THRILLER OPENINGS
Elliot Stahlmann 5214
Research - Thriller Openings
MISE-EN-SCENE
Costume: All factions have an allocated dress code and
this conveys the power of the strict government as they all
conform to this.
Also, the colours of each faction’s clothing connotes their
personality. For example, the “Candor” faction are valued
for their honesty and to show this they wear white and
black to symbolise their black and white point of view and
their straight forward honesty.
In contrast, the “Amity” faction dress in bright yellow and
red costume, which connotes happiness and peace – for
which they are known.
Lighting: the “Factionless” are the lower class of the factions and are always
seen in darkness. This contrasts with those belonging to a faction whom are
always in light. This portrays the factionless as being of lower status to the
others and as being least happy.
The use of low key lighting for the factionless setting portrays the “Factionless”
as a poor and gloomy place and connotes sadness
CAMERA ANGLES, SHOTS & MOVEMENT
Low high-angle shots: to signify authority
and power between differing ranks and
status’. Here, Tris is being spoken to by
someone of authority within her new
faction and this can be seen as the
camera essentially forces us to “look-up”
to him.
Long shots: help to capture the
action of the scene and thus create
tension and forces the audience to
feel thrilled, displaying dominance
and power between characters
Close-ups: allow the audience to focus on
the reactions of characters and helps to
establish pace of a scene.
Audience can see
how a character is
feeling in a
particular scene or
situation and
helps to capture
the moment for
the audience.
They can
experience the
sorrow and the joy
as the characters
on screen do
SOUND & EDITING
Quick cuts between scenes
establishes a fast-paced
environment and captures the
thrill and tension of scenes.
Soundtrack: starts calmly then
begins to fade out. This creates
an eerie atmosphere. We the
hear crowd murmurs and the
film starts with a voiceover.
This raises question for the
audience, creating enigma and
and eerie tone – which is
conventional of most thrillers.
Volume: in action-packed scenes the volume rises and
this creates a sense of enigma and fear which is
common of thrillers. For calmer scenes, the volume of
backing music decreases and sometimes for tense
scenes, ends. This draws attention to dialogue which
can create a tense atmosphere and be used to display
dominance over characters.
Research - Thriller Openings
MISE-EN-SCENE
In this thriller, Props are utilised to portray
themes and to hint at the storyline without
giving too much away. This can be seen at
the start of the opening when we see a
single light bulb warm up. This could
connote the themes surrounding the thriller
such as loneliness and individual power.
Another example of how props are utilised is
in the scene below where he grabs his
blanket. This suggests that the kid wants to
hide and also longs for safety and closure
Additionally, Lighting is key as the
low key lighting emphasises the
eerie dark tone in the scene (left).
It connotes the mystery of the
boy’s condition but also
foreshadows the coming pathos
and danger
CAMERA ANGLES, SHOTS & MOVEMENT
The high low-angle shot here
demonstrates a sense of inferiority and
lack of control that the boy experiences.
Also, this hints towards his helplessness
and the lack of power he feels as he feels
so helpless that he is “looking up” to
everyone.
Rule of thirds: this shot considers the rule of thirds
where the boys face intersects both left hand cross
sections. This brings our attention to his facial
expression and we can see his overwhelming fear –
this creates tension amongst the audience which is
conventional of most thrillers
Camera movement: some scenes
involve camera panning. This captures
the action of scenes whilst establishing
a setting – this can be effective in
creating a tense atmosphere as some
settings such as dark hallways are eerie
and mysterious which are conventional
tones for thrillers
SOUND & EDITING
Non-diegetic music: such as pianos and strings
can create a sense of mystery and again create
tension. In some scenes this is highly effective as
it can foreshadow danger and be uneasy and
unnerving for the audience to watch.
Quick cuts capture speed and mimic the fast paced
beating of a heart. This thus has a great effect on the
audience as it forces them to feel panicked and tense
which is conventional of most thrillers
Calm non-diegetic music plays when
Malcom is talking with his wife. This
foreshadows the coming danger as calm or
tranquil music in thrillers is often used
ironically and so it implies that something
bad is going to happen
The dialogue between characters
provides the audience with detail and
lets them know more about the
themes and storyline; the classic “I
see dead people” is one that can be
used easily here as the thriller clearly
is related to seeing the dead
Research - Thriller Openings
MISE-EN-SCENE
Expression and movement: Lucy here clearly looks
pleased with herself and this foreshadows the coming
danger and also the themes of the thriller as she
appears to know something that we don’t –
conveying the theme of human intelligence and
establishing enigma as it raises questions for the
audience – what does she know that we don’t?
In this scene Lucy grabs a gun after tricking a man
into getting beat up. This again foreshadows the
danger that is to come and the violence that later
occurs – which is conventional of most thrillers
In Lucy, the setting is urban which is
conventional of thrillers as these places are
often over-crowded and busy. Here, Lucy is
in China and this highlights the coming
danger and fast-paced nature of the thriller
– as is common for thrillers. This is
because natural setting often convey
peace and tranquillity and hence less rural
and more urban settings convey the
opposite
CAMERA ANGLES, SHOTS & MOVEMENT
Very low high-angle shots convey authority and power.
From our perspective we feel subject to the character as
she points a gun towards us. This conveys themes of
power and domination and also of violence – common
amongst action thrillers
Shaking camera movement
portrays fear and nervousness.
This, is common in thrillers as it
can often create tension and in
most cases is used in point-of-
view shots as it mimics the
unsettled movement of the eye
in a panic state of mind.
The rule of thirds places
Lucy’s head and arms at the
right hand third whilst her
hand and the gun are focused
to the left third. This draws
attention to her weapon and
also her facial expression.
This establishes mystery and
most importantly a sense of
danger and violence – all of
which are common and vital
in action thrillers.
SOUND & EDITING
Diegetic sound of a gunshot
in this scene creates a
sense of danger and
violence and draws our
attention to the violence and
action of the film that is yet
to come. This is after the
opening but at the start of
the film and so we feel
thrilled and exhilarated to
watch it.
SFX and editing allows the audience to see the film
through the eyes of Lucy. We can experience her
gifts as she does and this tells us more about the
nature of the film and foreshadows the type of
action that is to come in the thriller. SFX are not
always used but editing such as green screens are
common in thrillers, especially Hollywood
blockbuster movies as this can create a better
environment for the film and enhance the
experience for the audience.

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Research - Thriller Openings

  • 3. MISE-EN-SCENE Costume: All factions have an allocated dress code and this conveys the power of the strict government as they all conform to this. Also, the colours of each faction’s clothing connotes their personality. For example, the “Candor” faction are valued for their honesty and to show this they wear white and black to symbolise their black and white point of view and their straight forward honesty. In contrast, the “Amity” faction dress in bright yellow and red costume, which connotes happiness and peace – for which they are known. Lighting: the “Factionless” are the lower class of the factions and are always seen in darkness. This contrasts with those belonging to a faction whom are always in light. This portrays the factionless as being of lower status to the others and as being least happy. The use of low key lighting for the factionless setting portrays the “Factionless” as a poor and gloomy place and connotes sadness
  • 4. CAMERA ANGLES, SHOTS & MOVEMENT Low high-angle shots: to signify authority and power between differing ranks and status’. Here, Tris is being spoken to by someone of authority within her new faction and this can be seen as the camera essentially forces us to “look-up” to him. Long shots: help to capture the action of the scene and thus create tension and forces the audience to feel thrilled, displaying dominance and power between characters Close-ups: allow the audience to focus on the reactions of characters and helps to establish pace of a scene. Audience can see how a character is feeling in a particular scene or situation and helps to capture the moment for the audience. They can experience the sorrow and the joy as the characters on screen do
  • 5. SOUND & EDITING Quick cuts between scenes establishes a fast-paced environment and captures the thrill and tension of scenes. Soundtrack: starts calmly then begins to fade out. This creates an eerie atmosphere. We the hear crowd murmurs and the film starts with a voiceover. This raises question for the audience, creating enigma and and eerie tone – which is conventional of most thrillers. Volume: in action-packed scenes the volume rises and this creates a sense of enigma and fear which is common of thrillers. For calmer scenes, the volume of backing music decreases and sometimes for tense scenes, ends. This draws attention to dialogue which can create a tense atmosphere and be used to display dominance over characters.
  • 7. MISE-EN-SCENE In this thriller, Props are utilised to portray themes and to hint at the storyline without giving too much away. This can be seen at the start of the opening when we see a single light bulb warm up. This could connote the themes surrounding the thriller such as loneliness and individual power. Another example of how props are utilised is in the scene below where he grabs his blanket. This suggests that the kid wants to hide and also longs for safety and closure Additionally, Lighting is key as the low key lighting emphasises the eerie dark tone in the scene (left). It connotes the mystery of the boy’s condition but also foreshadows the coming pathos and danger
  • 8. CAMERA ANGLES, SHOTS & MOVEMENT The high low-angle shot here demonstrates a sense of inferiority and lack of control that the boy experiences. Also, this hints towards his helplessness and the lack of power he feels as he feels so helpless that he is “looking up” to everyone. Rule of thirds: this shot considers the rule of thirds where the boys face intersects both left hand cross sections. This brings our attention to his facial expression and we can see his overwhelming fear – this creates tension amongst the audience which is conventional of most thrillers Camera movement: some scenes involve camera panning. This captures the action of scenes whilst establishing a setting – this can be effective in creating a tense atmosphere as some settings such as dark hallways are eerie and mysterious which are conventional tones for thrillers
  • 9. SOUND & EDITING Non-diegetic music: such as pianos and strings can create a sense of mystery and again create tension. In some scenes this is highly effective as it can foreshadow danger and be uneasy and unnerving for the audience to watch. Quick cuts capture speed and mimic the fast paced beating of a heart. This thus has a great effect on the audience as it forces them to feel panicked and tense which is conventional of most thrillers Calm non-diegetic music plays when Malcom is talking with his wife. This foreshadows the coming danger as calm or tranquil music in thrillers is often used ironically and so it implies that something bad is going to happen The dialogue between characters provides the audience with detail and lets them know more about the themes and storyline; the classic “I see dead people” is one that can be used easily here as the thriller clearly is related to seeing the dead
  • 11. MISE-EN-SCENE Expression and movement: Lucy here clearly looks pleased with herself and this foreshadows the coming danger and also the themes of the thriller as she appears to know something that we don’t – conveying the theme of human intelligence and establishing enigma as it raises questions for the audience – what does she know that we don’t? In this scene Lucy grabs a gun after tricking a man into getting beat up. This again foreshadows the danger that is to come and the violence that later occurs – which is conventional of most thrillers In Lucy, the setting is urban which is conventional of thrillers as these places are often over-crowded and busy. Here, Lucy is in China and this highlights the coming danger and fast-paced nature of the thriller – as is common for thrillers. This is because natural setting often convey peace and tranquillity and hence less rural and more urban settings convey the opposite
  • 12. CAMERA ANGLES, SHOTS & MOVEMENT Very low high-angle shots convey authority and power. From our perspective we feel subject to the character as she points a gun towards us. This conveys themes of power and domination and also of violence – common amongst action thrillers Shaking camera movement portrays fear and nervousness. This, is common in thrillers as it can often create tension and in most cases is used in point-of- view shots as it mimics the unsettled movement of the eye in a panic state of mind. The rule of thirds places Lucy’s head and arms at the right hand third whilst her hand and the gun are focused to the left third. This draws attention to her weapon and also her facial expression. This establishes mystery and most importantly a sense of danger and violence – all of which are common and vital in action thrillers.
  • 13. SOUND & EDITING Diegetic sound of a gunshot in this scene creates a sense of danger and violence and draws our attention to the violence and action of the film that is yet to come. This is after the opening but at the start of the film and so we feel thrilled and exhilarated to watch it. SFX and editing allows the audience to see the film through the eyes of Lucy. We can experience her gifts as she does and this tells us more about the nature of the film and foreshadows the type of action that is to come in the thriller. SFX are not always used but editing such as green screens are common in thrillers, especially Hollywood blockbuster movies as this can create a better environment for the film and enhance the experience for the audience.