2,283 books
—
2,326 voters
to-read
(2338)
currently-reading (55)
read (801)
queue (434)
favorites (289)
suspense (107)
screenplays (94)
historical (86)
hard-sf (83)
business (66)
thriller (64)
horror (61)
currently-reading (55)
read (801)
queue (434)
favorites (289)
suspense (107)
screenplays (94)
historical (86)
hard-sf (83)
business (66)
thriller (64)
horror (61)
classics
(53)
magical-realism (43)
biography (39)
psychological-thriller (38)
writing-reference (36)
soft-sf (34)
literary (33)
paranormal (33)
worldbuilding (33)
drama (26)
low-fantasy (26)
日本語 (26)
magical-realism (43)
biography (39)
psychological-thriller (38)
writing-reference (36)
soft-sf (34)
literary (33)
paranormal (33)
worldbuilding (33)
drama (26)
low-fantasy (26)
日本語 (26)
“You don’t need an idea to start a story. You just need a sentence.”
― A Swim in a Pond in the Rain
― A Swim in a Pond in the Rain
“Yeah, but what if you went back and killed your own grandfather?"
He stared at me, baffled. "Why the fuck would you do that?”
― 11/22/63
He stared at me, baffled. "Why the fuck would you do that?”
― 11/22/63
“There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.
We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”
―
We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”
―
Goodreads Librarians Group
— 301487 members
— last activity 0 minutes ago
Goodreads Librarians are volunteers who help ensure the accuracy of information about books and authors in the Goodreads' catalog. The Goodreads Libra ...more
Beyond Reality
— 2017 members
— last activity Nov 28, 2025 02:14PM
Welcome to the Beyond Reality SF&F discussion group on GoodReads. In Beyond Reality, each of our members may nominate one SF and one fantasy book per ...more
What's the Name of That Book???
— 119369 members
— last activity 2 hours, 32 min ago
Can't remember the title of a book you read? Come search our bookshelves and discussion posts. If you don’t find it there, post a description on our U ...more
Littérature française du XXIe siècle
— 2797 members
— last activity Apr 21, 2025 03:08AM
Romans français et francophones de l'an 2001 à nos jours. ...more
Turkish Books in GoodReads.com
— 3255 members
— last activity Nov 16, 2025 07:44AM
Bu sitenin amacı; her türlü Türk Edebiyatı ile ilgili kitapları goodreads.com sitesine eklemek ve Türk Edebiyatı'nın zenginliğini dünyanın her yerinde ...more
posthuman’s 2024 Year in Books
Take a look at posthuman’s Year in Books, including some fun facts about their reading.
More friends…
Favorite Genres
Biography, Business, Classics, Contemporary, Fiction, Historical fiction, History, Horror, Memoir, Mystery, Science fiction, Self help, Suspense, Thriller, Psychological Thriller, Post Apocalyptic, time-travel, Psychological Horror, Languages, Linguistics, Historical fiction set in the ancient world, and ancient historical fiction
Polls voted on by posthuman
Lists liked by posthuman






























































