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Composition Readings

This document provides an overview of readings and resources for a Composition II course. It lists numerous assigned readings from 20th century composers such as Bartók, Berio, Cage, Carter, Cowell, Crumb, Messiaen, Oliveros, Reich, Russolo, Varèse, and Xenakis. It also provides a lengthy list of additional resources on topics like orchestration, twentieth century music techniques, composition methods, and musical notation. The course will explore modern and contemporary musical styles and compositional approaches through studying both primary source writings and secondary source textbooks.
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100% found this document useful (2 votes)
274 views2 pages

Composition Readings

This document provides an overview of readings and resources for a Composition II course. It lists numerous assigned readings from 20th century composers such as Bartók, Berio, Cage, Carter, Cowell, Crumb, Messiaen, Oliveros, Reich, Russolo, Varèse, and Xenakis. It also provides a lengthy list of additional resources on topics like orchestration, twentieth century music techniques, composition methods, and musical notation. The course will explore modern and contemporary musical styles and compositional approaches through studying both primary source writings and secondary source textbooks.
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Supplemental Texts
  • Assigned Readings
  • Additional Resources

Beginning/ Composition II (MUCP 1190/3090) Dr.

Joseph Klein (TF: Peringer)

01/09/12

READINGS
SUPPLEMENTAL TEXTS: Cope, David. Techniques of the Contemporary Composer. New York: Schirmer Books, 1997. Stone, Kurt. Music Notation in the Twentieth Century. New York: W.W. Norton & Co., 1980. ASSIGNED READINGS: Bartk, Bla. The Problem of the New Music (1920). Composers on Modern Musical Culture, ed. by Bryan R. Simms, pp. 44-49. Berio, Luciano. Interview 1 with Rossana Dalmonte [excerpt] (1980). Two Interviews (1985), pp. 17-40. Cage, John. Credo: The Future of Music (1937). Silence (1961), pp. 3-6. Cage, John. Interview with Roger Reynolds (1962). Contemporary Composers on Contemporary Music (1967), ed. by Elliot Schwartz and Barney Childs, pp.335-348. Carter, Elliott. Shop Talk from an American Composer (1960). The Writings of Elliott Carter (1977), ed. by Else Stone and Kurt Stone, pp. 199-211. Cowell, Henry. New Musical Resources (1930). Contemporary Composers on Contemporary Music (1967), ed. by Elliot Schwartz and Barney Childs, pp.134-145. Crumb, George. Music: Does it Have a Future? George Crumb: Profile of a Composer (1986), ed. by Don Gillespie, pp. 16-19. Messiaen, Olivier. Technique of My Musical Language. (1944). Part I, pp. 13-15, 18-21, 34, 58-63; Part II, pp. 1, 3-4, 17-19, 50-54. Oliveros, Pauline. Some Sound Observations (1968); Software for People: collected writings 1963-80 (1983), pp. 17-27. Reich, Steve. Music as a Gradual Process; Some Optimistic Predictions (1970) about the Future of Music; From Program Notes. Writings About Music (1974), pp. 9-11; 28, 44. Rosen, Charles. Whos Afraid of the Avant-Garde? Internet, May 14, 1998. Russolo, Luigi. The Art of Noise (1913). Classic Essays on Twentieth-Century Music (1996), ed. by Richard Kostelanetz and Joseph Darby, pp.35-41. Varse, Edgard. The Liberation of Sound (1936-62). Contemporary Composers on Contemporary Music (1967), ed. by Elliot Schwartz and Barney Childs, pp.195-208. Xenakis, Iannis. Preliminary Statement by Iannis Xenakis. Arts/Sciences: AlloysThe Thesis Defense of Iannis Xenakis. (1985), pp. 1-10. Zappa, Frank. The Real Frank Zappa Book (1989), pp. 30-35, 139-150, 160-164, 171-176, 185-197.

ADDITIONAL RESOURCES: Adler, Samuel. The Study of Orchestration. New York: W.W. Norton & Co., 1989. Antokoletz, Elliott. Twentieth Century Music. Englewood Cliffs, New Jersey: Prentice Hall, 1992. Austin, Larry and Thomas Clark. Learning to Compose: Modes, Materials, and Models of Musical Invention. Dubuque, Iowa: Wm. C. Brown Publishers, 1989. Blatter, Alfred. Instrumentation and Orchestration. New York: Schirmer Books, 1997. Brindle, Reginald Smith. Musical Composition. Oxford: Oxford University Press, 1986. Brindle, Reginald Smith. The New Music. London: Oxford University Press, 1975. Cope, David. New Directions in Music (5th edition). Dubuque, Iowa: Wm. C. Brown Publishers, 1989. Dallin, Leon. Techniques of Twentieth Century Composition. Dubuque, Iowa: Wm. C. Brown Publishers, 1974. Delone, Peter, et al. Aspects of Contemporary Music. Englewood Cliffs, New Jersey: Prentice Hall, 1975. Donato, Anthony. Preparing Musical Manuscript. Westport, Conn.: Greenwood Press, 1977; 1963. Griffiths, Paul. Modern Music: The Avant Garde Since 1945. George Braziliier, Inc., 1981. Kostelanetz, Richard and Joseph Darby, ed. Classic Essays on Twentieth-Century Music. New York: Schirmer Books, 1996. Kostka, Stefan. Materials and Techniques of Twentieth-Century Music. Upper Saddle River, NJ: Pearson Prentice Hall Books, 2006. Machlis, Joseph. Introduction to Twentieth Century Music. New York: W.W. Norton & Co., 1979. McCutchan, Ann. The Muse That Sings: Composers Speak About the Creative Process. New York: Oxford University Press, 1999. McTee, Cindy. A Music Calligrapher's Handbook: Tools, Materials, And Techniques. Saint Louis, Mo.: MMB Music, 1987. Morgan, Robert P. Twentieth Century Music. New York: W.W. Norton & Co., 1991. Salzman, Eric. Twentieth Century Music: An Introduction (3rd edition). Englewood Cliffs, New Jersey: Prentice Hall, 1988. Schwartz, Elliot & Barney Childs. Contemporary Composers on Contemporary Music. Da Capo Press, 1978. Simms, Bryan R., ed. Composers on Modern Musical Culture. New York: Schirmer Books, 1999. Simms, Bryan R. Music of the Twentieth Century: Style & Structure. New York: Schirmer Books, 1986. Watkins, Glenn. Soundings: Music in the Twentieth Century. New York: Schirmer Books, 1987.

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