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How Can I Keep from Singing? Wade in the Water Pathétique Ride of the Valkyries Allegro Hungarian Dance no. 5 Weeping Willow Rag He's a Pirate You Can't Stop the Beat High Wire Technical Work Voices: Electric Piano, Tenor Sax (sounding an octave lower), Soprano Sax
Style: 16-Beat
How Can | Keep from Singing?
Robert Wadsworth Lowy
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esr ner E7 8 gar —_Sopranoss
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Filton F
7 es ar Ear —~ Be 8
esr Aer BB Ee
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* Candidates should refer to the current syllabus requirements for own interpretation pieces,
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© scanned with OKEN ScannerVoices: Strings, Sweet Trumpet, Orchestral Tutti
Style: Orchestral Rock Ballad
Pathétique
theme from Piano Sonata no. 8 (2nd movt)
Ludwig van Beethoven
Bim ES? AbISUS4) Ab Ab BB? Ab OD Ab Eb Fm Bi
Ay Fr Bbm Bb? Aysust §— Ay
a
L ao
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© scanVoices: Brass Section, Orchestral Tutti, Octave Strings
Style: Show Tune
Allegro
136 theme from Symphony no. 5 (4th movt) Ludiag ven Beethoven
[Brass Section s ne
cc 3 i @ c Gc¢c.e ie GS
soe Ss aie
[Orchestral Tutti
c ge c ace
Filton off
c G c [ S al
» . io
Ending
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© scanned with OKEN ScannerVoices: Reed Organ, Orchestral Tutti& Trumpet
Style: | Paso Duranguense (March)
ve
Hungarian Dance no. 5
- Johannes 6
Reed Organ ™
Gm om Gm
Gm
f
(Orch. Tutti & Tpt|
@
nt
ve mp
f
Play repeats in the exam
8 econyri
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oS
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Weeping Willow Rag
‘Accomp off
Rhythm off
G
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Play repeats in the exam
S
2
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c 1 E e Am: a F
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5 & Strings, Horns (sounding an octave lower) & Strings
_s
He's a Pirate
ribbean: The Curse of the
Voices: Strings & Fiddle, Bras
Style: 6/8 March
Black Pearl
from Pirates of the Cal
- tons Kigus Badelt, Geoffrey Zany
rings & Fiddle & Hans Zimmer
oa I
Dm
pia cin cin 3
Am Dm Bp
ea Sais eo 3 3 3
IF
Dm
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Seni ©2003 at ey seco
12 Mestegenen conn Oo Na Dey Cons
International Copyri Reser
ron Scie Aight ere Use
ermision of Ha Leone
rope Lied
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fee c Dm
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F Bb Dm Gm Asus) A
[Brass & Strings}
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it Synth Brass
Voices: Brass, Feedback Guitar (sounding an octave fower), Resonant SY
Style OsfockSRa
60s Rock & Roll
You Can't Stop the Beat
from Hairspray
Mare Shaiman
Syne start et oo
‘Accomp off (Rhythm on)
@ a
o
Fill toA
Piccolo|
«Gm a Gm o7 Cm? F Bb o”
Fill to B
6
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Piccolo]
Cm AbT Cm @ Cm. A? G
Cm AT Cm G By? & c
45; a or
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v
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or section 3-
candidates prepare section tater secon 2
CE ay cnrds vv and vii the LH, a5 istated below and on page
aoe
‘Candidates should play one of the fl
> asmajr E major oF Charmenic Minor (anda cho
sm the following:
2's from memory) ~ Examiners select fror
the
Re SCALES & CHORD KNOWLEDGE
» AvandE malors
+ cminor candidat choice o either harmonic or mel
— hands together
scale on legato
‘D Mixotydian scaleon E two octaves
of
> cvomatic scale in similar mation starting on Ab and E
jodi or
Teese ee hands separately, straight
cor sung (candidate choice)
» C minor pentatonic
RH only, straight or swung
(candidate choice)
1 Blues scale on E
1 Chord in rot position: AB, £2, EB, Be”
1 chorasin oot position frst, second and thir inversions: E, 8” RH only or LH only
(candidate choice)
1 Chora progression of VHV-Vin the folowing keys:
As major E major, C minor
or
3. EXERCISES (music may be used) ~ Candidates prepare all three exercises.
Candidates choose one exercise to play frst. Examiners then select one of the remaining two exercises to be performed.
1._Merimba Baby keyboard functions exercise
2. Tango Turn
3. Happy Smiles
scalic exercise
pianistic exercise
1. Keyboard exercise
‘Ab major scale accompanied by LH chords I, 1V, V” and vi
Ay
F/Ab
3 Db/Ab Eb7/G Ab
a
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LH ct
H chords 1, 1V, v" and vi
1 - CtmvE i AE Bv/DE E
Charmoni minor scale accompanied by LH chords, iv,
chords i, iv, V?
Cm -
and VI
1 AIC. ay Frit oi) Cm
2. Seales & chord knowledge
‘Ab major scale (two octaves)
231 at
Cminor scale: harmonic (two octaves)
9
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er
a ee aS
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Spe eee 2S
Lydian scale on Ab (two octaves)
‘Mixolydian scale on E (two octaves)
os u
foe
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‘ab major pentatonic scale (two octaves), straight or swung
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= eet —— =
SS Ss = oe
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C minor pentatonic scale (two octaves), straight or swung
th @ 3
Ap
e
3
-
e
Blues scale on E (two octaves), straight or swung
ch bbe he
a
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