Sales Management Analysis and Decision Making 11th Edition Thomas N. Ingram & Raymond W. Laforge & Ramon A. Avila & Charles H. Schwepker & Michael R. Williams Instant Download
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Sales Management
This 11th edition of Sales Management continues the tradition of blending the most
recent sales management research with the real-life “best practices” of leading sales
organizations and sales professionals.
Refecting today’s emphasis on analytics and customer experience (CX), this edition
focuses on the importance of employing different data-based selling strategies for dif-
ferent customer groups, as well as integrating corporate, business, marketing, and sales-
level strategies and plans. Sales Management includes coverage of the current trends and
issues in sales management, along with real-world examples from the contemporary
business world that are used throughout the text to illuminate chapter discussions.
The new 11th edition includes:
This text is core reading for postgraduate, MBA, and executive education students
studying sales management. An updated online instructor’s manual with solutions to
cases and exercises, a revised test bank, and updated PowerPoints is available to adopters.
11TH EDITION
Thomas N. Ingram
Raymond W. LaForge
Ramon A. Avila
Charles H. Schwepker, Jr.
Michael R. Williams
Designed cover image: ipopba
and by Routledge
4 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
© 2024 Thomas N. Ingram, Raymond W. LaForge, Ramon A. Avila, Charles H. Schwepker Jr.,
and Michael R. Williams
The right of Thomas N. Ingram, Raymond W. LaForge, Ramon A. Avila, Charles H. Schwepker
Jr., and Michael R. Williams to be identifed as authors of this work has been asserted in
accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form
or by any electronic, mechanical, or other means, now known or hereafter invented, including
photocopying and recording, or in any information storage or retrieval system, without
permission in writing from the publishers.
Every effort has been made to contact copyright-holders. Please advise the publisher of any errors
or omissions, and these will be corrected in subsequent editions.
DOI: 10.4324/9781003363583
Typeset in Galliard
by Apex CoVantage, LLC
Preface xv
About the Authors xxi
v
C o n t e n t s
Preface xv
About the Authors xxi
vii
viii Contents
Independent Representatives 60
Team Selling 61
Telemarketing 63
Trade Shows 64
Channel Confict 64
Summary 65
Making Sales Management Decisions 68
Case 3.1: My Home Superstores 68
Case 3.2: Global Tracker Technologies 69
Glossary 313
Notes 323
Index 341
P r e fa c e
Our objective in writing the 11th edition of Sales Management: Analysis and Decision
Making was to continue to present comprehensive and rigorous coverage of contempo-
rary sales management in a readable, interesting, and challenging manner. Findings
from recent sales management research are blended with examples of current sales man-
agement practice into an effective pedagogical format. Topics are covered from the
perspective of a sales management decision maker. This decision-making perspective is
accomplished through a chapter format that typically consists of discussing basic con-
cepts, identifying critical decision areas, and presenting analytical approaches for im-
proved sales management decision making. Company examples from the contemporary
business world are used throughout the text to supplement chapter discussion.
selection; use of buyer personas, virtual reality and artifcial intelligence in sales train-
ing; leadership skills, infuence tactics and coaching.
PEDAGOGY
The following pedagogical format is used for each chapter to facilitate the learning
process.
• Learning Objectives. Specifc learning objectives for the chapter are stated in behav-
ioral terms so that students will know what they should be able to do after the
chapter has been covered.
• Opening Vignettes. All chapters are introduced by an opening vignette that typically
consists of a recent, real-world company example addressing many of the key points
to be discussed in the chapter. These opening vignettes are intended to generate
student interest in the topics to be covered and to illustrate the practicality of the
chapter coverage.
• Key Words. Key words are highlighted in bold type throughout each chapter
and summarized in list form at the end of the chapter to alert students to their
importance.
• Boxed Inserts. Each chapter contains two boxed inserts titled “Sales Management in
Action.” The comments in these boxes are provided by members of our Sales
Executive Panel and were made specifcally for our text.
• Figure Captions. Most fgures in the text include a summarizing caption designed to
make the fgure understandable without reference to the chapter discussion.
Preface xvii
• Chapter Summaries. A chapter summary recaps the key points covered in the chapter
by restating and answering questions presented in the learning objectives at the
beginning of the chapter.
• Developing Sales Management Knowledge. Ten discussion questions are presented at
the end of each chapter to review key concepts covered in the chapter. Some of the
questions require students to summarize what has been covered, while others are
designed to be more thought-provoking and extend beyond chapter coverage.
• Building Sales Management Skills. Application exercises are supplied for each chapter,
requiring students to apply what has been learned in the chapter to a specifc sales
management situation. Several of the application exercises require data analysis.
Many chapters also have an Internet exercise to get students involved with the latest
technology. Role plays are also included in most chapters.
• Making Sales Management Decisions. Each chapter concludes with two short cases.
Most of these cases represent realistic and interesting sales management situations.
Some require data analysis. Most are designed so that students can role-play their
solutions.
CASES
The 18 short cases at the end of the chapters can be used as a basis for class discussion,
short written assignments, or role plays. These are designed to help bring the material in
each chapter to life for students by illustrating how chapter concepts can be applied in
practice.
SUPPLEMENTS
Instructor’s Resources
The Instructor’s Resources (www.routledge.com/9781032426358) deliver all the tra-
ditional instructor support materials in one handy place. Electronic fles are provided
for the complete Instructor’s Manual, Test Bank, and chapter-by-chapter PowerPoint
presentation fles that can be used to enhance in-class lectures.
Instructor’s Manual
The Instructor’s Manual for the 11th edition of Sales Management: Analysis and
Decision Making contains many helpful teaching suggestions and solutions to text
exercises to help instructors successfully integrate all the materials offered with this text
into their class. Each chapter includes the following materials designed to meet the
instructor’s needs.
• Learning objectives
• Chapter outline and summary
• Ideas for student involvement
• Possible answers to review sections in the text, Developing Sales Management
Knowledge, Building Sales Management Skills and the end of chapter cases
• Ideas for how to incorporate the role-play exercises found in the text into the class-
room setting, as well as suggestions for conducting the role plays
(The Instructor’s Manual fles are located at: www.routledge.com/9781032426358)
Test Bank
The revised and updated Test Bank, with over 100 new questions, includes a variety of
multiple choice and true/false questions, which emphasize the important concepts
presented in each chapter. The Test Bank questions vary in levels of diffculty so that
xviii Preface
each instructor can tailor testing to meet their specifc needs. The Test Bank fles are
located at: www.routledge.com/9781032426358.
PowerPoint Presentation Slides
This package brings classroom lectures and discussions to life with the Microsoft
PowerPoint presentation tool. Extremely professor-friendly and organized by chapter,
these chapter-by-chapter presentations outline chapter content, and generally include a
link to a short related video. The eye-appealing and easy-to-read slides are, in this new
edition, tailored specifcally to the Sales Management text from the Ingram author
team. The PowerPoint presentation slides are available at: www.routledge.com/cw/
www.routledge.com/9781032426358.
ACKNOWLEDGMENTS
We are delighted to publish the 11th edition of Sales Management: Analysis and Decision
Making with Routledge. Our hope is that this is one of many editions we work on
together. A great deal of credit for this edition should go to all of the wonderful people
at Routledge. Their expertise, support, and constant encouragement turned an extremely
diffcult task into a very enjoyable one. We are thankful for the expertise and support of
the many publishing professionals who have worked with us on previous editions of this
book. In particular, we appreciate the efforts of Harry Briggs, Rob Zwettler, Mike
Roche, and Becky Ryan. We would also like to thank our senior editor, Sophia Levine,
editorial assistant, Rupert Spurrier, and senior production editor, Cathy Hurren, for
their work on the 11th edition of this book. Without their efforts this edition would not
have seen the light of day. However, we also want to thank the many individuals with
whom we did not have direct contact but who assisted in the development and produc-
tion of this book.
We are also very appreciative of the support provided by our colleagues at Colorado
State University, the University of Louisville, Ball State University, University of
Central Missouri, and Oklahoma City University.
Thomas N. Ingram
Raymond W. LaForge
Ramon A. Avila
Charles H. Schwepker, Jr.
Michael R. Williams
To Jacque
—Thomas N. Ingram
To Terry
—Ramon A. Avila
xxi
xxii About the Authors
Institute and State University in 1984. He joined the Ball State faculty in 1984. Before
coming to Ball State, he worked in sales with the Burroughs Corporation. Dr. Avila was
presented with Mu Kappa Tau’s Outstanding Contributor to the Sales Profession in
1999 and is the only the third person to receive this award. Dr. Avila has also received
the University’s Outstanding Faculty award in 2001, the Outstanding Service award in
1998, the University’s Outstanding Junior Faculty award in 1989, the College of
Business’s Professor of the Year, and the Dean’s Teaching award every year it was given
from 1987 to 2002. Dr. Avila has presented numerous papers at professional confer-
ences and has been the program chair and the director for the National Conference in
Sales Management, and has published research in Journal of Marketing Research,
Journal of Euromarketing, Industrial Marketing Management, Journal of Management,
Journal of Marketing Theory and Practice, Journal of Personal Selling & Sales Management,
and Journal of Marketing Education. He has done consulting with major corporations,
including AT&T, Burroughs, Honeywell, Indiana Gas, Indiana Michigan Power,
Indiana Bell, and Midwest Metals. Dr. Avila served on the editorial review boards of four
business-related journals and served as the associate editor for the Mid-American Journal
of Business.
Charles H. Schwepker, Jr. (Ph.D., University of Memphis) is the Randall and Kelly
Harbert Marketing Professor at the University of Central Missouri. He has experience in
wholesale and retail sales. His primary research interests are in sales management, per-
sonal selling and marketing ethics. Dr. Schwepker’s articles have appeared in the Journal
of the Academy of Marketing Science, Journal of Business Research, Journal of Public Policy
and Marketing, Journal of Personal Selling & Sales Management, Journal of Service
Research, International Journal of Contemporary Hospitality Management, and Journal
of Business Ethics, among other journals, and various national and regional proceedings.
Edited books in which his articles have appeared include Marketing Communications
Classics (2000), Environmental Marketing (1995), The Oxford Handbook of Sales
Management and Sales Strategy (2011) and the Handbook of Unethical Work Behavior
(2013). He has received several honors for both teaching and advising, including the
Hormel Teaching Excellence award, Byler Distinguished Faculty Award and the Alumni
Foundation Harmon College of Business Administration Distinguished Professor
award. Dr. Schwepker received the James Comer award for best contribution to selling
and sales management theory awarded by the Journal of Personal Selling & Sales
Management and three “Outstanding Paper” awards at the National Conference in Sales
Management, among others. He is on the editorial review boards of the Journal of
Personal Selling & Sales Management, Journal of Marketing Theory & Practice, Journal
of Business & Industrial Marketing, Journal of Relationship Marketing, and Journal of
Selling, served as special issue editor for the Journal of Selling, and has fve times won an
award for outstanding reviewer. Dr. Schwepker is a co-author of Sell, 7th ed. (2024).
Michael R. Williams (Ph.D., Oklahoma State University) is the American Floral
Services Chair in Marketing and Professor of Marketing at Oklahoma City University.
His previous academic associations include Emeritus Professor of Marketing at Illinois
State University, where he was a founding Director of the Professional Sales Institute.
Prior to his academic career, Dr. Williams established a successful 30-plus-year career in
industrial sales, market research, and sales management and continues to consult and
work with a wide range of business organizations. He has co-authored Sell, 7th ed.
(2024); Professional Selling: A Trust-based Approach, 4th ed. (2011); The Professional
Selling Skills Workbook (1995); and a variety of executive monographs and white papers
on sales performance topics. Dr. Williams’ research has been published in national and
international journals including Journal of Personal Selling & Sales Management,
International Journal of Purchasing and Materials Management, Journal of Business
and Industrial Marketing, Journal of Business Research, Journal of Marketing Theory &
Practice, Marketing Management Journal, Quality Management Journal, Journal of
Engineering Education, Journal of Selling and Major Account Management, and Journal
of Industrial Technology. His work has also received numerous honors, including AMA’s
Marvin Jolson Award for Best Contribution to Selling and Sales Management, Outstanding
About the Authors xxiii
Article for the Year in Journal of Business and Industrial Marketing, the AACSB’s
Leadership in Innovative Business Education award, the Marketing Science Institute’s
Alden G. Clayton competition, and the Mu Kappa Tau Marketing Society recognition
award for Outstanding Scholarly Contribution to the Sales Discipline. He has also
received numerous university, college, and corporate teaching and research awards
including Old Republic Research Scholar, the presentation of a seminar at Oxford’s
Brasenose College, Who’s Who in American Education, and Who’s Who in America. Dr.
Williams served as Program chair and Conference Director for the National Conference
in Sales Management, special issue co-editor for Journal of Business Research, and contin-
ues to serve in leadership roles as an advisor and board member for sales and sales man-
agement organizations.
Exploring the Variety of Random
Documents with Different Content
It was this eighteenth century which saw a Beethoven, a Handel, a
Bach, a Haydn, and a Mozart. As masters of the new-born craft none
can be conceived greater.
The century now closing boasts, however, a long line of true
followers and worthy disciples of those great ones, men whose
names are household words in every European city.
But my brief record, necessarily dry and bald, of a momentous
change in the teaching of the world would be incomplete without
one word on the glorious instrument—the voice, so to speak—of
these masters of a new art, the organ. The first organ known in
Western Europe traditionally was sent to Pepin in France by the
Emperor of Constantinople in 759, but Aldhelm, Bishop of
Sherborne, in his poem on Virginity, some half a century earlier,
apparently describes what appears to have been the organ. Elphege,
Abbot of Winchester in the tenth century, is said to have caused a
very large organ to be constructed; but, with this solitary exception,
all the mediæval organs seem to have been small and comparatively
unimportant instruments. The oldest organ-cases preserved do not
date back further than the last years of the fifteenth century, and
these by the side of modern organs are insignificant in size. Viollet le
Duc, in his great work, gives us a picture of the Perpignan organ,
one of the earliest (early in the sixteenth century). From this date
the size rapidly increased.
In the "Rites of Durham," where a great mediæval church is
described at the period of the Dissolution (1530-40), there were
three organs in use in the abbey church, the principal one being only
used at "principall Feasts," the pipes being "very faire and partly
gilded." "Only two organs in England," says the "Rites," "of the same
makinge, one in Yorke and another in Paules."
LISTENERS AT THE THREE-CHOIR
FESTIVAL.
The most magnificent organ-case in Europe is the one in St. Janskirk
at Bois le Duc, and, like the vast majority of the great organ-cases,
is Renaissance in style. Viollet le Duc sums up the question in the
following sentence:—
"It does not appear that great organs were in use before the
fifteenth century, and it was only towards the close of the fifteenth
and beginning of the sixteenth centuries that the idea of building
organs of dimensions hitherto unknown was first conceived."
The organ, as we now know it, was born among us at the same date
when architecture died. Like the music of the Middle Ages, in the
days when these vast and peerless buildings arose, it is true the
organ was not unknown; but, like mediæval music, it was a small,
poor thing compared with the stupendous instrument we know and
love. There was no great organ before the last years of the fifteenth
century, when the Tudors reigned. The sixteenth and seventeenth
centuries witnessed its development, and acknowledged its
surpassing grandeur, and recognised its fitness as one of the chief
handmaids of the new great art.
Now the secret of the men who built this lordly abbey is lost; never
again will such a triumph of, alas! a dead art arise to charm and to
delight, to instruct and inspire the children of men. But we may still
preserve and reverently use this rare and noble legacy of a vanished
age as a shrine and a peerless teaching-home—a prayer-home, in
which are taught the great evangelical truths by which Christian men
live and breathe and have their being, the saving knowledge of the
work of the Precious Blood, the glad Redemption-story, the story
loved of men; the story which never ages, never palls, but which,
like dew, descends on each succeeding generation of believers, and
gives them new stores of faith and hope and love. This—these
things—we try to do, and not without success, for as God's bright
glory-cloud once brooded over the sacred desert-tent and the holy
Jerusalem Temple, so now upon our beloved and ancient cathedral,
with its almost countless services of praise and prayer and teaching,
God's blessing surely rests.
"It sleeps," does our cathedral, as one has lately said in words
beautiful as true—"it sleeps with its splendid dreams upon its lifted
face." But it has, too, its many wakeful working hours. Not the least
memorable of these will strike this week, when the charmed strains
of Handel and Haydn, Mozart, Mendelssohn, and Beethoven, and of
the great Englishmen, Gibbons and Boyce and Walmisley and
Wesley, and last, but not least, of Hubert Parry, peal through these
fretted vaults, "lingering and wandering on" among these wondrous
chambers of inspired imagery; while the almost prophetic words of
that truest English song-man Wordsworth become history:—
"Give all thou canst; high heaven rejects the lore
Of nicely calculated less or more;
So deem'd the man who fashion'd for the sense
These lofty pillars, spread that branching roof
Self-poised, and scoop'd into ten thousand cells,
Where light and shade repose, where music dwells
Lingering and wandering on as loth to die—
Like thoughts whose very sweetness yieldeth proof
That they were born for immortality."
A Hero in Disguise
A Complete Story. By M. Westrup.
T girl was little, slender, insignificant—only her love made
her heroic. The man was big, broad, one to be noticed
in a crowd, and his love made him as helpless as a little
child.
They stood opposite each other in the poor, shabby little room. His
eyes devoured her face wildly, incredulously, but her eyes were fixed
on a great hole in the faded carpet.
Her mind was chaotic, for with his eager words of love rang others,
bewildering her. Side by side with his passionate outpouring of his
love for her, his longing to have her for his own, to live for her and
work for her, were other words—words of ambition and great
aspirations, words of intending travel into far-away countries, of
hardships and discomforts to be borne for the sake of the book that
was to be written—the book that was to bring fame and satisfaction
to the writer of it.
And these words rang with a deep note of earnestness and strength,
and overpowered those eager, present tones that were pleading to
her so wildly.
"I called you Kathleen Mavourneen last night, you remember, and
you smiled and blushed!" he protested, roughly. "Why did you do it?
Kathleen, you do love me, you do! Why don't you speak to me? I tell
you, I have seen it in your eyes. Why do you deny it now?"
She shook her head, and her heart cried in agony, "How long? How
long?"
"Won't you try, then?" with a humbleness that was not natural to
him. "Oh, Kitty, little Kitty, I cannot live without you!"
He held out his arms to her despairingly.
"I have a singing lesson to give at one o'clock," she said.
His arms fell to his sides. The sun streamed in on to the pretty, pale,
downbent face of the girl, and on to the white, haggard face of the
man who stood opposite.
There were no shadows in the little room—it was all glare and
shabbiness.
"I will go," he said, and then his eyes caught fire; "but you are a
flirt! Do you hear, a paltry, heartless flirt! You have led me on—
played with me. You have made your eyes soft, your lips sweet, to
amuse yourself at my expense! How do you do it?" with a little
cynical laugh. "It's really clever—of its kind—you know——"
He moved towards the door.
"I beg your pardon," he said icily. "I should not have spoken so to a
woman. Good-bye."
"You will begin your travels now?" she said.
He laughed.
"Why keep up the pretence?" he said; "it's rather late now to
pretend any interest in my life."
She was silent.
At the door he paused.
He was a proud man, and he had an iron will.
But his love made him helpless and weak as a little child.
"Kathleen," he breathed, "you are sure?"
A moment she stood still and rigid as a statue.
"Little one, I love you so——" His voice was soft and caressing; but
her love made her heroic. She raised her head. "I am sure," she said
steadily.
She knelt at the side of his bed, heedless of the presence of the
nurse at the other end of the room, and her tears wetted his hand.
The right hand and arm were swathed in bandages.
He smiled sadly as he looked at her.
"I am a failure," he said.
"Ah, no, no! All England is ringing with your name. Hugh"—she
raised a face all alight with a proud joy—"you are famous now!"
A little flush rose to his white face.
"Pshaw!" he said, "rescuing a woman and a few children from being
burnt to death. Anyone would have done it."
"Ah, no, Hugh! Brave men shrank from that awful sea and burning
ship!"
He was silent, looking at his bandaged hand.
"I must learn to write with my left hand," he said.
She bent nearer.
"Let me write for you," she whispered; "let me finish your book,
Hugh, while you dictate it to me. I do not sing now in public, you
know."
"Yes, I know."
He drew her closer to him and rested his cheek against her soft hair.
"I said I would not come to you till I had made a name," he said. "I
am a wreck now! I shall be a wreck for a long while——"
"Ah, dear, but you are famous!" she interposed lovingly.
He sighed.
"I cannot do without you any longer, Kitty. I am beaten at last. Will
you take a wreck?"
"I will take you, Hugh, a famous——"
"A famous wreck," he finished with a smile.
DR. PARKER.
Thus, on one occasion, his theme was found in the text, "Jesus in
the midst." "Where is the midst?" he asked in a clear and striking,
sonorous voice that commanded attention at once. These were his
opening words, and after a pause he proceeded in the same manner
and in similar short, striking sentences to point to different ideas of
"the midst," and to declare that Christ was, or should be, in the
midst of the literature, science, philosophy, and business of the day.
Unless ministers preached Christ, said he, they had better be silent.
BISHOP OF RIPON. ARCHDEACON
SINCLAIR. DEAN LEFROY.
BISHOP OF STEPNEY.
There is nothing new in this, you will say. No doubt Dr. Parker would
tell you that he does not wish to preach anything new; but no one
can watch him critically without concluding that he constantly
studies not only what he shall say, but how he shall say it in the
most striking and effective manner.
As a dramatic preacher, we might also instance the Rev. J. H. Jowett,
who has succeeded the late Dr. Dale at Carr's Lane Congregational
Church, Birmingham. To his Oxford scholarship Mr. Jowett has united
an assiduous cultivation of a fine voice and vigorous yet graceful and
suitable gesture, which render him a most striking and fascinating
preacher.
But turning now to other styles, if Dr. Parker is one of the most
dramatic, Dr. Boyd Carpenter, the learned Bishop of Ripon, is one of
the most eloquent of preachers. He is also one of the most rapid. He
seems so fully charged with his subject that the words pour from his
lips like a torrent; his body turns first to one side and then to the
other, and anon leans forward in front, as though propelled by the
energy of the thought within. His hand is often held up before him
with the index finger pointing, as though to lead his audience on to
the next thought, and to prevent their interest or attention from
flagging. But, rapid and fluent as he is, it must not be thought that
he is superficial; on the contrary, there is every evidence that the
discourse is well thought out, and based on a solid framework of
reason, while the language is eloquent and rhetorical. And it is, as it
were, to mark the network of logical deduction within the words that
the index finger is brought so fully into play. We judge that his voice
is naturally somewhat thin and poor, but by careful use and perhaps
assiduous cultivation, and by the most beautifully clear articulation,
Dr. Boyd Carpenter can make himself heard in St. Paul's with what
appears to be perfect ease. There is no straining of the voice and no
shouting; but in a quiet though forcible manner he sends his voice
round the huge building. Further, it has been pointed out to me that
he will not commence his discourse until the congregation have
settled themselves down into absolute quietness, and all the rustling
of dresses, and coughing, and fidgeting are stilled. Under these
circumstances his voice would, of course, carry far better in a large
church.
Somewhat similar in manner is Canon Barker, of Marylebone, who, in
the energetic expression of the thought with which he seems
surcharged, bends forward sometimes so deeply towards the
congregation as to give, the impression that he is about to dive out
of the pulpit. But his style is that of the special pleader, the advocate
and the debater; it is as though he desires to argue out everything
to its logical conclusion, rather than to sway or move his audience by
eloquence and emotional appeals.
PREBENDARY WEBB-PEPLOE.
Dean Lefroy of Norwich is also a debater; perhaps, a more keen
debater than Canon Barker, and he is also a rhetorician. He delights
to preach a strongly evangelical "Gospel" sermon, and to embellish it
with rhetoric and declaim it with passionate earnestness. It is
evident he thoroughly believes in his theme, he seeks to impress it
on his audience by vigorous, earnest, passionate utterance, in which
his energetic gestures are often of the most decided character. A
curious characteristic of his preaching has been related to me by a
friend. "You cannot listen to Lefroy for five minutes," said he,
"without violently taking sides either for or against him. You are
either intensely in favour of him or find yourself becoming almost
vehemently opposed"—a testimony, we take it that the Dean is a
decided, downright, assertive and aggressive preacher rather than
persuasive and emotional. He has instituted a Nave service at
Norwich Cathedral, at which he often preaches himself, and attracts
enormous congregations.
JOHN MCNEIL.
Still continuing to glance at those whom we may call rapid and fluent
preachers, Prebendary Webb-Peploe comes to mind. He is not so
energetic as some others, but the rapidity of his utterance, the
fluency of his expression, and his great command of language,
would rival that of almost any speaker. He and many others would
probably utter three times as many words in a given time as Dr.
Parker or Archdeacon Sinclair.
IAN MACLAREN
(Dr. John Watson.)
The latter is slow, deliberate, and dignified in his utterances, rarely
using gesture and affecting a grave and somewhat sonorous voice;
but the Archdeacon's sermons are always most carefully prepared,
and indicate considerable study and research.
Among the grave and sedate preachers we might also place Dr. John
Watson ("Ian Maclaren"), of Sefton Park Presbyterian Church,
Liverpool; his sermons are full of thought, and, as might be
expected, exhibit an excellent literary finish.
Now, if we take Archdeacon Sinclair and Dr. John Watson as
examples of more deliberate and sedate preachers, we may regard
the Rev. John McNeil, the well-known Presbyterian minister, as an
instance of the colloquial preacher.
Not that his voice is low-pitched, as used in conversation. Mr. McNeil
has done what few preachers could physically undertake: he has
preached twice a day for a fortnight in the Albert Hall at Kensington,
the largest hall in London, and capable of holding about ten
thousand persons; and he has repeatedly filled the huge Agricultural
Hall at Islington, numbers being turned away from lack of room. His
voice, indeed, seems capable of filling the largest hall without effort.
But his style is easy, unaffected, conversational, though sometimes,
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