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Colour Theory

The document discusses different colour theories and colour wheels including the Prang colour wheel. It describes primary, secondary and tertiary colours, and how they are derived. It also covers the Munsell colour system and its three dimensions of hue, value and intensity. Finally it discusses different colour harmonies and schemes including analogous, monochromatic, achromatic, triadic, tetradic, complementary and their variations.

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0% found this document useful (0 votes)
128 views44 pages

Colour Theory

The document discusses different colour theories and colour wheels including the Prang colour wheel. It describes primary, secondary and tertiary colours, and how they are derived. It also covers the Munsell colour system and its three dimensions of hue, value and intensity. Finally it discusses different colour harmonies and schemes including analogous, monochromatic, achromatic, triadic, tetradic, complementary and their variations.

Uploaded by

trilochanaajothi
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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C O L O R S A R E T H E

S M I L E S O F
N AT U R E .

Colours
How is the
Imagine world without colour?
Colourless
COLOURFUL
Introduction
• When light strikes an item and is reflected back into the eye
as a result of a hue developing in the optic nerve, colour is
present.
• Hue, chroma or intensity, and value are the three
characteristics of the element of colour, which is composed
by hues.
PRANG
COLOUR
WHEEL
PRANG COLOUR THEORY
• In 1876, Louis Prang (1824 -1909) advanced color wheel
theory and developed a color wheel which is commonly
known as the Artist’s or Prang color wheel.
• This may have been the color wheel that you were
introduced to in elementary school.
Primary
Colour
• In traditional color theory (used in
paint and pigments), primary colors
are the 3 pigment colors that
cannot be mixed or formed by any
combination of other colors .

• All other colors are derived from


these 3 hues.
Secondary
colour
• Secondary colors are created by
mixing the two neighboring
primary colors.

• Blue+Red=Purple

• Red+Yellow= Orange

• Yellow+Blue= Green
TERTIARY
COLOURS
• Tertiary or intermediate colors are
created by mixing a primary and a
secondary color .
• The tertiary colors are

• Yellow+orange= yellow-orange

• Yellow+green= yellow–green

• Blue+green= blue-green

• Blue+violet= blue-violet

• Red+orange= red-orange

• Red+violet= red- violet.


Munsell colour
system
Munsell colour system
• There are five primary and five secondary hues in this
system.
• The primaries are red, purple, blue, green and yellow.
• Hue, Value and Chroma are then rated with numbers.
• Colours can be very accurately described using this system.
• A three dimensional model using Munsell’s system is called
a color tree.
• This system is based on a unique colour-solid arrangement,
which more accurately demonstrates hue, value and intensity
of colour.
3 Dimensions

• Hue
• Value
• Intensity
Hue
• Hue is the other word used for
colour.

• Some of the hue names are red,


orange, yellow, green, blue,
violet, magenta, etc.

• It is also indicates the warmth or


coolness of the colour.

• Red colour is a pure hue.

• It has many variations.


Va l u e

• Value is concerned with the lightness or


darkness of a colour.
• The extreme values are black and white .

• Some colors like yellow, are naturally light.

• Some, like violet, are darker.

• All hues can be made in all values.

• White added to a hue, creates a tint.

• Adding black paint will make most pigments


darker and adding black to a hue results in
shades .
INTENCITY
/ CHROMA
• Intensity is brightness and dullness of a
colour.

• The colors on the colour wheel are of


full intensity.

• When grey or its complement color is


added it becomes less intense.

• A colour without any brightness (no


hue) is achromatic

• On the other hand black and white are


neutrals.
Colour
Harmony

• Colors when combined should be used


at the right proportion or else they
clash and give an awkward appearance
rather than being beautiful.
• Color schemes are the ways that
colors are used together.
• An understanding of well-known color
schemes helps us to achieve different
results by using different
combinations of colors.
H A R M O N Y O F R E L AT E D
COLOUR
• Analogous
• Monochromatic
• Achromatic
Analogous

• An analogous color scheme uses


neighboring colors on the wheel.
• It is sometimes called a related color
scheme since two or three “related”
colors are used.
• The combination of yellow, yellow-
green, and green is an analogous
scheme with three hues.
• In nature, the yellow, orange, and red
of autumn is an analogous color
scheme.
Analogous
Monochromatic
• A monochromatic color scheme is a one-color plan that uses different
tints, and shades.

• Neutrals such as black & white can be added to a monochromatic scheme


for contrast and interest.
Mono chromatic
Achromatic

• An achromatic color
scheme is one that is
colorless using blacks,
whites and grays.

• Black and White are


neutrals.
A C R O M AT I C
HARMONY OF
CONSTRACTING COLOUR
• Triadic colour
• Tetradiccolour
• Complimentary colour
• a.Single Complimentary
• b.Double Complimentary
• c.Split Complimentary
• Clash colour
Tr i a d i c c o l o u r
• A triadic color scheme combines
three colors, which are of
equidistant on the wheel.

• Examples are red, yellow, and blue,


or purple, green, and orange.

• It has a great deal of contrast.

• To soften the contrast, one may


choose to combine pleasing values
and intensities.
TRIADIC
Te t r a d i c
• These colors form a rectangle on the color
wheel.
• The colors on the short side of
the rectangle are spaced one color apart.
• This is a rich color harmony that offers
many opportunities for variations.
• To be most effective it is best to let one of
the 4 colors dominate.
• It is also important to pay attention to the
relationship between the warm and the
cool colors used in this harmony.
Te t r a d i c
Single complementary
• The complementary color scheme is made of two colors that
are opposite each other on the color wheel.
• This scheme looks best when you put a warm color against
a cool color, for example, red versus green-blue.
• The complementary scheme is intrinsically high-contrast.
Single complementary
Double Complimentary /
Te t r a d i c
It used two pairs of components, one space apart on the wheel.
Split Complementary
• The split-complementary color scheme is
a variation of the complementary color
scheme.
• In addition to the base color, it uses the
two colors adjacent to its complement.
• This color scheme has the same strong
visual contrast as the complementary
color scheme, but has less tension.

Clash colour
• It is one colour selected, then use one colour from either
side of its complementary.
Every colour has
its own character
/ emotions
Red

• D a n g e r, b l o o d , a t t r a c t i o n a n d ro m a n c e .

• Ta s k - o r i e n t e d e x t ro v e r t s

• Enjoy challenges.

• Quick decisions

• Ta k i n g r i s k s .

• Natural leaders.
Blue

• Enthusiastic, sympathetic,
communicative, compassionate,
idealistic, sincere and imaginative.

• They care and want to contribute to


everything they are a part of.
Ye l l o w
• Yellow is a color associated
with sun.
• It symbolizes optimism,
energy, joy, happiness and
friendship .
• Intellect.

• Cheerful
Purple

• An artistic and
unique individual
• A good judge of
character
• Participate in
humanitarian
issues.
Green

• Perfectionistic, analytical,
conceptual, cool, calm, inventive and
logical.

• They seek knowledge and


understanding as well as always
looking for explanations and answers.

• Greens can be good researchers –


looking for facts and asking lots of
questions.
Orange

• Eager and bold.


• They need fun, variety, stimulation and
excitement.
• Freedom to act is also important to an
Orange.
• Oranges have energy and like to bounce
around to different projects or tasks.
Black

• Strong-willed and
determined character ,

• In color psychology, black's


color meaning is symbolic
of mystery, power,
elegance, and
sophistication .
White
• Hygiene and
cleanliness.

• Calm and balanced.

• P u r i t y, b i r t h a n d
innocence.
Thank You

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