production will be counted in the six-
contestant limit.
5. The writer is NOT required to be a part of the cast.
6. Lines must be live.
7. Handprops and a maximum of two movable set pieces (EXAMPLE: One Table= 1 Set, One
Chair = 1 Set) will be allowed on stage for the duration of the play. Backdrops are not
allowed. Performers must wear appropriate costumes. The available space light will be used.
8. Performance time is ten (10) minutes maximum. For an over time, the contestant will receive
a 0.5-point deduction for any portion of thirty (30) second increments outside the allotted
time. (For example, a performance timed at 10:01 would receive a half-point deduction from
the total score per judge. A performance of 10:31 would receive a deduction of a full point
from the total score per judge.)
9. Plays must be originally written for the competition. A notarized and five (5) photocopies must
be submitted to the organizers a week before the National PASUC Competition. The play
should depict or illustrate the theme of family unity, values and youth issues. The play’s
theme should explore the impact of social media on the youth
10. The competition will use the dialogue form of delivery and not to be sung.

Criteria for Judging:

CRITERIA %
A. ACTING 25
Use of voice - 10
Use of body - 5
Use of imagination - 5
Use of feelings/emotions - 5
A. DIRECTING 25
Interpretation of materials - 10
Use of space - 8
Approaches/Styles - 7
A. TECHNICAL DESIGNS 25
Costume - 5
Appropriateness to the character
Makeup - 5
Appropriateness to the character
Sounds - 8
Appropriateness to the text/narrative - 4
Signification of meaning of text - 4
Set and Props - 7
Functionality - 4
Symbolic Relevance - 3
B. D. PLAY 25
Relevance to the theme - 10
Dramatic structure (linear and non linear) - 5
29
Dialogue (appropriate to the character) - 5
Unity of action - 5
Total 100
 SHORT AND SWEET PLAY (MUSICAL)
(One Act Play that runs for ten (10) minutes)
By Campus
Description of the Category:

A short and sweet play musical is a mini-theatrical performance usually 5 to 10 minutes that
combines acting, dialogue, and musical numbers to tell a simple but impactful story that tells a
complete story. Its “sweet” because it leaves the audience smiling, touched, or inspired –
without being too long or complicated.

Mechanics and Rules of the Contest:

4. The category is a presentation of a musical short play with limited time and number of
characters
5. Performers will be limited to a minimum of three (3) and a maximum of six (6). No multiple
character role for an actor will be allowed.
6. Language to be used may be pure or a combination of English, Filipino, or any Philippine
language with English/Filipino translation.
7. Technicians, musicians, and all personnel needed for production will be counted in the six-
contestant limit.
8. The writer is NOT required to be a part of the cast.
9. Spoken lines must be short and lines must be sung live.
10. Handprops and a maximum of two movable set pieces (EXAMPLE: One Table= 1 Set, One
Chair = 1 Set) will be allowed on stage for the duration of the play. Backdrops are not
allowed. Performers must wear appropriate costumes. The available space light will be used.
11. Performance time is ten (10) minutes maximum. For an over time, the contestant will receive
a 0.5-point deduction for any portion of thirty (30) second increments outside the allotted
time. (For example, a performance timed at 10:01 would receive a half-point deduction from
the total score per judge. A performance of 10:31 would receive a deduction of a full point
from the total score per judge.)
12. Plays must be originally written for the competition. A notarized and five (5) photocopies must
be submitted to the organizers a week before the National PASUC Competition. The play
should depict or illustrate the theme of family unity, values and youth issues. The play’s
theme should explore the impact of social media on the youth
13.
14. Violation of the guidelines except for #8 will be disqualified.
15. The competition will use the singing delivery of the lines.

Criteria for Judging:

CRITERIA %
A. ACTING 25
Use of voice - 10
Use of body - 5
Use of imagination - 5
Use of feelings/emotions - 5
B. DIRECTING 25
Interpretation of materials - 10
Use of space - 8
Approaches/Styles - 7
C. TECHNICAL DESIGNS 25
Costume - 5
Appropriateness to the character
Makeup - 5
Appropriateness to the character
Sounds - 8
Appropriateness to the text/narrative - 4
Signification of meaning of text - 4
Set and Props - 7
Functionality - 4
Symbolic Relevance - 3
D. D. PLAY 25
Relevance to the theme - 10
Dramatic structure (linear and non linear) - 5 30
Breathing - 5
Tonality - 5
Total 100
 RADIO DRAMA
By Campus
Description of the Category:

A radio drama is a competition where participants create and perform a scripted story designed to be
heard, not seen – just like traditional radio plays instead of focusing on stage performance. It
highlights voice scting, sound effects, music, and storytelling.

Mechanics and Rules of the Contest:

1. Contestants should present an original radio drama over a simulated or actual radio station.
The script must follow the annexed sample format.
2. No more than five (5) radio talents and/or student technicians may be involved.
3. Contestants may portray multiple characters behind a curtain.
4. The drama must convey a moral or character-building theme on youth, family, unity, and
values. The radio drama should be suitable for general listeners. Please strictly follow the
ethics on KBP Radio Code.
5. Background music and canned sound effects may be used.
6. A notarized and five (5) photocopies must be submitted to the organizers a week before the
National PASUC Culture and Arts Festival Competition.
7. Performance time is ten (10) minutes maximum. For an over time, the contestant will receive
a 0.5-point deduction for any portion of thirty (30) second increments outside the allotted
time. (For example, a performance timed at 10:01 would receive a half-point deduction from
the total score per judge. A performance of 10:31 would receive a deduction of a full point
from the total score per judge.)
8. All equipment and sound effects must be provided by the participants. The host will only
provide sound system.
9. The medium of language to be used will either be English or Filipino or a combination of the
two. Philippine languages may be used but translation be provided in the script. Lines should
be live and may not be memorized.
10. Maximum set up time is five minutes.
Criteria for Judging:

CRITERIA %
A. RADIO DRAMA SCRIPT 30
Theme Appropriateness - 10
Variety of characters - 10
Script Flow and Continuity - 10
B. TECHNICAL QUALITY 30
Appropriateness of sounds -10
Smoothness of production - 10
Precision (Timing, Pacing and Transition) -10
C. VOCAL QUALITY 30
Voice flexibility - 15
Voice creativity - 15
D. OVER-ALL APPEAL 10
Dramatic effect - 5
Rendering/delivery - 5
Total 100

ANNEX A
(Radio Drama Script Format)
Title:
Format: Radio Drama
Duration: 10 mins.
Writer/Producer/Director:
Cast:
Scene One: Spacious Reception Area
31
01 MUSIC: FOREBODING THEME, ESTABLISH, CONTINUE UNDER

02 SOUND: APPROACHING FOOTSTEPS ON THE SURFACE

03 CBC MAILMAN: Here’s Mail! Looks like a lot of scripts!

04 RECEPTIONIST: Thank you. I will deliver these immediately to the appropriate script editors.

DUO ACTING
By College
Description of the Category:

The competition is for two contestants presenting an original dialogue script. The primary emphasis
of this event is on the verbal interchange between two characters. This event should employ all
the skills of a good dramatic presentation.

Mechanics and Rules of the Contest:

1. Only two characters can be portrayed.

2. Costumes are permissible.
3. No recorded speaking or singing will be permitted. However, canned background music is
allowed to aid the performance.
4. The piece must be memorized by both characters.
5. No identifying college marks will be allowed.
6. Contestants must provide 4 copies of the script to the contest headmaster.
7. The time limit is five (5) minutes minimum, seven (7) minutes maximum. Contestants must
observe time limits in accordance with the rules of the competition or risk being disqualified.
8. Microphone use is optional. It is at the discretion of the contestant whether they opt to use a
microphone.
9. The judges' decision is final and irrevocable.

Criteria for Judging:

CRITERIA PERCENTAG
E
Mechanic 30%
Approach/departure 5%
Voice projection/infection 10 %
Diction/Enunciation 10%
Memory 5%
Characterization 50
Posture, movement gestures 10 %
Facial expressions 10 %
Costume 10 %
Variety of dramatic skills displayed 10 %
Overall quality of characterization 10 %
Delivery 10%
Effective interaction of characters
Stage Presence and Audience rapport 10%
Total 100%

32
 DUO ACTING (FILIPINO)
By College
Description of the Category:

Ang Duo Acting ay isang kompetisyon sa pagtatanghal kung saan dalawang kalahok ang gumaganap
ng isang eksena mula sa orihinal na akda. Layunin nito na maipakita ang husay sap ag-arte, tamang
emosyon, malinaw na boses, at mahusay na pakikipagugnayan sa kapareha.

Mechanics and Rules of the Contest:

1. Mga Kalahok Bawat grupo ay binubuo ng dalawang (2) kalahok lamang.

2. Ito ay dapat orihinal na pagkasulat ang Pyesa / Iskrip
3. Maaaring gumamit ng eksena mula sa isang dula, pelikula, na may orihinal na akda.
4. Ang haba ng pagtatanghal ay dapat nasa 5–10 minuto lamang.
5. Hindi pinapayagan ang paggamit ng malalaswang salita o eksenang labag sa
magandang asal.
6. Props at Kostyum Maaaring gumamit ng simpleng props at kasuotan, ngunit hindi
dapat sagabal sa pagtatanghal.
7. Hindi pinapayagan ang paggamit ng delikado o nakapipinsalang kagamitan.

Pamantayan sa Paghatol (Criteria for Judging)

CRITERIA PERCENTAG
E
Mechanic 30%
Approach/departure 5%
Voice projection/infection 10 %
Diction/Enunciation 10%
Memory 5%
Characterization 50
Posture, movement gestures 10 %
Facial expressions 10 %
Costume 10 %
Variety of dramatic skills displayed 10 %
Overall quality of characterization 10 %
Delivery 10%
Effective interaction of characters
Stage Presence and Audience rapport 10%
Total 100%

33
LITERARY
ARTS

34
 PAGSULAT NG SANAYSAY
By College
Description of the Category:

Ang Pagsusulat ng Sanaysay ay naglalayong linangin ang kakayahan ng mga kalahok sa masining at
malinaw na pagpapahayag ng kaisipan, damdamin, at pananaw hinggil sa isang tiyak na paksa na
binigay ng tagapamahala. Sa pamamagitan nito, naipapakita ang husay sa paggamit ng wika, lohikal
na pagbuo ng ideya, at lalim ng pag-unawa sa napiling tema.

Layunin ng kompetisyon na: Mahubog ang kasanayan ng kabataan sa mapanlikha at kritikal na

pagsusulat. Mapalakas ang pagpapahalaga sa wikang Filipino bilang daluyan ng kaisipan at
damdamin. Mapukaw ang kamalayan ng mga kalahok sa mga isyung panlipunan, pangkultura, at
pang-akademiko. Sa kabuuan, ang sanaysay ay nagsisilbing tulay ng komunikasyon upang
maipahayag ng tao ang kanyang saloobin, pananaw, at adhikain sa paraang malinaw, makabuluhan,
at kapaki-pakinabang.

MECHANICS OF THE COMPETITION:

1. Ibibigay ng lupon ng inampalan ang paksa ng kompetisyon sa lugar napagdarausan.

2. Ang dami ng salita ay hindi hihigit sa 1,300 at hindi naman kukulangin sa 800. May
karampatang bawas ng 2puntos.
3. Bibigyan lamang ang kalahok ng 2 oras sa pag buo ng diwa o komposisyon.
4. Bibigyan ang mga kalahok ng papel at panulat na may kalakip na bilang at pirmado ng
komite ng paligsahan. Hindi kailangang isulat ang pangalan at paaralan ng kinatawan.
5. Hindi pinahihintulutan ang pagdadala ng mga kalahok ng anumang aklat, diksyunaryo at
iba pang material na maaring pagkukunan ng ideya.
6. Tanging ang mga miyembro ng komite at mga kalahok lang ang may karapatang
pumasok sa lugar na pagdarausan ng paligsahan.
7. Itatalaga“tally board” ang resulta ng paligsahan matapos mahatulan ng lupon ng
inampalan.
8. Pinal at hindi mababago ang hatol ng lupon ng inampalan.

Criteria for Judging:

CRITERIA %
Nilalaman 50%
(Kaugnayan sa paksa, kalinawan sa paglalahad at
orihinalidad.)
Organisasyon 30%
(Kaisahan, pagkakaugnay at diin)
Mekaniks 20%
(Wastong gamit ng mga salita, bantas, baybay at pagpili
ng mga wastong mga salita)
Total 100%

35
 DAGLIANG TALUMPATI
By college
Description of the Category:

Ang Dagliang Talumpati ay isang uri ng paligsahan sa pagsasalita kung saan ang kalahok ay
bibigyan ng isang paksa at kaunting oras upang makapag-isip bago magsalita. Layunin nito na
masubok ang kakayahan sa mabilisang pagbuo at malinaw na pagpapahayag ng kaisipan gamit ang
angkop na mga salita at wastong gramatika.

Sa pamamagitan ng dagliang talumpati, nahahasa ang: Talino at talas ng pag-iisip sa pagbibigay ng

lohikal na pananaw. Kasanayan sa mabisang komunikasyon gamit ang tinig, tindig, at kumpiyansa.
Kakayahang magpahayag nang direkta at makabuluhan kahit sa limitadong oras ng paghahanda.

MECHANICS OF THE COMPETITION:

1. Ang paksa ng talumpati ay ibibigay ng Lupon ng Inampalan sa araw ng paligsahan.

2. Ang kalahok ay bibigyan 10 minutong paghahanda at 5 minutong paglalahad. Isang
puntos ang ibabawas sa bawat 30 segundong kulang at sobra sa paglalahad.
3. Ang paglalahad ay maaaring sa paraan ng pakikipagusap (conversational) o patalumpati
(oratorical) o maaaring pinagsamang pakikipagu-usap at patalumpati.
4. Hindi maaring gumamit ng mikropono.
5. Ipinagbabawal sa mga kalahok ang pagsusuot ng uniporme ng kolehiyo o unibersidad.
6. Ang hatol ng inampalan ay pinal.

Criteria for Judging:

CRITERIA PERCENTA
GE
Nilalaman 35%
(Kaugnayan sa paksa, kabuuan at kaayusan ng diwa
kalinawan)
Paglalahad 35%
(Tinig, pagbigkas akma ng gamit ng mga salita)
Tikas o Personalidad 30%
(Tindig, tiwala sa sarili, kilos o tuwiring pakikipag-ugnayan
Total 100%

36
 PAGKUKWENTO
By College
Description of the Category:

Ang Pakukwento ay isang patimpalak sa masining na pagkukuwento kung saan ang kalahok ay
naglalahad ng isang kuwentong may aral, aliw, at inspirasyon. Layunin nito na maipakita ang husay
sa pagpapahayag, paggamit ng wika, at pagbibigay-buhay sa mga tauhan at pangyayari sa
pamamagitan ng malikhaing pagsasalaysay.

Nilalaman ng Kuwento – makabuluhan, may aral, at angkop sa tagapakinig. Layunin ng patimpalak

na ito na linangin ang kasanayan ng mga mag-aaral sa masining na pagsasalaysay, gayundin ang
pagpapahalaga sa kulturang Filipino sa pamamagitan ng mga kuwentong nagbibigay-inspirasyon at
aral.

Mechanics and Rules of the Contest:

1. Ang kwento ay orihinal o di orihinal na katha at nakatuon sa tema.

2. Ang kwento ay dapat pang-antas tersyarya.
3. Ang mga sumusunod ay mahigpit na ipinagbabawal: Pabula, Epiko, Alamat, Kurido at
pinagtagpi-tagping dialoging galling sa teleserye o pelikula.
4. Ang pagkukuwento ay magaganap sa loob ng 4 hanggang 5 minuto. Babawasan ng 1
puntos ang bawat 30 segundong lampas o kulang na oras sa pagkukuwento.
5. Walang anumang epektong teknikal nagagamit intulad ng mikropono, musika, o tunog.
Wala ring gagamiting larawan o anumang sining biswal.
6. Nasadiskresyon ng tagapag kwento kung siya ay uupo o tatayo (Iwasan ang sobrang
galaw o kilos.
7. Ang kasuotan ay angkop sa piyesa at naayon sa pamantayang moral at etikal.
8. Iwasan ang mga salitang bulgar na hindi akma sa pormal na bigkas.
9. Ang hatol ng inampalan ay pinal at hindi mapasusubalian.

Criteria for Judging:

CRITERIA PERCENTA
GE
Kakayahan sa pagbigkas 30%
(Tiwalasa sarili, kaalaman, kasanayan, kalinawan)
Kahusayan sa pagbibigay buhay sa papel na ginagampanan 30%
ng mga tauhan sa kwento
Ka angkupan sa tema (Orihinalidad) 20%
Hikayat sa madla 20%
Total 100%

37
 ESSAY WRITING
By College
Description of the Category:

The Essay Writing Contest is an academic and creative competition that challenges participants to
express their thoughts, opinions, and insights on a given theme through a well-organized and
meaningful essay. It aims to develop critical thinking, creativity, and written communication skills
while allowing participants to share their perspectives on relevant social, cultural, or educational
issues.

Participants are evaluated based on the content, organization, originality, grammar, and adherence
to the theme. The contest encourages writers to use language effectively, present logical arguments,
and inspire readers through their ideas and reflections.

Ultimately, the Essay Writing Contest serves as a platform to promote literacy, awareness, and
appreciation of writing as a tool for expression and change.

Mechanics and Rules of the Contest:

1. The board of Judges will provide the topics of the essay at the venue of the competition.
2. The essay shall be written in English in not less than 600 words but not more than 800
words. A deduction of two points shall be applied when the words used are less than 600
or more than 800 words.
3. The contestants shall be given two (2) hours to develop the composition.
4. The contestants shall be provided with a pen and a long bond paper marked with the
assigned number duly signed by the contest master. They are prohibited to write their
names, school, and region.
5. No printed materials, electronic gadgets, or storage devices shall be utilized.
6. Each contestant shall be assigned a number.
7. The result of the contest will be posted on the tally board immediately after the judges
have finished rating the contestants’ manuscripts.
8. The judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA PERCENTA
GE
Content 50%
Relevance to the Theme – connection, significance of the
issue being discussed.
Comprehensiveness – how complete and detailed the
writer’s exposition of the topic.
Originality – Uniqueness, novelty and authenticity of ideas.
Insights – a fresh way of looking at things, critical view of
the subject.
Organization 30%
Clarity of thoughts – use of simple and appropriate words
to convey ideas or issues.
Creativity – the use of appropriate devices and expressions
in the exposition of the subject.
Unity and Consistency– ability to highlight the focal point.
Mechanics 20%
Punctuation, Spelling, Capitalization, Grammar – the
correct
use of punctuation, capitalization and grammar.
Total 100%

38
 EXTEMPORANEOUS SPEECH
By College
Description of the Category:

The Extemporaneous Speech Contest is a competition that tests a participant’s ability to think
quickly and speak effectively on a given topic within a limited preparation time. Contestants are
provided with a topic shortly before their turn to speak and are given only a few minutes to organize
their thoughts and deliver a clear, logical, and persuasive speech.
This contest aims to develop confidence, critical thinking, spontaneity, and public speaking skills. It
challenges participants to express their ideas coherently, use language effectively, and connect with
their audience under time pressure.
Speeches are evaluated based on content, organization, delivery, confidence, and relevance to the
topic. The contest highlights the speaker’s ability to think on their feet while demonstrating clarity of
thought and eloquence in communication.

Mechanics and Rules of the Contest:

1. The topic shall be given on the spot by the judges.

 The judges shall give the common topic prior to the start of the competition related
to current events whether local, national or international.
2. The contestants shall be given 10 minutes to prepare and 3 minutes minimum to 5
minutes maximum to deliver.
 There shall be three rooms (i.e., waiting, preparation and delivery)
 The contestants are not allowed to have any gadget (e.g., cellphone, tablet, etc.)
 The undertime and overtime deductions shall apply
 A timer accessible to the contestant, judges and audience shall be provided.
 The contest master is accountable to the sanctity of the competition.
 There will be a point deduction of 1 point for every 10 seconds undertime or overtime
from the respective judges’ total score before determining the rank of the
contestants.
3. The style of the delivery shall be conversational, oratorical or a combination of both.
 Dramatic style is considered as disqualified.
4. The contestant should not wear his/her school uniform. Business attire is encouraged.
5. Use of sound effects, microphones and props are disallowed.
6. After the deliberation of the members of the board of judges, the judges’ decision is final.

Criteria for Judging:

CRITERIA PERCENTAG
E
Content, clear organization 35%
Delivery 35%
Pronunciation, enunciation, diction 20%
Stage presence (eye contact, poise, personality) 10%
Total 100%

39
 STORY TELLING
By College
Description of the Category:

The Storytelling Competition is a lively and creative contest that showcases a participant’s ability to
narrate a story with clarity, expression, and imagination. It aims to develop communication skills,
confidence, and appreciation for the art of storytelling as a powerful medium of learning and
entertainment.

Participants are encouraged to bring stories to life through voice modulation, facial expressions,
gestures, and emotional delivery while keeping the audience engaged and inspired. The competition
promotes creativity, cultural awareness, and love for literature as contestants share stories that
reflect values, traditions, and imagination.

Performances are judged based on content, delivery, expression, and overall impact.

Mechanics and Rules of the Contest:

1. There will be eight (3) official contest pieces to be selected from Philippine Literature that
will be provided by the UCAO Secretariat to the contestants 14 days before the
competition.
2. All three (3) story pieces must be read and be studied by the contestants within the
preparation period.
3. A story piece among all the eight (3) stories will be drawn by the contestant five minutes
after the ongoing speaker has started his/her delivery. Drawing of the story pieces will be
conducted inside the holding room.
4. The delivery must be done by a recounting of the original story piece. A minimum of 7
minutes and a maximum of 10 minutes of delivery time is given to each contestant.
5. One (1) point shall be deducted from the contestant’s total score for every 30 seconds of
under time and over time of his/her delivery.
6. Movement is confined to either sitting or standing throughout the delivery. No low level
movements. One point shall be deducted for every violation of movement.
7. Appropriate attire with moral and ethical standards is required.
8. No sound effects, background, or props are allowed to support the story.
9. The judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA PERCENTA
GE
Adherence to the Storyline 25%
Adequate details recounted.
Pertinence of details to the original story.
Chronological and logical order of the story’s events
Creativity of recounting the story’s plot.
Elucidation of imagery
Delivery 25%
Elicitation of emotions and expressions of the character played.
Spontaneity and naturalness of delivery
Poise and confidence
Facial expression, gestures, and eye contact
Elicitation and sustainability of audience’s interest
Language Skills 25%
Suitability of Language
Vividness of Language
Grammatical Correctness
Pronunciation and Enunciation
Phrasing
Voice 25%
Variation of Voice across characters
Voice Projection
Clarity
Voice Quality

40
 Suffciency of Variety in Rate, Pause, and Pitch
Total 100%
TITLES:
16. How My Brother Leon Brought Home a Wife
17. The Wedding Dance
18. My Brother’s Peculiar Chicken

DECLAMATION
By College
Description of the Category:

Declamation is the delivery of an ORIGINAL character portrayal piece from memory. Declamation
delivery is verbal and facial expression only. The goal of conveying its meaning through voice,
emotion, and expression. The purpose of a declamation contest is to develop the participant’s
confidence, communication skills, and appreciation for the art of oral interpretation.

Mechanics and Rules of the Contest:

1. No identifying college marks will be allowed.

2. Contestants must provide 4 copies of the script to the contest headmaster.
3. No Costume is allowed during the competition. Contestants are advised to wear attires
which do not have an identification of the school he/she represents.
4. Microphone use is optional. It is the discretion of the contestant whether he/she opts
to use a microphone.
5. The use of props is not allowed.
6. Ranking will be used in this
7. The time limit of delivery will be a maximum of 6 minutes. Contestants must observe
time limits in accordance with the rules of the competition or risk being disqualified.
8. The judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA PERCENTAG
E
Intonation, Memory, and Rhythm 30%
Delivery 30%
Proficiency i n Handling D ifficult Structures 20%
Pronunciation, Enunciation, Diction 10 %
Stage Presence (Eye Contact, Poise, Personality) 10%
Total 100%

41
 DEKLAMASYON
By College
Description of the Category:

Isang patimpalak sa pagsasalita kung saan ang kalahok ay nagtatanghal ng isang piraso o piyesa na
ORIHINAL Layo nitong maipakita ang husay sa pagbigkas, paglalapat ng tamang damdamin, at
masining na interpretasyon ng akda.

Layunin ng kompetisyon na hubugin ang kumpiyansa, galing sa wika, at kakayahang

makipagtalastasan ng mga kalahok, gayundin ang pagpapahalaga sa sining ng masining na
pagsasalita.

Mechanics and Rules of the Contest:

Pamantayan sa Pagbibigay-Hatol (Criteria for Judging):

CRITERIA PERCENTAG
E
Nilalaman (Content) 25%
Kaugnayan at lalim ng piyesang binigkas Kabuluhan
ng mensaheng nais iparating Angkop sa tema ng
patimpalak

Pagbigkas (Delivery / Interpretation) 40%

Tamang pagbigkas ng mga salita (diksiyon at bigkas)
Tindi ng damdamin at emosyon sa pagganap Natural
na ekspresyon, kilos, at galaw Mabisang paggamit ng
boses, himig, at ritmo
Pagpapahayag at Kumpiyansa (Stage Presence & 20%
Confidence)
Kumpiyansa sa sarili at husay sa pakikiharap sa madla
Kaayusan ng tindig, kumpas, at pagkontrol ng
entablado Pakikipag-ugnayan sa mga manonood
Kabuuang Epekto (Overall Impact) 15%
Kabuuang dating ng pagganap Kakayahang pukawin
ang damdamin ng mga tagapakinig Orihinalidad at
kabuuang husay ng interpretasyon
Kabuuang Iskor: 100%

42
 DRAMATIC INTERPRETATION
By College
Description of the Category:

This category presents the character of an individual, showing the individual's thoughts, emotions,
and reactions in a situation, challenges or events relevant to that individual. The presentation
must be in the first person. Contestants must write and perform this original dramatic presentation.
The contestant may not write the script himself but must be originally written. The intent is to
convey dramatic skills in which the contestant demonstrates ability and training in acting and
script writing. One (1) regional winner per category is qualified to join the national competition.

Mechanics and Rules of the Contest:

1. The contestants may choose:

a. Historical character and setting
b. Biblical character and setting
c. Fictional/imaginary character and setting
2. Contestants should wear a costume or garment that helps create a mood.
3. Contestants are allowed ONE-hand-held prop. No set is permitted.
4. The monologue must be memorized.
5. No identifying school marks will be allowed.
6. Contestants must provide 4 copies of the script to the contest headmaster.
7. The time limit is four (4) minutes minimum, six (6) minutes maximum.
Contestants must observe time limits in accordance with the rules of the competition or
risk being disqualified.
8. Microphone use is optional. It is the discretion of the contestant whether he/she
opts to use a microphone.
9. The judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA PERCENTAG
E
Mechanic 30%
Approach/departure 5%
Voice projection/infection 10 %
Diction/Enunciation 10%
Memory 5%
Characterization 50
Posture, movement gestures 10 %
Facial expressions 10 %
Costume 10 %
Variety of dramatic skills displayed 10 %
Overall quality of characterization 10 %
Delivery 10%
Stage Presence and Audience rapport 10%
Total 100%

43
 ORAL INTERPRETATION OF POETRY
By College
Description of the Category:

The contestant chooses a poem to recite by memory, using all the skills of a good dramatic
presentation.

Mechanics and Rules of the Contest:

1. Contestants can opt to choose a poem that may not be originally written.
2. No identifying school marks will be allowed.
3. Contestants must provide 4 copies of the script to the contest headmaster.
4. No Costumes, props, or singing allowed.
5. The time limit is four (4) minutes m i n i m u m , six (6) minutes maximum. Contestants m u s t
observe time limits in accordance w i t h the rules of the competition o r risk being
disqualified.
6. Microphone use is optional. It is the discretion o f the contestant w h e t h e r h e /she opts
to use a microphone.
7. The judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA PERCENTAG
E
Mechanic 40%
Approach/departure 5%
Voice projection/infection 15%
Diction/Enunciation 15%
Memory 5%
Characterization 40%
Posture, movement gestures 5 %
Facial expressions 5 %
Voice Variety displayed 20 %
Overall quality of characterization 10 %
Delivery 10%
Effective interaction of characters,
Stage Presence and Audience rapport 10%
Total 100%

44
 PERSUASIVE ORATORY
By College
Description of the Category:

Official topic will be provided by the national working secretariat prior to the contest proper. The
contestants will develop the topic to present an eloquent and effective speech. It is a speech
that is directed to the emotions with the purpose of persuading an audience to the orator's
viewpoint. The oratory should have a good thesis of the official topic.

Mechanics and Rules of the Contest:

1. A common topic will be given to be developed.

2. The content of the speech must be originally written.
3. Any sources used for reference and supporting examples must be properly cited.
4. Plagiarism of any will automatically disqualify the contestant.
5. Four (4) copies of the oratorical piece should be submitted to the contest headmaster.
6. No name of contestant or school will be written on the pieces submitted EXCEPT on one copy
only.
7. Time limit for performance is six (6) minutes.
8. No Microphone use is allowed.
9. Judges’ decision is final and irrevocable.

Criteria for Judging:

CRITERIA PERCENTAGE

Mechanic 30%
Approach/departure 5%
Voice Variety, Projection/Infection, 10%
Diction/Enunciation 5%
Memory 10%
Delivery 30%
Posture, M ovement, Stage Presence, Gestures 5 %
Facial expressions and Eye Contact 10 %
Persuasiveness 15%
Content 40 %
Originality, Creativity 10%
Worthwhile Message 10%
Organization and Logical Progression 10%
Grammar 10%
TOTAL 100%

45
 ORATORIO
By College
Description of the Category:

Ang Oratoryo ay isang patimpalak sa pagsasalita na naglalayong ipakita ang husay ng

kalahok sa makabayang, makatao, at makahulugang pagpapahayag. Sa pamamagitan
ng masining na pananalita, layunin ng oratoryo na magpahayag ng damdamin,
magmulat ng isipan, at magbigay-inspirasyon sa mga tagapakinig tungkol sa isang
tiyak na paksa o isyung panlipunan.

Pinahahalagahan sa patimpalak na ito ang nilalaman ng talumpati, organisasyon ng

kaisipan, paraan ng pagbigkas, tindig, kumpiyansa, at kabuuang dating ng mensahe.
Ang mahusay na orador ay hindi lamang mahusay magsalita, kundi may malalim na
pag-unawa at malasakit sa paksang kanyang ipinapahayag.

Sa kabuuan, ang oratoryo ay isang sinining na anyo ng komunikasyon na nagbibigay-

daan sa mga kabataan na ipakita ang kanilang talino, damdamin, at pagmamahal sa
bayan sa pamamagitan ng makapangyarihang pananalita.

Pamantayan sa Pagbibigay-Hatol (Criteria for Judging)

CRITERIA PERCENTAGE

Nilalaman (Content) – 30% 30%

Kaugnayan at lalim ng paksa Orihinalidad at lohikal na

pagkakaayos ng mga ideya Kabuluhan at mensaheng nais iparating
Kakayahan sa Pagpapahayag (Delivery) – 30% 30%
Tinig, diin, himig, at tamang pagbigkas Kumpiyansa at likas na
kasiningan sa pagsasalita Tamang paggamit ng kilos, galaw, at
ekspresyon
Organisasyon ng Talumpati (Organization) – 20% 20 %
Maayos na simula, katawan, at wakas Malinaw na daloy ng kaisipan
Epektibong paglipat ng bawat bahagi

Damdamin at Inspirasyon (Emotional Impact / Appeal) – 10% 10%

Tindi ng damdamin at inspirasyong naiparating sa tagapakinig
Kakayahang mag-udyok o magmulat ng damdamin at kaisipan
Kabuuang Presentasyon (Overall Impact / Stage Presence) – 10%
Komprehensibong dating ng mensahe
Kaangkupan ng personalidad, tindig, at karisma Kabuuan: 10%
TOTAL 100%

46
 Search for Mr. and Ms. PASUC
To be represented by the Title Holder of NVSU
1. The search is open to all member institutions of the Philippine Association of State
Universities and Colleges (PASUC).
2. Each region will send only one (1) male and one (1) female contestant to compete.
3. Each candidate must submit a duly signed certification from the SUC certifying that he or she:
a. Is a bona fide student of the institution
b. Is of good moral character – who is single, not in a live-in relationship and must not
have sired any child.
c. Is at least eighteen (18) and not more than twenty-six (26) years of age on the day of
the competition and stands 5’2” tall for females and 5’5’’ for males.
4. The deadline of submission of the certificate will be 20 days before the competition.
5. The candidates must be on the venue four days before the opening of the national PASUC
culture and the arts festival.
6. Official Coaches and Authorized Pageant Organizers are the only persons allowed in the pre-
pageant venues. Candidates are expected wear a a brush-up (or ponytail hairstyle
for females) and do their own makeup. They may opt to change their hairstyles for the
different competition categories provided it should be done by the candidates themselves.
The technical secretariat and the Resident Judge will manage and monitor the activities of the
candidates at the pageant venues. Host SUC assigned backstage chaperones are the only
persons allowed to assist the candidates in changing the attire.
7. The competition night will be held at the venue to be decided by the host institution.
8. The management of the pageant will be handled by the PASUC National Technical Secretariat
Committee to be assisted by the host university.
9. The special category of the competition will be the TALENT COMPETITION. All candidates will
present a maximum of 3 minutes talent presentation.
10. A corresponding point of 3,2,1 to the 1st, 2nd, and 3rd placers shall be added to the overall
points of the Region in the Overall Tally.
11. No back-up performers and no backdrops will be allowed during the talent competition. The
use of fire and eating of foods or live animals are not allowed. Costume should be appropriate
to the talent.
12. The Talent Competition will be presented in a different schedule than that of the main
pageant night. The candidates will be judged on the following criteria:

Criteria for Judging – TALENT COMPETITION:

CRITERIA %
Performance 50
 Mastery and Skill - 25
 Stage Presence/ Projection - 25

Choice of Material 30
 Suitability of the Piece (Music, Costume, Hand Props) -
15
 Uniqueness / Creativity - 15

Over-all Appeal (Judges Discretion) 20

 X Factor - 10
 Audience Impact - 10
Total 100

13. The competition will be divided into four (4) categories:

a. Regional Attire Competition
b. Official Pageant Attire
c. Barong Tagalog and *Terno Competition
i. *Terno is a Spanish word for match and literally means a combination of “baro
at saya” with stiffened sleeves “butterfly”. The *Terno evolved from the Traje
de Mestiza to Maria Clara to Saya de Cola and presently Terno. (free choice of
period of time up to present)
d. Question and Answer Portion

47
14. For the Regional Attire, all candidates will wear an appropriate regional attire of the region
represented without headdress, backdress, and hand props- local, indiigenous and everyday
wear worn by the locals before the 1940s. Headress will be allowed if it is part of daily wear.
15. For Official Pageant Attire – all candidates will wear a uniform pageant attire which will be
provided by the host university or as prescribed by the PASUC pageant committee.
16. For Barong Tagalog and Terno Competition.
a. Female candidates must wear appropriate Terno depicting women in their loveliness
and elegance – Traje de Mestiza
b. Male candidates must wear appropriate Barong Tagalog depicting Filipino men in their
gentleness and elegance – Classic fiber barong in earth colors (pina, abaca, sinamay,
banana, etc.)
17. For the Question and Answer Portion.
a. The ability to answer questions will be based on the depth, meaning and substance of
the answer given by the candidates.
b. The candidates may respond to the question either in English or Filipino.
c. The preliminary question and answer will be done in a separate schedule. The result of
this question and answer session will comprise the 20% of the preliminary scoring in
the final pageant night.
d. Preliminary questions will come from the coaches subject to the screening of the
resident judge. A limit of 5 minutes will be given per candidate with 2 casusal
questions and 1 final question. Questions to be asked will be more on personality.
18. Three judges in the preliminary interview will sit as judges during the pageant night. The
resident judge will be one of the judges in selecting the special/minor awards to and
facilitates/ monitors the pre pageant activities.
19. A scale of 1 to 10 will be used in determining Best in Regional Attire, Official Pageant and
Barong Tagalog and Terno. The criteria for judging the Regional Attire, Official Pageant Attire,
Barong Tagalog and Terno are the following:
a. Poise and personal bearing.
b. Projection of womanhood and manhood.
c. Appropriateness of the attire (color/cut of the fabric and accessories worn must suit
the individual).
d. Stage deportment
e. Overall impact
20. Determination of winners will be based on a ranking system. In cases where a tie occurs,
deliberation between o the members of the board of judges will be done to break the tie.
21. Candidates, coaches who violate rules, regulations and guidelines of the competition will be
declared as non-competing candidates subject to the approval of the majority of the National
Technical Secretariat.
22. The decision of the board of judges is final and irrevocable.
23. The general criteria for the contest are as follows:

A. PRELIMINARY ROUND:

CRITERIA %
Beauty of Face 40
Stage Projection or Presence 30
Ability to Answer Questions (Wit, Humor, and Intelligence) 20
Over-all Appeal (Judges’ Discretion) 10
Total 100

B. FINAL ROUND (Back to Zero) – TOP 5

CRITERIA %
Beauty of the Face and Figure 40
Ability to Answer the Final Question (Wit, Humor, and 40
Intelligence
Over-all Appeal (Judges’ Discretion) 20
Total 100

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