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Lampadion Hairstyle in History

The document provides information about the history of hairstyles through different cultures and eras. It briefly describes hairstyles and beauty practices in ancient Egypt, the Middle Ages, and general concepts about beauty culture. It also includes tips for stylists on how to analyze a client and select an appropriate hairstyle.
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0% found this document useful (0 votes)
47 views10 pages

Lampadion Hairstyle in History

The document provides information about the history of hairstyles through different cultures and eras. It briefly describes hairstyles and beauty practices in ancient Egypt, the Middle Ages, and general concepts about beauty culture. It also includes tips for stylists on how to analyze a client and select an appropriate hairstyle.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

HAIR DESIGN

HISTORY OF HAIRSTYLES

In the ancient world, hair was of greater importance and was considered as
symbol of vitality has always been an object of attention and care. The
baldness, gray hair, and hair loss have always been valued signs
negatively as signs of old age or disease that man has
striving to convert with different means.
Our ancestors regarded hair length as a social status and
dignity, those who were born free, the nobles, the warriors, and the gods carried the
long hair
Mainly in Roman cultures, slaves, servants, and workers
they had short hair,
What provided the difference between them. They often got along.
simultaneously several hairstyles while the clothes remained similar
for centuries.

ANCIENT EGYPT

Since five million years before Christ, various tools were used such as
those who showed great interest in hair and beard: such as mirrors,
combs, razors. In ancient paintings and sculptures, the Egyptians appear
with long hair and pointed beards on the chin, over time arises the
need to shave the beard and cut their hair the pharaohs and high hierarchs
they were replaced by an artificial beard attached to the chin.

Decades later, the wig appears as an alternative, although it is still worn.


the own hair. As seen in many statuses of the representatives of the
High classes of the ancient empire show up the gigote, in the case of women they divide
in two her hair and held a lock in front with a ribbon, the use of the
wigs prevailed for many decades, but one of the most used was a
divided into three parts, two behind the ears, in front of the shoulder and one more
on the back.
In the middle empire, a wrap was used over the chest and that is why it was called
name the snail.
Once again, the beards signified the status of Pharaoh Thutmose III, which showed
a pointed beard that extended to the chest, was often found
braided with its ends rolled up and with a divine stone called lapis lazuli.
The priestly office was the most entrusted to aesthetic, bodily citizens.
doctors for example:
They painted their eyes with kohl, which prevented infections in the eyes due to the
desert. They had their heads shaved as well as their bodies, they did this every third
day, as they were dedicated to the study of their mixtures and ceremonial application.

In the case of the upper classes, they dedicated a lot of time to their bodily care.
Like the rest of the body, the pharaohs would take a bath; scented.
they rubbed themselves with (natron Nile silt) to perform gentle exfoliations
(ash paste and batán soil) receiving massages with scented oils they gave
shine to their bodies with a yellowish ochre paint the veins of the
Faces and busts were created with blue paint, and the eyes were outlined with kohl.
black, outlining its upper and lower eyelids, extending and connecting both
Outlined at the corners of the eyes, they were applying eyeshadow with colors.
strong, derived from ground minerals: green malachite, blue turquoise, oxide
of copper and coal. The eyebrows grew longer and darkened, in the case of the
The eyelids had two options: darken or outline them, the cheeks were colored.
In pink or crimson, the toenails and fingernails should be well cared for and were kept
with the alena, which protects from the desert dust completely shaved.
They had curly hair and it was as short as the way men wore it.
current events.

MIDDLE AGES (approx. 500-1500)

Hair in this era was a symbol of power, wealth, and dignity. The laws
medievals claimed that touching or tearing part of the beard or hair would be
punished with heavy fines or corporal punishment.
Married women wore their hair covered, during this time it was established that
short hair fashion.
In the 9th and 13th centuries, it was generally fashionable for young men to have short hair.
In the Middle Ages, women wore long hair.
In the 12th and 13th centuries, they also used curly hair from the middle of the century.
XII, coming from France, appears the bandage that consists of a bandage that is used
rounding the chin and a rigid band; surrounding the head in the shape of a crown.
The religious class was characterized by short hair and the tonsure, which was the circle.
shaved hair on the crown.
Men rarely used cosmetics as women did and used
various oils and ointments. Later on, women's hairstyling was one
called "lampadion" (torch in Greek).
The hairstyle was swept back and wrapped in a band from which the hair protrudes.
tips, as they were called from a torch.
The updo can be worn at the front or back of the head, the only requirement in
the ever-changing nothingness of the hairstyle that married women must wear
covered with a veil in public appearances. The Greeks sought harmony in
as for the beauty of each part of her body, through baths
scented with ambrosia, aromatic oils, the hands and feet and other parts
of the body, it was very difficult to keep them in perfect condition, in the case of the face.
they would paint their skin with phukos or orcaneta or a thousand red coloring agents, vegetable or
minerals that are applied to the cheeks lightening them with white, others red are
they obtain thorn with Egyptian thread.
The eyes were painted with saffron or ash, the eyelashes and eyebrows are darkened.
with antimony or they are styled with a glitter made with egg white, gum and
ammonia.

GENERAL CONCEPTS OF BEAUTY CULTURE.

CULTURE: It is the artistic intellectual development.

BEAUTY: Physical, artistic harmony that inspires pleasure and admiration.

BEAUTY CULTURE: It is a term derived from the Greek word 'COSMETIQUIS' which
it means skilled in decoration and ornaments, it refers to the entire field of action
of beautification including hairstyle styles, the aesthetics of the works
facials for hair, from scalp teas.

BEAUTY CULTURE: It is the art of beautifying that has been recognized for
thousands of years.
RULES TO BE A GOOD STYLIST

Be punctual
Be polite and kind
Be clean and attractive

CHARACTERISTICS OF AN EXCELLENT STYLIST

Personality
Culture
Skill

RULES THAT HELP YOU SUCCEED IN YOUR PROFESSION

Be secure in everything you do


Trust in success and you will achieve it
Act promptly in your decisions (never say I can't, I don't have
Time, I can't do it, show willpower for everything and you will move forward.
Have a pleasant and simple character (because that depends on your environment)
professional).
Work with consistency and discipline

SELECTION OF THE MOST SUITABLE HAIRSTYLE

Before styling your hair, you should consider the natural condition of your hair.
It is important to give them a prior shape to the hairstyle and check the possible
preparation of the same.
The height, the shape of the head and face, the neck and the ears.
Particularities such as: scars, warts, and the use of glasses should be taken into account.
describe how the client usually styles their hair.
PRE-HAIRDO ANALYSIS

1.- Determination of personal characteristics; get used to determining the


characteristics of your client (height and physical appearance).
2.-Before combing, run your hand over the scalp; to check for any
inequalities such as: warts, sebaceous cysts, or scars.
3.- The density of the hair; touch the hair in various places and examine its quantity.
4.-Structure of the hair; take the hair between your thumb and index finger and touch it
To determine its texture, find out if the hair is straight, wavy, or curly.
5.-The outline; comb the hair towards the crown so that the outline of the head
sea visible, examine hair growth all around, hair can
to be uniform, residual, and incomplete.
6.- The direction of growth and natural movement of the hair; the direction of
Hair cannot only be determined in long hair.
In short hair, the direction of the hair or growth is more important.
7.- Uncommon whirlwinds; there are stripes in different places on the head and in
different directions.
The uncommon whirlwinds prevent the hair from being styled in the
desired direction and the hair stands on end.
8.- The way the client usually styles their hair; ask your client to
comb to be able to examine as usual, if he wears glasses take into account, if to the
she leaves them on or takes them off.

CLIENT PROPORTIONS

Take into account the client's structure.


Consider whether it is thin or robust.
Take into account if it has big ears, a prominent nose, and if it has a neck
short or long.
Consider whether you have broad or narrow shoulders and if you have wide hips.
oh narrow.
The proportions that do not harmonize with the rest of the body are called
disproportions.
ERRORS YOU SHOULD AVOID BEFORE STYLING YOUR HAIR

1.- Never start without placing the cloth or the cape to protect the clothes.
2.-Do not style the hair beforehand without checking the conditions first.
on dry hair.
3.- Take into account how the client usually styles their hair.

4.-Don't stop looking at the mirror continuously and take into account the reaction of
client.
5.- Do not take into account the shape of the waves, because they can be flattened.

6.- Observe in the mirror the harmony and structure of the hairstyle to achieve excellence
results.

FOR A HAIRSTYLE TO HARMONIZE, CONSIDER THE


FOLLOWING CHARACTERISTICS

1.-The proportion between the body shape, the head, and the hairstyle.
2.-The proportion between the hairstyle shape and the head.
They influence the shape of the head, changing the outline of the face and appearance.
exterior of the head line.

PREPARATIONS TO STYLE

1.- Select the hairstyle that will be done.


2.- Place the cover.
3.- Brush the hair (from the nape, towards the sides, top and
frontal).
4.- Brush the hair from the roots to the tips.
5.- Wet the hair, apply mousse in the palm of your hand and rub it in
hair.
6.- First, lightly comb in the shape that the hairstyle is planned.
7.- Ask if you can make the necessary assessments.
8.- Comb through sections carefully, starting with the outline of the forehead.
hundreds, then the upper part, back and nape, ending with the part
desired.
9.- According to barriers ending takes control of the hairstyle.

10.- Show the result to your client.


HAIR DESIGN

Week 1
1.- Theory
Heart braid with curls
3.- French braid and overlay
4-strand braid
5-strand braid

Week 2
6.- Rib braid and palm braid (2 strands)
7.- Thermal straightening with iron
8.- Collection and polishing brushing

9.- Fantasy ribbons


10.- Elegant bun hairstyle and butterfly

Week 3
11.- Waterfall or ladder braid, filled donut and French braid
12.- Half gift with pliers smiles
13.- Headband hairstyle with macana curls
14.- Fluff and ponytail (braid with elastics)

15.- Waterfall

Week 4
16.- Thermal styling (dryer)
17.- Braid with bow
18.- Woman with twisted braids

19.- Elegant roll with anchovies


20.- Final exam
MATERIAL LIST

Cabezote (long hair 50% natural)


Base for headboard
Why bother?
Thorn comb
Spider brush
Polishing brush
Thermal brush (round)
Laces
Mini pins
Hairpins
Leagues (big and small)
Spray
Gel
Spray with glitter
Atomizer
Pointed paper
Mouse
Butterfly separators
Curlers #2
Dryer
Iron
Pliers
Accessories to decorate hairstyles (pearls and flowers)
Heat protector
Colored sequin
Diamantina
2 meters of 1cm pink or blue ribbon
Aluminum macana

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