REVIEW
WHAT CAN YOU RECALL ABOUT THE
CHARACTERISTICS OF THE FOLLOWING
PERIODS OF MUSIC?
• MEDIEVAL
• RENAISSANCE
• BAROQUE
• CLASSICAL
• ROMANTIC
REVIEW
MEDIEVAL
MONOPHONIC, FREE METER,
INFLUENCE OF THE CHURCH
REVIEW
RENAISSANCE
• Polyphonic texture
• notated secular and sacred music
REVIEW
BAROQUE
• FAST MOVEMENT,
ORNAMENTATION, DRAMATIC
ALTERATIONS IN TEMPO AND
VOLUME, AND
REVIEW
CLASSICAL
• GREATER EMPHASIS ON
SIMPLICITY, TONAL HARMONY
SINGLE-LINE MELODIES, AND
ENLARGED ENSEMBLES.
REVIEW
ROMANTIC
• PASSIONATE AND FULL OF ENERGY.
• LONG MELODIES.
• DYNAMIC INSTRUMENTATION.
• DRAMATIC.
• NATIONALISTIC UNDERTONE
QUARTER
1 MUSIC
OBJECTIVES:
10
• DESCRIBE DISTINCT MUSICAL ELEMENTS
OF GIVEN PIECES OF THE 2OTH CENTURY
STYLES.
• EXPLAIN THE PERFORMANCE
PRACTICE( SETTING, COMPOSITION,
ROLE OF THE
COMPOSERS/PERFORMERS AND
DIRECTIONS: IDENTIFY WHAT IS BEING REFERRED IN THE
FOLLOWING SENTENCES. SELECT YOUR ANSWER FROM
THE WORD POOL GIVEN.
FORM RHYTHM DYNAMICS
MELODY TEXTURE HARMONY
1. IT REFERS TO THE LOUDNESS OR SOFTNESS OF MUSIC.
2. AN ELEMENT OF MUSIC WHICH REFERS TO THE
DIRECTIONS: IDENTIFY WHAT IS BEING REFERRED IN THE
FOLLOWING SENTENCES. SELECT YOUR ANSWER FROM
THE WORD POOL GIVEN.
FORM RHYTHM DYNAMICS
MELODY TEXTURE HARMONY
3. IT REFERS TO THE TUNE OF A SONG.
4. IT IS THE THINNESS OR THICKNESS OF MUSIC.
QUARTER
MUSIC
1 OF THE 20TH
THE START OF 20TH CENTURY SAW
CENTURY
THE RISE OF DISTINCT MUSICAL
STYLES THAT REFLECTED A MOVE
AWAY FROM THE CONVENTIONS
OF EARLIER WESTERN CLASSICAL
MUSIC .
• DETACHED FROM TRADITIONAL WAY OF
CREATING MUSICAL PIECE.
• SOME OF THE COMPOSERS TRIED NEW
THINGS THAT’S WHY SOME OF THE
CREATED PIECE ARE ATONAL OR LACK
OF TONAL SYSTEM.
• IT IS A PRODUCT OF MODERN
TECHNOLOGY LIKE THE USE OF
SYNTHESIZERS, AMPLIFIERS AND
RECORDERS.
20TH CENTURY MUSICAL STYLES
• IMPRESSIONISM
• EXPRESSIONISM
• NEO-
CLASSICISM
• AVANT-GARDE
• MODERN
NATIONALISM
• ELECTRONIC
WHAT TO KNOW?
• WHAT GROUP OF PEOPLE INSPIRED MANY OF BARTOK’S
COMPOSITIONS?
• WHICH RUSSIAN COMPOSER CREATED THE MUSIC FOR THE
BALLET “THE FIREBIRD”?
• WHO IS CONSIDERED THE FOREMOST IMPRESSIONIST?
• WHAT KIND OF MUSICAL STYLES IS ATTRIBUTED TO
SCHOENBERG AND STRAVINSKY?
• WHO WAS THE TARGET AUDIENCE OF PROKOFIEFFS’S
PETER AND THE WOLF?
• GIVE AN EXAMPLE OF A MUSICAL WORK OF EACH OF THE
COMPOSERS.
ATONAL
ATONAL
- LACK OF TONAL
SYSTEM
-THAT THERE IS NO
CLEAR TONAL CENTER
SYNTHESIZERS
SYNTHESIZERS
-ELEKTRONIKONG
INSTRUMENTO NA
PINATUTUGTOG NG
KEYBOARD AT LUMILIKHA NG
IBA'T IBANG TUNOG.
INNOVATIVE APPROACH
INNOVATIVE APPROACH
-NEW IDEA, NEW METHOD,
NEW INVENTION
- THE INTRODUCTION OF
SOMETHING NEW
-MAKABAGO
20TH CENTURY
MUSIC
COMPOSERS
GUESS
WHO?
GUESS
A. BELA BARTOK
WHO? B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
BERSTEIN
E. IGOR
STRAVINSKY
GUESS
A. BELA BARTOK
WHO? B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
BERSTEIN
E. IGOR
STRAVINSKY
GUESS
A. BELA BARTOK
WHO? B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
BERSTEIN
E. IGOR
STRAVINSKY
GUESS
A. BELA BARTOK
WHO? B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
BERSTEIN
E. IGOR
STRAVINSKY
GUESS WHO?
A. BELA BARTOK
B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
E. E.BERSTEIN
Sergei prokofieff
GUESS
A. BELA BARTOK
WHO? B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
BERSTEIN
E. Sergei prokofieff
GUESS WHO?
A. BELA BARTOK
B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
BERSTEIN
E. IGOR
STRAVINSKY
GUESS WHO?
A. BELA BARTOK
B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
BERSTEIN
E. IGOR
STRAVINSKY
GUESS WHO?
A. BELA BARTOK
B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
BERSTEIN
E. IGOR
STRAVINSKY
GUESS WHO?
A. BELA BARTOK
B. CLAUDE
DEBUSSY
C. ARNOLD
SCHOENBERG
D. LEONARD
E. IGOR
BERSTEIN
STRAVINSKY
