ITFT-MEDIA Radio jockey
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The document outlines the key responsibilities and qualities of a radio jockey (RJ) during a live show, emphasizing tasks like station identification, smooth song transitioning through cross-fading, and sharing playlists. It discusses listener engagement through requests and public service announcements, highlighting the importance of a friendly and knowledgeable demeanor. Additionally, it touches on the concept of outside broadcasts and the significance of mastering various electronic gadgets.
ITFT-MEDIA Radio jockey
- 1. Radio Responsibilities: Being an On-Air DJ
- 2. RADIO JOCKEY • Being a radio RJ is a hectic job but it can also be a fun and very rewarding career. Unlike many other jobs, it is not hectic in terms of worrisome stress. Rather, a RJ has to be a master of multi-tasking and time management. • There are many tasks to perform and processes to keep in mind while hosting a live show on-air. This guide will introduce you to some of the main responsibilities of a radio RJ during a show.
- 3. Station Identification • A station ID is an audio snippet that lets listeners know the call sign, frequency and name of the radio station they are listening to. A station ID typically uses the following format: “Hi, this is Billy Rockstar and you’re listening to RKYM, 91.4 FM, Rock Radio Station.” This is helpful for people who are just tuning in and also as a way to make the station stick in people's minds
- 4. RJ Vocal Characteristics • Listeners respond well to a memorable voice, especially since it is the only means of communication via radio. For men and women, this means that their voices should be free of qualities that might irritate listeners. • Most commercial stations prefer RJs with a general non-regional accent so that listeners across the country (and even internationally!) can understand the voice. Diction is another important quality. RJs should be able to speak well, using measured tones and natural language.
- 5. Transitioning Between Songs • When hosting a live show, it would sound very choppy and jarring if listeners had to hear the end of the song and then wait for the RJ to cue up the next one. To ensure a smooth, continuous flow, RJs have adopted the practice of cuing up the next song into a second player while the first one is already playing. • When the first song comes to an end, the RJ gradually reduces the volume while simultaneously raising the volume on the second player. This effect is known as cross-fading. • If a RJ has to speak after a song, they simply fade it out and then speak. To keep up the energy levels of the show, it is common to have some instrumental music playing in the background while the RJ speaks
- 6. A Rundown of the Playlist • During any radio show, listeners need to know what they have been listening to. There are several ways for RJs to share that information. On-air, they can let their audience know the titles and artists of the songs that were recently played as well as the next few songs that are coming up. • This also ensures that listeners learn about new tracks released by record labels. Today, many RJs also provide a full playlist on the radio station’s website so that anyone can go back to it and learn the artist and title of a particular song
- 7. PSAs • A PSA is an abbreviation for Public Service Announcement. A PSA is different from an advertisement since it is non-commercial in nature. Typically, PSAs offer short snippets of news, events or promotions from non-profit groups that may be of interest to the local community. • RJs normally receive a list of PSAs in advance so they are careful to allocate enough time in the show schedule to incorporate these announcements. PSAs are normally read out loud by the RJ, but sometimes they are provided as a pre-recorded audio clip
- 8. Listener Requests • Taking requests is one of the primary interactions between the RJ and listeners. It helps build listener loyalty and adds some spontaneity to the show. • While RJs traditionally take requests over the phone, today many radio stations also allow fans to chat live with the RJ through instant messaging services and send requests online. Some stations also have a request widget on their website for listeners to send requests in advance
- 9. Qualities of RJ • RJ should be able to create bond with the listener, should be friendly, spontaneous, warm, and have a good voice. • He would be well read and knowledgeable, • Should be well acquainted with current trends and fashion, • Should know current who's who, • Should have command over spoken words and able to use easy-to grasp language/dialect, • Could chat with the guest in the studio or audience over telephone, • Able to operate modern electronic gadgets like editing consoles and computer
- 10. Out Side Broadcast • A broadcast not made from a studio. Radio programme which is broadcast from a location away from the normal studio setting. The location doesn't actually have to be out-of-doors the "outside" simply means "outside the studio". • Events commonly covered by OB units include sports, concerts, ceremonies, etc. OB units may specialize in a particular area; for example, a motorsports OB unit would carry specialized camera equipment for in-car coverage and have staffs which know this particular sport well