5 categories of music lovers
Music Fans
They can be quite different
BUT THERE ARE 5 COMMON categories THAT many music lovers fit into
THE CATEGORIES



  Common     Identity    Trend      High       Aural
 Grounders   Seekers    Surfers   Fidelity   Flaneurs
COMMON GROUNDERS
Common
  Grounders




How do they listen?

Chronic repetition increases rather than decreases enjoyment



Exposed to, rather than seek out music



Demonstrate and Copy performance is a key part of success to this
stage (Wiggles, Macarena, PSY)
Common
  Grounders




PSYCHOLOGICAL CONTEXT

Strong desire to bond over common interests. The more people that
like what you like, the better



Individual taste < Majority taste



Idolize music heroes, will dress up as their favorite stars
Common
  Grounders




Purchase behaviors

High disposable income but music purchase is partly curated by
their parents



Music purchases heavily influenced by peers



Limited online capabilities means pirating is relatively low
Common
  Grounders




Online behaviors

Facebook/Instagram/Snapchat/YouTube



‘Kids online games’ such as Club Penguin



Supervised browsing on shared devices
Common
    Grounders




TYPICAL eRAS for this stage
IDENTITY SEEKERS
Identity
        seekers


HOW DO THEY LISTEN?

Seeks out genres that they aren’t naturally exposed to



Obsessed by the stories behind the artists (Kurt Cobain, Ian Curtis
etc.)



Quality of music is secondary to identity of the genre and emotions
tied into the music
Identity
        seekers


Psychological context

Genre they love shapes personal identity and values



Use music escapism as a way to deal with intense psychological
developments



Music as a form of rebellion, consistent across genres (Gangster rap,
Punk, Metal)
Identity
       seekers


Purchase behaviors

Yeeaaarrrr I be a pirate!



Whilst music purchase is low, purchase of music related items such
as posters, merchandise and other identifying items is high



All the concerts. Concert wristbands are badges of honor
Identity
       seekers


ONLINE BEHAVIOURS

Snapchat/Instagram/Tumblr/Facebook/YouTube/Twitter



Online shrines to the genres they love (Tumblrs/Facebook cover
photos)



Online fan groups and forums
Identity
     seekers


Typical music eras
TREND SURFERS
tREND
           SURFERS


HOW DO THEY LISTEN?

Knowledge of genres > enjoyment of music



Bell curve drop off for band’s popularity within this stage



Return to radio and other media outlets for music discovery
(Pitchfork, XLR8R)
tREND
           SURFERS


Psychological context

Insecure, music listened to as a a social personality builder



Concept of identity and self-image shifts quickly through phases



Music is valuable social currency within the peer group
tREND
           SURFERS


Purchase behaviors

Supporting the ‘scene’ starts to become important to some so a
slight decrease in illegal downloads



Physical copies of songs (vinyl) bought as decorative merchandise
rather than listening material



Going to concerts is a lifestyle purchase rather than a passion
purchase
tREND
          SURFERS


Online behaviors

Facebook/instagram/blogs/hypemachine/soundcloud/twitter/tumblr



Online identity curation is critically important



Digital brags in the form of first finds of songs/memes/interesting
content
tREND
       SURFERS


TYPICAL MUSIC ERAS
HIGH FIDELITY
HIGH
               FIDELITY


hOW DO THEY LISTEN?

Into one genre specifically 



Equally important to be aware of the genre’s past as well as up to
date with new releases



Collecting, knowledge of artist, production and instruments used is
important. This stage is more intellectual than others
HIGH
               FIDELITY


Psychological context

Music is a solitary experience, in this category fanatics would go to a
gig alone


Use the pressure of collecting and staying on top of the latest
releases to replace real life pressures


Music lovers in this category can be split into those who use their
intense devotion to a genre as an escape and those who
intellectualize music to a point where it helps them think about life
HIGH
                FIDELITY


PURCHASE BEHAVIORS

They buy a lot! Respect for the genre and artist means pirating is
lower than other stages



Vinyl and the crate digging rituals that come with it is critical. Music
becomes so important that it deserves physicality, a large collection
of vinyl is a shrine to the genre.



More money spent on audio equipment for listening
HIGH
              FIDELITY


Online behaviors

Facebook/soundcloud/youtube/blogs/podcasts/forums/genre
specific websites


Active members of genre-specific forums for new release news and
comprehensive discussions 


Digital brags only relevant within the dedicated communities, so
communications within echo chambers such as private groups on
facebook are common
HIGH
          FIDELITY


Typical music eras
AURAL FLANEUR
AURAL
                 FLANEUR



How do they listen?

Pure enjoyment music used for happiness, pleasure and nostalgia 



Exposed to music from a variety of genres and eras. Not too
concerned with the relevancy of the source of exposure and loyalty
to artists is low.



Use music to aid their situations rather than escape from them, i.e
work playlists and playlists for entertaining
AURAL
                 FLANEUR



Psychological context

Stressed with work and family



Comfortable with identity, not easily influenced



Happy to dip into cultural experiences but won’t adopt them as part
of their personality as much as younger stages
AURAL
                 FLANEUR



Purchase behaviors

High income and relatively low digital knowledge means purchase is
high



Itunes is a convenient way for them to purchase the music they love,
Spotify is also popular



Happy to purchase albums before listening to the songs
AURAL
                 FLANEUR



ONLINE behaviors

Facebook/YouTube/Major Web/Spotify/Pandora


Streaming podcasts from major media sources



As easily influenced by online album reviews as friend
recommendations
AURAL
           FLANEUR



Typical music eras
AURAL, BEHAVIOURAL AND CULTURAL PROGRESSION
aS WE GET OLDER OUR TASTE IN MUSIC CHANGES
ALONG WITH OUR BEHAVIORS AROUND MUSIC.


   Common     Identity    Trend      High       Aural
  Grounders   Seekers    Surfers   Fidelity   Flaneurs




lET’S LOOK AT SOME PROGRESSIONS THROUGHOUT the
categories
hOW THEY LISTEN

  Common         Identity       Trend           High            Aural
 Grounders       Seekers       Surfers        Fidelity        Flaneurs

 Exposed to    Seek music    Only listen to   Only exposed    Exposed to
 music (pop)   they aren’t   music that       to music        music (wide
               exposed to    they are         within a        variety)
                             exposed to       specific genre
                             from relevant
                             sources
Psychological context

  Common           Identity           Trend             High           Aural
 Grounders         Seekers           Surfers          Fidelity       Flaneurs

 Use music to    Use music to      Use music to     Identify with   Use music for
 bond with the   create            build identity   music           emotional
 majority        identity within   value                            pleasure
                 a minority
Purchase behaviors

  Common          Identity        Trend         High           Aural
 Grounders        Seekers        Surfers      Fidelity       Flaneurs

 Purchase       Purchase       Purchase      Purchase        Purchase
 influenced by   influenced by   deterred by   influenced by    influenced by
 majority       minority       majority      genre desires   enjoyment
                               influence
Online behaviors

  Common         Identity          Trend        High           Aural
 Grounders       Seekers          Surfers     Fidelity       Flaneurs

 Supervised   Digital identity   Online     Browsing         Digital
 browsing     search             curation   within digital   tourism
                                            echo
                                            chambers
THANK YOU
Michael goldstein, strategist at Mry nyc.
@Mickeyg77




Email me questions and thoughts – Michaeldgoldstein77@gmail.com

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5 categories of music lovers

  • 3. They can be quite different
  • 4. BUT THERE ARE 5 COMMON categories THAT many music lovers fit into
  • 5. THE CATEGORIES Common Identity Trend High Aural Grounders Seekers Surfers Fidelity Flaneurs
  • 7. Common Grounders How do they listen? Chronic repetition increases rather than decreases enjoyment Exposed to, rather than seek out music Demonstrate and Copy performance is a key part of success to this stage (Wiggles, Macarena, PSY)
  • 8. Common Grounders PSYCHOLOGICAL CONTEXT Strong desire to bond over common interests. The more people that like what you like, the better Individual taste < Majority taste Idolize music heroes, will dress up as their favorite stars
  • 9. Common Grounders Purchase behaviors High disposable income but music purchase is partly curated by their parents Music purchases heavily influenced by peers Limited online capabilities means pirating is relatively low
  • 10. Common Grounders Online behaviors Facebook/Instagram/Snapchat/YouTube ‘Kids online games’ such as Club Penguin Supervised browsing on shared devices
  • 11. Common Grounders TYPICAL eRAS for this stage
  • 13. Identity seekers HOW DO THEY LISTEN? Seeks out genres that they aren’t naturally exposed to Obsessed by the stories behind the artists (Kurt Cobain, Ian Curtis etc.) Quality of music is secondary to identity of the genre and emotions tied into the music
  • 14. Identity seekers Psychological context Genre they love shapes personal identity and values Use music escapism as a way to deal with intense psychological developments Music as a form of rebellion, consistent across genres (Gangster rap, Punk, Metal)
  • 15. Identity seekers Purchase behaviors Yeeaaarrrr I be a pirate! Whilst music purchase is low, purchase of music related items such as posters, merchandise and other identifying items is high All the concerts. Concert wristbands are badges of honor
  • 16. Identity seekers ONLINE BEHAVIOURS Snapchat/Instagram/Tumblr/Facebook/YouTube/Twitter Online shrines to the genres they love (Tumblrs/Facebook cover photos) Online fan groups and forums
  • 17. Identity seekers Typical music eras
  • 19. tREND SURFERS HOW DO THEY LISTEN? Knowledge of genres > enjoyment of music Bell curve drop off for band’s popularity within this stage Return to radio and other media outlets for music discovery (Pitchfork, XLR8R)
  • 20. tREND SURFERS Psychological context Insecure, music listened to as a a social personality builder Concept of identity and self-image shifts quickly through phases Music is valuable social currency within the peer group
  • 21. tREND SURFERS Purchase behaviors Supporting the ‘scene’ starts to become important to some so a slight decrease in illegal downloads Physical copies of songs (vinyl) bought as decorative merchandise rather than listening material Going to concerts is a lifestyle purchase rather than a passion purchase
  • 22. tREND SURFERS Online behaviors Facebook/instagram/blogs/hypemachine/soundcloud/twitter/tumblr Online identity curation is critically important Digital brags in the form of first finds of songs/memes/interesting content
  • 23. tREND SURFERS TYPICAL MUSIC ERAS
  • 25. HIGH FIDELITY hOW DO THEY LISTEN? Into one genre specifically Equally important to be aware of the genre’s past as well as up to date with new releases Collecting, knowledge of artist, production and instruments used is important. This stage is more intellectual than others
  • 26. HIGH FIDELITY Psychological context Music is a solitary experience, in this category fanatics would go to a gig alone Use the pressure of collecting and staying on top of the latest releases to replace real life pressures Music lovers in this category can be split into those who use their intense devotion to a genre as an escape and those who intellectualize music to a point where it helps them think about life
  • 27. HIGH FIDELITY PURCHASE BEHAVIORS They buy a lot! Respect for the genre and artist means pirating is lower than other stages Vinyl and the crate digging rituals that come with it is critical. Music becomes so important that it deserves physicality, a large collection of vinyl is a shrine to the genre. More money spent on audio equipment for listening
  • 28. HIGH FIDELITY Online behaviors Facebook/soundcloud/youtube/blogs/podcasts/forums/genre specific websites Active members of genre-specific forums for new release news and comprehensive discussions Digital brags only relevant within the dedicated communities, so communications within echo chambers such as private groups on facebook are common
  • 29. HIGH FIDELITY Typical music eras
  • 31. AURAL FLANEUR How do they listen? Pure enjoyment music used for happiness, pleasure and nostalgia Exposed to music from a variety of genres and eras. Not too concerned with the relevancy of the source of exposure and loyalty to artists is low. Use music to aid their situations rather than escape from them, i.e work playlists and playlists for entertaining
  • 32. AURAL FLANEUR Psychological context Stressed with work and family Comfortable with identity, not easily influenced Happy to dip into cultural experiences but won’t adopt them as part of their personality as much as younger stages
  • 33. AURAL FLANEUR Purchase behaviors High income and relatively low digital knowledge means purchase is high Itunes is a convenient way for them to purchase the music they love, Spotify is also popular Happy to purchase albums before listening to the songs
  • 34. AURAL FLANEUR ONLINE behaviors Facebook/YouTube/Major Web/Spotify/Pandora Streaming podcasts from major media sources As easily influenced by online album reviews as friend recommendations
  • 35. AURAL FLANEUR Typical music eras
  • 36. AURAL, BEHAVIOURAL AND CULTURAL PROGRESSION
  • 37. aS WE GET OLDER OUR TASTE IN MUSIC CHANGES ALONG WITH OUR BEHAVIORS AROUND MUSIC. Common Identity Trend High Aural Grounders Seekers Surfers Fidelity Flaneurs lET’S LOOK AT SOME PROGRESSIONS THROUGHOUT the categories
  • 38. hOW THEY LISTEN Common Identity Trend High Aural Grounders Seekers Surfers Fidelity Flaneurs Exposed to Seek music Only listen to Only exposed Exposed to music (pop) they aren’t music that to music music (wide exposed to they are within a variety) exposed to specific genre from relevant sources
  • 39. Psychological context Common Identity Trend High Aural Grounders Seekers Surfers Fidelity Flaneurs Use music to Use music to Use music to Identify with Use music for bond with the create build identity music emotional majority identity within value pleasure a minority
  • 40. Purchase behaviors Common Identity Trend High Aural Grounders Seekers Surfers Fidelity Flaneurs Purchase Purchase Purchase Purchase Purchase influenced by influenced by deterred by influenced by influenced by majority minority majority genre desires enjoyment influence
  • 41. Online behaviors Common Identity Trend High Aural Grounders Seekers Surfers Fidelity Flaneurs Supervised Digital identity Online Browsing Digital browsing search curation within digital tourism echo chambers
  • 42. THANK YOU Michael goldstein, strategist at Mry nyc. @Mickeyg77 Email me questions and thoughts – [email protected]