BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
Fundamentals for Visual Impact
Photojournalism may seem like a commodity these
days.
Everybody has a phone, and every phone has a camera.
Those cameras are good enough to take a picture that
can be published on the front page of the Philippine
Daily Inquirer, and much more easily on the homepage
of a website.
So what’s differentiates the true photojournalist and the
guy who happens to have a camera and happens to be
on the scene at the right moment?
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
PHOTO JOURNALISM – Its
not an easy platform to
contribute or grow as a
photographer. It does require
lots of perseverance, self
realization and a definite
mindset to change the world
with your photograph. As we
all know not many has
succeeded, and for many
professionals its yet a long
journey.
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
PHOTOJOURNALISM means more than being in the right
place at the right time. At its core, photojournalism is
serious journalism, with a focus on the visual impact of a
story.
BY: CHELDY SYGACO ELUMBA-PABLEO,
1. PLANNING
The most important thing to bring to your work as a
photojournalist is planning.
Photojournalism is
rarely about capturing
unexpected events,
but rather about
capturing unexpected
moments at planned
events.
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
2. TIMING
A lot of photojournalism comes down to waiting
A fascinating secret about timing, and
something that you don’t learn until
you’re actually on assignment, is that
sometimes the critical moment can
happen more than once. Even if you
miss the that amazing shot if you can
be there to catch that subsequent shot,
it can be golden.
With experience, you will learn to get
the shot you need, even if you missed
the shot you wanted.
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
3. EXPOSURE
Photojournalism is not
just about artistic
expression, it’s also
about making sure that
people can see what’s
happening. It’s tempting
to look at the artistic
possibilities of every
scene, and you may find
yourself frustrated by the
need to report clearly
and accurately what is
actually happening. amazing high speed photography shot
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
4. CROPPING
One of the advantages of using a high resolution camera is the
ability to crop after-the-fact.
There have been scandals
about photojournalists who
have done more sophisticated
retouching and editing, to the
point of making the image
appear to be something that
it wasn’t originally.
PHOTOJOURNALISM is
about documenting reality.
Viewers trust you, and you
have to respect that trust.
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
Another sophisticated editing sample
BY: CHELDY SYGACO ELUMBA-PABLEO,
5. FOCUS
It goes without saying
that if the subject is out
of focus, viewers won’t
be able to see it
properly. But focus is
also a tool a
photojournalist can use
to draw attention to the
elements that are the
most relevant and
image
Selective focus and shallow depth of field enables this
columbine to stand out in stark relief to a busy
background.
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
6. SUBJECT
Choosing what you want to
focus on is an important
aspect photojournalism.
Sometimes you’ll come to an
event because you know that
there’s something specific
there you want to capture, but
sometimes you’re just looking
around to see what’s
newsworthy.
Consider everything around
you.
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
7. RIGHTS
Don’t take photojournalism
casually. What you report
can change the lives of
people who are represented
in your photographs, and
the people who see them.
Approach the field with the
respect it deserves.
paparazzi controversial shots
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
https://www.facebook.com/DipologDapitanCameraClub/?pnref=lhc
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
Some nice photography shots of our local
photographer in DDCC
FREGER REYES PHOTOGRAPHY
BY: CHELDY SYGACO ELUMBA-PABLEO,
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
1st : RUEL TABADA
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
2nd : JEROME CAPISEN
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
3rd: JOJI TABADA
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
4th : JEROME CAPISEN
BY: CHELDY SYGACO ELUMBA-PABLEO,
MPA;LLB
5th : JOJI TABADA
BY: CHELDY SYGACO ELUMBA-PABLEO,
6th : RUEL TABADA
BY: CHELDY SYGACO ELUMBA-PABLEO,
THANK YOU FOR READING!
CHELDHAYE

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Photojournalism

  • 1. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 2. Fundamentals for Visual Impact Photojournalism may seem like a commodity these days. Everybody has a phone, and every phone has a camera. Those cameras are good enough to take a picture that can be published on the front page of the Philippine Daily Inquirer, and much more easily on the homepage of a website. So what’s differentiates the true photojournalist and the guy who happens to have a camera and happens to be on the scene at the right moment? BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 3. PHOTO JOURNALISM – Its not an easy platform to contribute or grow as a photographer. It does require lots of perseverance, self realization and a definite mindset to change the world with your photograph. As we all know not many has succeeded, and for many professionals its yet a long journey. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 4. PHOTOJOURNALISM means more than being in the right place at the right time. At its core, photojournalism is serious journalism, with a focus on the visual impact of a story. BY: CHELDY SYGACO ELUMBA-PABLEO,
  • 5. 1. PLANNING The most important thing to bring to your work as a photojournalist is planning. Photojournalism is rarely about capturing unexpected events, but rather about capturing unexpected moments at planned events. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 6. 2. TIMING A lot of photojournalism comes down to waiting A fascinating secret about timing, and something that you don’t learn until you’re actually on assignment, is that sometimes the critical moment can happen more than once. Even if you miss the that amazing shot if you can be there to catch that subsequent shot, it can be golden. With experience, you will learn to get the shot you need, even if you missed the shot you wanted. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 7. 3. EXPOSURE Photojournalism is not just about artistic expression, it’s also about making sure that people can see what’s happening. It’s tempting to look at the artistic possibilities of every scene, and you may find yourself frustrated by the need to report clearly and accurately what is actually happening. amazing high speed photography shot BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 8. 4. CROPPING One of the advantages of using a high resolution camera is the ability to crop after-the-fact. There have been scandals about photojournalists who have done more sophisticated retouching and editing, to the point of making the image appear to be something that it wasn’t originally. PHOTOJOURNALISM is about documenting reality. Viewers trust you, and you have to respect that trust. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 9. Another sophisticated editing sample BY: CHELDY SYGACO ELUMBA-PABLEO,
  • 10. 5. FOCUS It goes without saying that if the subject is out of focus, viewers won’t be able to see it properly. But focus is also a tool a photojournalist can use to draw attention to the elements that are the most relevant and image Selective focus and shallow depth of field enables this columbine to stand out in stark relief to a busy background. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 11. 6. SUBJECT Choosing what you want to focus on is an important aspect photojournalism. Sometimes you’ll come to an event because you know that there’s something specific there you want to capture, but sometimes you’re just looking around to see what’s newsworthy. Consider everything around you. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 12. 7. RIGHTS Don’t take photojournalism casually. What you report can change the lives of people who are represented in your photographs, and the people who see them. Approach the field with the respect it deserves. paparazzi controversial shots BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 14. Some nice photography shots of our local photographer in DDCC FREGER REYES PHOTOGRAPHY BY: CHELDY SYGACO ELUMBA-PABLEO,
  • 15. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 16. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 17. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 18. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 19. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 20. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 21. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 22. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 23. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 24. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 25. 1st : RUEL TABADA BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 26. 2nd : JEROME CAPISEN BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 27. 3rd: JOJI TABADA BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 28. 4th : JEROME CAPISEN BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;LLB
  • 29. 5th : JOJI TABADA BY: CHELDY SYGACO ELUMBA-PABLEO,
  • 30. 6th : RUEL TABADA BY: CHELDY SYGACO ELUMBA-PABLEO,
  • 31. THANK YOU FOR READING! CHELDHAYE