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The History of Manga

Manga, originating from Japanese comic books and graphic novels, features diverse genres and unique storytelling techniques, often influenced by Western comics. Its evolution includes traditional Japanese art forms and significant contributions from artists like Osamu Tezuka, leading to a global phenomenon by the 1990s. Today, manga continues to impact Western pop culture and is shaped by digital platforms and international publishing.

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0% found this document useful (0 votes)
64 views16 pages

The History of Manga

Manga, originating from Japanese comic books and graphic novels, features diverse genres and unique storytelling techniques, often influenced by Western comics. Its evolution includes traditional Japanese art forms and significant contributions from artists like Osamu Tezuka, leading to a global phenomenon by the 1990s. Today, manga continues to impact Western pop culture and is shaped by digital platforms and international publishing.

Uploaded by

tantantan1507
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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The History of Manga

What is Manga?
● Manga refers to Japanese comic books or graphic novels, typically serialized in magazines
before being compiled into volumes.
● Unlike Western comics, manga is read right to left, often featuring black-and-white artwork with
expressive character designs and dynamic paneling.

Key Characteristics of Manga


● Diverse Genres – Shōnen (boys), Shōjo (girls), Seinen (adults), Josei (women), and niche
subgenres.
● Serial Storytelling – Often long-running narratives with character development over multiple
volumes.
● Cinematic Paneling – Uses close-ups, exaggerated expressions, and dramatic angles for
storytelling.
The Debate Over Manga’s Origins
● Traditional View: Manga evolved from Japanese picture scrolls
(Chōjū-giga, Ukiyo-e prints, Kibyōshi).
● Eike Exner’s Revisionist View: The modern manga format (speech
bubbles, panel sequences) was borrowed from Western comic strips
in the late 19th century.
Early Forms of Manga (Pre-20th Century)
Traditional View: Manga’s Roots in Japanese Art
● Chōjū-giga (12th Century) – “Scrolls of Frolicking Animals” by Buddhist monks, often called Japan’s first manga
due to its sequential storytelling.
● Ukiyo-e Prints (17th-19th Century) – Woodblock prints depicting everyday life, influencing manga’s expressive
character designs.
● Kibyōshi (Late 18th Century) – Illustrated books with satirical stories and dialogue, considered early
predecessors of manga.
● Hokusai Manga (1814) – Sketchbooks by Katsushika Hokusai, who coined the term “manga” and influenced later
artists.

Eike Exner’s Revisionist Argument


● These traditional Japanese artworks were not manga in the modern sense:
○ Lack of speech bubbles and structured paneling.
○ Stories were more illustrated prose than sequential comics.
● The term “manga” originally referred to sketches and caricatures, not a distinct storytelling medium.
● Modern manga techniques emerged after Western comics arrived in Japan in the 19th century.
The Influence of Western Comics (Late 19th - Early 20th Century)

Arrival of Western Comic Strips in Japan


Meiji Era (1868-1912) – Japan opened to Western influences, leading to imported American and
European comic strips appearing in newspapers

Examples of Influential Comics:


● The Katzenjammer Kids (1897) – One of the first comics with speech bubbles and panel
sequencing.
● Yellow Kid (1895) – Introduced the comic strip format with dialogue in text balloons.
Western Influence on Early Japanese Cartoonists
● Rakuten Kitazawa (1876-1955) – The first Japanese artist to use the term “manga” for Western-
style comics.
● Ippei Okamoto (1886-1948) – Integrated speech bubbles and sequential paneling, departing
from traditional Japanese illustrations.

Eike Exner’s Revisionist View


● Before the Meiji period, Japan lacked a structured comic format with speech bubbles and
sequential art.
● Japanese artists adopted Western comic conventions, meaning modern manga’s visual
language originated from Western sources.
● Challenging the traditional view: Rather than manga naturally evolving from Japanese scrolls,
Exner argues that it was a hybrid medium shaped by global influences.
Impact of Western Comics on Early Manga
● Shift from Illustrations to Comic Strips – Introduction of structured panels, speech bubbles, and
narrative pacing.
● Rise of Political Cartoons & Satirical Manga – Manga became a medium for social commentary, similar
to Western editorial cartoons.

Key Question:
● Did Japan adapt and innovate Western comic techniques, or did it independently develop manga’s
visual style?
Manga in Wartime Japan (1930s-1945)
Government Control & Censorship
● During the 1930s, the Japanese government restricted media to align with nationalistic and militaristic
propaganda.
● Manga was used as a tool for promoting wartime ideology, often portraying heroic soldiers and glorifying
Japan’s military.

Notable Wartime Manga & Their Role


● Norakuro (1931-1941) – Created by Suihō Tagawa, featured a black-and-white dog in a militaristic
setting, reflecting Japan’s imperial ambitions.
● Manga as Propaganda – War-era publications depicted Western nations as enemies, reinforcing public
support for Japan’s war efforts.

Suppression of Non-Military Manga


● Publishers were forced to abandon lighthearted and satirical stories in favor of state-approved war
narratives.
● Many manga artists were drafted, pausing or stopping their creative work.
Post-War Impact on Manga
Defeat in WWII (1945) led to:

● Dismantling of wartime propaganda and government control over media.


● A demand for new, fresh storytelling, setting the stage for post-war manga’s creative boom.
● Influence from American occupation forces, who introduced Western comics like Superman and Disney animations to
Japan.
● The Americanization of Japanese pop culture post-1945 led to new themes, genres, and storytelling methods in manga.

Key Question:
● Did post-war manga emerge as a distinct Japanese art form, or was it further shaped by American comics and Western
pop culture?
Post-War Boom & Osamu Tezuka’s Influence (1945-1960s)

The Birth of Modern Manga


● After WWII, Japan’s defeat led to a cultural reset, allowing new artistic influences to shape manga.
● American comics (Superman, Disney, Looney Tunes) flooded Japan, influencing Japanese artists.
● Cheap, mass-produced manga magazines (Kashihon rental books) fueled the industry’s expansion.

Osamu Tezuka: The ‘God of Manga’


● New Treasure Island (1947) – Tezuka introduced cinematic paneling, motion lines, and dynamic storytelling.
● Astro Boy (1952) – Defined shōnen manga with action-driven narratives and emotional depth.
● Inspired by Walt Disney & Western Animation – Tezuka adapted Western cartoon aesthetics (large expressive eyes,
dynamic movement).
Manga Becomes a National Phenomenon
● Shōnen (boys) and Shōjo (girls) manga categories emerged, expanding manga’s audience.
● Rise of Weekly Manga Magazines – Publishers like Shōnen Magazine (1959) made manga more accessible to young
readers.
Expansion of Manga Genres (1960s-1980s)
Diversification of Manga Audiences
● By the 1960s, manga expanded beyond children's entertainment, developing distinct genres for
different age groups and demographics.
● Seinen and Josei manga emerged, catering to mature themes and complex storytelling.

Major Genre Developments


● Shōnen (boys' manga) – Action-driven, featuring young male protagonists (Dragon Ball, Fist of the
North Star).
● Shōjo (girls' manga) – Focused on romance, drama, and character relationships (The Rose of
Versailles, Sailor Moon).
● Mecha & Science Fiction – Influenced by global technological advancements (Mobile Suit
Gundam, Akira).
● Gekiga ("dramatic pictures") – Aimed at adults, introduced darker, more realistic themes (Lone Wolf
and Cub, Golgo 13).
The Role of Weekly Magazines
● Publications like Weekly Shōnen Jump (1968) revolutionized manga distribution, launching
serialized stories with cliffhangers to keep readers engaged.
● Manga became a dominant entertainment medium, selling millions of copies weekly.
Manga’s Global Influence & Modern Era (1990s–Present)

Manga’s International Rise


● By the 1990s, manga became a global phenomenon, gaining popularity in the U.S., Europe, and beyond.
● Influence of Anime Adaptations – Hit series like Dragon Ball Z, Naruto, and One Piece boosted manga’s global
reach.
● Translation & Localization Boom – Companies like VIZ Media, Tokyopop, and Kodansha USA brought manga
to Western audiences.

Digital Revolution & Web Manga


● Rise of digital platforms like Webtoon and ComiXology changed how manga is consumed.
● Fan translations & scanlations played a key role in global accessibility, though they raised piracy concerns.
● AI & Digital Art Tools (Clip Studio Paint) transformed manga creation, speeding up production.
Manga’s Influence on Western Comics & Pop Culture
● Western comics and animations adopted manga-inspired elements:
○ “Manga-style” storytelling in graphic novels (Scott Pilgrim, Avatar: The Last Airbender).
○ Fusion of styles in Marvel & DC comics (Batman: Child of Dreams, Marvel Mangaverse).
Conclusion
The Evolution of Manga: A Complex Journey
● Manga’s history is deeply intertwined with both Japanese and Western influences.
● While traditional Japanese art forms like ukiyo-e and emakimono shaped early storytelling, the structural foundation of
modern manga (speech bubbles, panel layout) was influenced by Western comics.
● Osamu Tezuka’s cinematic storytelling and genre diversification laid the groundwork for modern manga’s success.

Manga’s Lasting Global Impact


● Today, manga is a dominant force in global entertainment, influencing Western comics, animation, and storytelling.
● Digital platforms and international publishing have expanded manga’s audience, solidifying its position as a universal art
form.

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