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Chuong 2

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0% found this document useful (0 votes)
60 views48 pages

Chuong 2

Uploaded by

Nguyen Quynh Mai
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 48

8/25/2021

EzIP
Introduction to EzIP ©

Monkey's selfie

• In 2011, nature photographer David Slater travelled to Indonesia to


take photographs of the Celebes crested macaques.
• During his shoot, Slater set up the camera on a tripod, and
deliberately left the remote trigger for the camera accessible to the
macaque. A female macaque pressed the remote trigger and took
several photographs. Most of these photographs were unusable, but
some were clear photographs of the macaque, which Slater later
distributed as a "monkey's selfie" (Herein called Photo)
• Slater licensed the image to the Caters News Agency, under the
presumption that he held copyright to the photo; The Wikimedia
Commons public the "monkey's selfie“ and The website had similarly
listed the photographs as being in the public domain on the grounds
that they were the creation of an animal, and not a person.
2

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Chapter 2
Copyrights and Related Rights

Chapter outline

Module 1: Overview
•Concept
•Characteristics
•Evolution
•Copyright law system

Module 2: Protection of Copyright


•Subject Matters
•Author /Owner
•Rights comprised
•Limitations
4

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COPYRIGHTS QUYỀN TÁC GIẢ

Copyright Subject Matters


Đối tượng Quyền tác giả

Protected Protection
Subject Matters
Exclusions
Conditions
Đối tượng loại trừ
Đối tượng bảo hộ Điều kiện bảo hộ

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Copyright subject matters


⚫ Every production in the literary, scientific and
artistic domain, whatever may be the mode or form
of its expression. (Art 2- BC)
Mọi sáng tạo trong các lĩnh vực văn học, khoa học và nghệ thuật dưới bất
kỳ hình thức hoặc cách thức thể hiện nào.
⚫ Objects of copyright shall include literary, artistic and
scientific works (Art 3.1 – IPL)
⚫Objects of copyright - related rights include

performances, sound recordings, video recordings;


broadcasting programs; satellite signals carrying
encrypted program.

Overview

Copyright means rights of


organizations, individuals in the
work created or owned by them

Literature Means to
Science Works communicate works
Art to the public performances,
records
broadcasting progrs
satellite signals encrypted progrs

Rights neighboring on copyright"


means rights of organizations,
individuals in performances of
performing artists, phonograms,
videograms, broadcasting programs,
and encrypted program-carrying
satellite signals8.

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Works protected (Art 14)

Sách, ấn phẩm

Photographic Theatrical Painting Cinematographic

Litteratur
Textbook
e
SGK, giáo trình
Văn học Architectural
Music Fixation Computer Progr

Magazine

science Derivative works


Khoa học Tác phẩm phái sinh Folklore Map Lecture / Speech

Conditions for protection

Not prejudicial to
the copyright in
Originality Fixation original works
Tính nguyên gốc Tính định hình Không phương hại
đến QTG của tác
phẩm gốc

Original works Derivative works


Tác phẩm gốc
Created directly by authors through their Tác phẩm phái sinh
intellectual labour and without copying Created by original works, in other forms
the works of others.

10

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Kiss of Wind

11

Class of highland

12

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What is originality ?

Việt Nam: originality means being directly created, not being


copied from others
Hoa Kỳ: originality means obtain a minimum standard of creativity
Feist Publications, Inc., v. Rural Telephone Service Co., 499 U.S.
340 (1991)
Vương quốc Anh: originality means sweat of the brow(sweat of the
brow” doctrine)
Cummins v Bond được xử bởi một tòa án Anh năm 1927
Liên minh Châu Âu: originality means the author's own
intellectual creativity
Infopaq International A/S v Danske Dagblades Forening [2009]

13

What is a copy?
Mannion v. Coors Brewing Company
377 F. Supp. 2d 444 (S.D.N.Y. 2005)

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What is a copy?
Harney v. Sony Pictures (1st Cir. 2013)

Case

16

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What is fixation ?

It must be fixed in a tangible medium of expression


A work is considered fixed when it is stored on some
medium in which it can be perceived, reproduced, or
otherwise communicated.
Example: a song can be fixed by writing it down on a piece
of paper

17

Case: Original or not ?

18

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19

20

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Derivative works

Translated work
Adapted work
The derivative work
expressed in a language A work that adapts the
different from the language
content of the original
work but has a clear
in which the original work is
creativity in terms of
expressed, the creation of a content and ideas to make
derivative work is achieved it a completely new work,
through the use of the different from the original
author's language. However, work. Such as rewriting
the translation must be literal into another work
and not misrepresent the according to a certain
author's intentions. requirement.
21

Derivative works

Modified work Transformed work


The amending or re-editing a A work formed from a literary
part of the content, changing work into another form. For
the genre, changing the form example, an adaptation of a
of expression based on part or literary work into a stage or
all of the Original Work to
create a new work. When film script. Original works
adapting a work, the adaptor can be novels, epics, long
must obtain permission from stories... or they can be
the owner of the original work dramatic (theatrical) works
and must pay remuneration to
the author or owner of the converted into movie scripts,
original work. musicals..
22

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Derivative works

Compiled work Annotated work


The synthesis of A work expressing
information, collection and opinions, commenting,
selection of references to explaining the meaning
rewrite into a new work to better clarify the
with the citation of the content of the original
sources of information work.
referenced. For example:
compiling dictionaries,
textbooks, lectures, books

23

Derivative works

Selected work
A work that synthesizes, selects and arranges
original works (keeping the original content
intact) according to the criteria into a more
complete work. Be it a collection of poems, short
stories, songs, etc.

24

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1. Rogers vs. Koons

• Photographer Art Rogers shot a photograph of a couple holding a line of


puppies in a row and sold it for use in greeting cards and similar products.
Internationally, renowned artist Jeff Koons in the process of creating an
exhibit on the banality of everyday items, ran across Rodgers’ photograph
and used it to create a set of statues based on the image.
• Koons sold several of these structures, making a significant profit. Upon
discovering the copy, Rodgers sued Koons for copyright. Koons responded
by claiming fair use by parody.
25

The Associated Press vs. Fairey

• Famous street artist Shephard Fairey created the Hope poster during
President Obama’s first run for presidential election in 2008. The design
rapidly became a symbol for Obama’s campaign, technically independent
of the campaign but with its approval.
• In January 2009, the photograph on which Fairey allegedly based the
design was revealed by the Associated Press as one shot by AP freelancer
Mannie Garcia — with the AP demanding compensation for its use in
Fairey’s work. Fairey responded with the defense of fair use, claiming his
work didn’t reduce the value of the original photograph.
26

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Characteristics

Automatic • Copyright shall subsist automatically without


Tính registration
tự động • Quyền tác giả tự động phát sinh mà không cần đăng ký

• A work is created and expressed in a given form


Fixation • Tác phẩm được tạo ra và định hình dưới một hình thái vật chất.
(Tính • Copyright protect form of expression, not ideas
• Quyền tác giả bảo vệ hình thức thể hiện của các ý tưởng chứ không phải bản
định hình) thân các ý tưởng

• Created directly by authors through their intellectual


labour and without copying the works of others
Originality • Tác phẩm được tạo ra từ sự lao động của tác giả, không sao chép
Tính • The ideas in the work do not need to be new but the form,
nguyên gốc be it literary or artistic, must be an original creation of the
author.
• Ý tưởng thể hiện trong tác phẩm không cần phải mới song hình
27
thức thể hiện phải là sự sáng tạo của riêng tác giả

Exclusions

• Ideas or concept, Facts or information


• Tin tức thời sự thuần túy
• Official texts of a legislative, administrative and legal
nature, and to official translations of such texts
• Văn bản quy phạm pháp luật, VB hành chính, VB khác
thuộc lĩnh vực tư pháp và bản dịch chính thức của VB đó
• political speeches and speeches delivered in the
course of legal proceedings
• Diễn văn chính trị hay bài phát biểu

28

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Author, Ownership of Copyright

Author Ownership
Co-author

• Directly create • Use their time and


works make a financial
• Jointly create investment in or
works use their material
and technical
facilities to create
works

29

Author (co-author)

Vietnamese individuals
have their works protected

Author Foreigners have their works


Co-author published in Vietnam

Directly create
Foreigners have their works
works created and protected in VN
The authors

Foreigners have their works


protected from
international agreements of
which Vietnam is a member
30

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Ownership

Author

Co-author

Organizations and individuals who


assign tasks to authors or who enter
into contracts with authors
Owners
Heirs

Assignees of rights

The government
31

Rights Comprised in Copyright

•Protect author’s reputation and Moral


work’s integrity rights
•Bảo vệ danh tín của tác giả và sự toàn vẹn của
tác phẩm Moral rights

•Protect economic rights for work Economic


•Bảo vệ quyền khai thác kinh tế đối với tác phẩm
rights

32

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Moral rights

2. Attach their
real names or
1. Give titles to
their works / Đặt pseudonyms to
tên cho tác phẩm their works
Đứng tên thật
hoặc bút danh

4. Protect the
3. Publish their integrity of their
works Công bố works Bảo vệ sự
tác phẩm toàn vẹn tác
phẩm

33

Right to title works

translated worked Tác phẩm dịch No Applicable


Không áp dụng (22.1)

Computer program
Chương trình máy tính
Negotiable
Thỏa thuận (19.1,
22.4)
Cinematographic/ dramatic works
Tác phẩm điện ảnh, sân khấu

34

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Right to attach real names or pseudonyms to the


works

Have their real names


Attach their real or pseudonyms
names or acknowledged when
pseudonyms to their their works are
works published or used
Đứng tên thật hoặc bút danh Nêu tên thật hoặc bút danh
trên tác phẩm; khi tác phẩm được công bố,
sử dụng;

35

Right to publish works

- Make a work available to the public in a sufficient


amount of copies to satisfy the reasonable demand
of the public
- Là việc phát hành tác phẩm đến công chúng với số lượng bản sao đủ
để đáp ứng nhu cầu hợp lý của công chúng

- Author or copyright holder of work or another


individual or organization authorized by the author
or copyright holder
- Do tác giả, chủ sở hữu quyền tác giả thực hiện hoặc cho phép thực
hiện

36

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Right to publish works


Publishing works does NOT include

The
performance Construction
of a dramatic, Public Broadcasting of structures
Exhibition of a
cinematogra- recitation of a of a literary or based on an
plastic work
phic or musical literary work artistic work architectural
work.
work

trình diễn đọc tác phát sóng xây dựng


tác phẩm phẩm văn tác phẩm trưng bày công trình
sân khấu, học trước văn học, tác phẩm từ tác
điện ảnh, công nghệ tạo hình phẩm kiến
âm nhạc; chúng thuật trúc
37

The integrity of work

• To protect the
integrity of their
works; and to forbid
other persons to
Modify modify, edit or distort
their works in
whatever form,
causing harm to the
Harm to the honour and
honour and reputation of the
Edit reputation
of the
author
• Bảo vệ sự toàn vẹn của tác phẩm,
author không cho người khác sửa chữa, cắt
xén hoặc xuyên tạc tác phẩm dưới
bất kỳ hình thức nào gây phương hại
đến danh dự và uy tín của tác giả.
(Art.19.4)

Distort
38

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Economic rights

Display their works to


Make derivative
the public

REPRODUCE WORKS

- Distribute or import the original or


copies of their works
Communicate their
- To lease the original or copies of
works to the public cinematographic works and computer
programs.

39

Communicate works to the public

• To perform works either directly or through


phonograms or video recordings or with whatever
technical devices accessible by the public.
• Biểu diễn tác phẩm trực tiếp hoặc gián tiếp thông qua các chương trình ghi âm, ghi hình
hoặc bất kỳ phương tiện kỹ thuật nào mà công chúng có thể tiếp cận được.

• Applied to:
• Copyright holders or their authorized persons
• Do chủ sở hữu quyền tác giả độc quyền thực hiện hoặc cho phép người khác thực hiện

• Performance of works is anywhere except in the family


(ART 23.1 – Decree No.100/CP)
• Không bao gồm việc biểu diễn tác phẩm tại gia đình (Đ23.1 – NĐ100/CP)

40

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Right to reproduce works

• The right to reproduce works means the exclusive, basic right


of copyright holders or their authorized persons.
• Quyền kiểm soát hành vi sao chép là cơ sở pháp lý đối với mọi hình
thức khai thác, là quyền cơ bản nhất

• Make copies of works by whatever means or in whatever form,


including permanent or provisional backup of works in
electronic form. (Art.23.2 - Decree No.100/CP)
• Là việc tạo ra bản sao của tác phẩm bằng bất kỳ phương tiện hay hình
thức nào, bao gồm cả việc lưu trữ thường xuyên hoặc tạm thời tác
phẩm dưới hình thức điện tử (Đ23.2 – NĐ100/CP)

41

To distribute or import original works or copies thereof

• The right to distribute original works or copies thereof means


the exclusive right of copyright holders or their authorized
persons in whatever forms or with the assistance of whatever
technical devices accessible by the public to sell, lease or
otherwise assign their original works or copies thereof.
• Quyền phân phối bản gốc hoặc bản sao tác phẩm là quyền của chủ sở hữu
quyền tác giả độc quyền thực hiện hoặc cho phép người khác thực hiện
bằng bất kỳ hình thức, phương tiện kỹ thuật nào mà công chúng có thể
tiếp cận được để bán, cho thuê hoặc các hình thức chuyển nhượng khác
bản gốc hoặc bản sao tác phẩm.
• For plastic or photographic works, the distribution of works
also means the public display or exhibition thereof. (Art. 23.3 -
Decree No.100/CP)
• Đối với tác phẩm tạo hình, tác phẩm nhiếp ảnh thì quyền phân
phối còn bao gồm cả việc trưng bày, triển lãm trước công chúng.
(Đ23.3 – NĐ100/CP)
42

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To lease original cinematographic works and


computer programs or copies thereof

• The exclusive right of copyright holders or their authorized


persons to lease their works for use within a definite term.
• Do chủ sở hữu QTG độc quyền thực hiện hoặc cho phép người khác thực hiện việc
cho thuê để sử dụng có thời hạn.

• It shall not apply to computer programs which do not


themselves constitute principal objects for lease, such as
computer programs conducive to the normal operation of
means of transport as well as other machines and technical
devices. (Art. 23.5-Decree No.100/CP)
• Không áp dụng quyền cho thuê đối với chương trình máy tính, khi bản thân chương trình đó
không phải là đối tượng chủ yếu để cho thuê như chương trình máy tính gắn với việc vận hành
bình thường các loại phương tiện giao thông cũng như các máy móc, thiết bị kỹ thuật khác
(Đ23.5-NĐ100/CP)

43

Summary
Copyright

Moral rights Economic rights

Moral right shall be


Moral rights shall not transferable
be transferable (publish their works
)
Belong to
authors, not
transferable
Exclusive right of Authors,
Copyright holders or their
authorized persons 44

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Limitations on copyright
Giới hạn quyền tác giả

TIME PLACE EXCLUSIVES EXCEPTIONS

45

Term of protection

Cinematographic works;
Anonymous and pseudonymous
works; Photographic
•The whole life of author and works and works of applied art

•50
•Years after his/ the co-
author’s death 75 years calculated from the year
following the year of publication,
or formulation of any unpublished
audio and visual fixation

Art7 berns and 34 ipl


46

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Term of protection

Peformances are
formulated

•50
•Years calculated from the year
Records are published/
formulated
following the year

Broadcasts are made

47

Territoriality

International Differences of
Territoriality
Law national law

48

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EXCLUSIONS

Contrary to social
ethics and public
order or which
Exceptions harm national
defence and
security

49

Published works may be used without having to


seek permission or pay royalties or remuneration
• Copy works for scientific
research or teaching purposes;
• Quote from a work in school or
university for lecturing purpose,
not for commercial purposes; •Transcribing a
• Audio-visual recording of a work into braille
performance in order to report or into characters
current events or for teaching
of other
purposes
• Photographing or televising Make one Make a languages for the
plastic art; or an architectural,
photographic, or applied art copy of derivati blind
work displayed at a public place
in order to present images of
the work ve work
such work

Perform Import

• Importing
• Performing a stage work or other
art work in mass cultural, copies of
communication or mobilization another's work
activities without collecting fees for personal
in any form
use
50

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Related rights may be exercised without having to


seek permission or pay royalties or remuneration

•Make one copy of a work for personal scientific research purposes


•Make a copy of a work for teaching purposes
•Make provisional copies of a work by a broadcasting organization for broadcasting
purposes
•Reasonable quoting from a work in order to provide information

51

3- step test

Conflict with Unreasonably


a normal prejudice the
exceptions? exploitation legitimate
interests of the
of the work? author?

Published works (25.1)


Art 9.2 Bern Must neither affect the normal use of such works nor
cause prejudice to the rights of the author or
TRIPS: Extend this principle copyright holder, and must provide information being
the author's name and the source and origin of the
(Đ.13) work(25.2)

Not apply to architectural works, plastic


works and computer programs (25.3) 52

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Fair use

Nature of the
Purpose and Copyrighted The Effect of the
Character of the Work: Amount and Use on the
Use: Substantiality of Market or Value
Factual work in of the
Nonprofit and nature than the Portion Used:
Copyrighted
educational creative Quality and Work:
Transformative expression quantity
widespread and
rather than Not apply to would negatively
verbatim copying standardized affect
tests, workbooks

- Fair use can be applied to many different situations, scenarios,


mediums and formats.
- Purposefully, it is meant to be flexible and applicable to a wide
variety of circumstances.
- All four fair use factors need to be considered and applied when
justifying a fair use claim.
53

Published works may be used without having to


seek permission but royalties or remuneration
must be paid
A broadcasting organization which Broadcasting without permission,
uses a published work to make a but royalties or remuneration.
broadcast which is sponsored, NOT cause prejudice to the rights of
contains an advertisement or which the author or copyright holder.
collects fees in any form shall not MUST provide information being the
be required to seek permission but author's name and the source and
must pay royalties or remuneration origin of the work.
to the copyright holder in
INAPPLICABLE to cinematographic
accordance with regulations of the works.
Government.

Exclusive right is replaced by


Compulsory Licence?
Right to receive royalties or
remuneration 54

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Related rights may be exercised without having to


seek permission or pay royalties or remuneration

Organizations and individuals who exercise NO affect the normal use of


related rights in the following cases shall not performances, audio and visual
fixation or broadcasts.
be required to seek permission but must pay
agreed royalties or remuneration to NO cause prejudice to the rights of
performers, producers of audio and visual performers, producers of audio
and visual fixation or broadcasting
fixation, or to broadcasting organizations
organizations.
In case of no agreement reached, the parties
shall comply with the Government
regulations or sue in court according to the
law.
Broadcasting, but no funding, no levy is paid
under the Government regulations.

Exclusive right is replaced by Compulsory Licence?


Right to receive royalties or
remuneration 55

Infringement of copyrights

🞆 The rights of an owner of copyright are infringed when one


of the acts requiring authorization of the owner is done by
someone else without his consent

• Xâm phạm quyền: khi một người thực hiện một trong số các
hành vi cần phải xin phép chủ sở hữu quyền mà không có sự
đồng ý của chủ sở hữu quyền.

Infringement of copyrights
Art.28

56

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Infringement of copyrights

Economic right • Deliberately destroying or de-


activating the technical
• Appropriating solutions
copyright
• Deliberately deleting or
• Impersonating an modifying electronic
author • Copying a work information in a work
• Modifying, editing • Making a derivative work regarding management
or distorting a • Manufacturing, assembling,
work • Using
transforming, distributing,
• Publishing or • Leasing out a work importing, exporting, selling or
distributing a work • Duplicating, producing leasing out equipment when
of joint authors copies of, distributing, knowing, or having grounds to
without displaying or know, that such equipment
permission communicating a work to may de-activate technical
the public solutions applied by the
• Publishing a work copyright holder to protect
copyright in his or her work.
• Importing, exporting or
Moral right distributing copies of a
work Against copyright
protection

57

Proof of Infringement

- Ownership of a work: The date of formation and


expressions
▪ Registration
▪ Deposit
▪ Copyright notice (Eg: ©2009 )
▪ Standard identification numbering system (Eg:ISBN for books)
- Infringement : All/ most of the basic elements are similar

58

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Copyright registration

Registration • Within 15 working


• Assess whether Application days from the date of
the work has been receipt of a valid
subject to application, the
protection. Copyright Office shall
• Understand and • Must be in Vietnamese and is grant the Copyright
signed by the author, Registration
classify objects, Certificate to the
appropriate forms copyrights, related rights
owners or authorized person, relevant applicant. In
of registration. case of refusing, the
• Preliminary • Fully contains information Copyright Office shall
examine the about the applicant; notify the applicant in
possibility to information about the author, writing.
register owner of the copyrights/related
rights.
• Summary of the main contents
Before of work, performance,
phonogram or broadcasting
registration program. Certificate

Copyright Office 59
No.151, Hoang Hoa ThamStreet59

Copyright protection abroad

International Law Vietnam


The protection shall apply to: • Foreign organizations and
• Authors who are nationals of one of the individuals shall have their
countries of the Union, for their works, works protected in Vietnam
whether published or not; pursuant to an international
• Authors who are not nationals of one of
treaty on copyright of which
the countries of the Union, for their the Socialist Republic of
works first published in one of those Vietnam is a member.
countries, or simultaneously in a country (Art.13.2 – IPL)
outside the Union and in a country of
the Union.
(Berne/Trips Convention)

Works shall be protected by separate national system of


copyright (National Treatment and Territories)60
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Copyright case study outline

Case title: arising problem 5W +1H

Background: Copyright subject matter, legal


status, Right holder (Author, owner), rights
entitled by Author/owner
Case description: naming revised acts (gọi tên hành vi
xem xét), equivalent to which type of copyrights
(tương ứng với quyền nào, của ai), if infringement,
which one ? (nếu là hành vi xâm phạm là xâm phạm
quyền gì, gọi tên (Art 28)

Keypoint: factual and legal arguments

Result and solution/recommendation

61

Brochure for MP3 Player case

Background
Parties :
- The SEONA company - manufacturer of the MP3
player
- Anna - the designer of the MP3 player brochure
The author : Anna
The owner : Anna and SEONA
Rights entitled :
+ Anna : copyright
+ SEONA : license to use
=> Subject matter : Who owns the copyright on the
brochure of SEONA MP3 player? 62

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Case description

Alex - SEONA strategist signed a contract with Anna - a freelance


designer for designing the SEONA MP3 player brochure. Anna
have finished the design and Anna is paid for the brochure
design.
After receiving the brochure, SEONA reused some informations
contained in the former to post on new website of the company.
Anna threatens to file lawsuit against SEONA for infringing her
copyright over the brochure.

63

What is subject matter ?

Who is the author


Who is owner

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Keypoint : factual and legal


arguments
- As the author of the brochure, Anna has the
copyright on it and not the company, even if the
company paid for it
=> Problem : Use the images from the brochure for
commercial purpose on SEONA’s website without
Anna’s permission other than those specified in the
contract
=> SEONA has infringed Anna’s copyright. SEONA has
the license to use the brochure only for the purpose for
which the contract has commissioned (for the MP3
player advertisement)
65

Solution and result


Solution :
SEONA has to persuade Anna at some points :
+ SEONA will compensate for having infringed Anna’s
copyright
+ SEONA want to amplify some articles in the contract
for the brochure using along with their payment for
it.
Result :
+ Anna agrees to assign her copyright to SEONA and
waive the exercise of her moral rights on it
+ SEONA shall pay for the above consent of Anna for
new agreement 66

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Recommendations

Be aware that :
- The use of any works in which someone else owns
copyright requires that owner’s prior consent,
except some situations promulgate by law.
- The best way to avoid infringement is by obtaining
express written permission of the copyright owner
before you use or exploit the work

67

QUYỀN LIÊN QUAN RELATED RIGHTS

68

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Related rights subject matters

Live performance, Phonograms/ video recording, Broadcasted performance

,
Not cause prejudice to the copyright
Peformances Phonograms/ video recordings Broadcasted performance

69

Conditions for protection of related rights


Performanc
es of
Performanc
foreigners
es Broadcasti
Performances of in Vietnam
formulated ng
Vietnamese or
persons on audio organizatio
according
and visual n
to
fixation
internaltion
al law

Originality
Not cause prejudice to the
Created directly by performers, copyright of original works
without copying

Protected
Protected
Protected Phonograms/
Performance Broadcasted
video
performance
recording
70

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Related rights subject matters

Phonograms or Broadcasted
Live performance
video recording performance

Producers of
audio and Broadcasting
Performer Owner
visual organization
fixation

71

Ownership of related rights

Producers of Nhà xuất bản,


Performer Owners audio and visual ghi âm, ghi hình
fixation hoặc

Use their time and


Actors and Use their time and
make a financial
actresses, singers, make a financial Broadcasting
investment in or
instrumentalists, investment in or organizations shall
use their material
dancers and other use their material be the owners of
and technical
persons who and technical their broadcasts
facilities to
perform literary facilities to give a
produce audio
and artistic works performance
and visual fixation

Moral rights Economic rights


72

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Moral rights of performers

Protect the integrity of the


imagery of the
Have the name
performance, and to
acknowledged when
prevent others from
performing, when
modifying, editing or
distributing audio and visual
distorting the work in any
fixation or when
way prejudicial to the
broadcasting performances
honour and reputation of
the performer

73

Economic rights of performers

Directly or Exclusive
To formulate a indirectly right, or to
live reproduce a
authorize
performance
performance on which has been others to
audio and visual formulated on exercise
fixation; audio and visual
fixation

Distribute to the
Broadcast or to public an
communicate to Pay
original remuneratio
the public in performance
other ways an n to the
unformulated
and copies performer
performance thereof

74

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Economic rights of producers of audio and visual


fixation

Exclusive right to exercise or


to authorize others to
exercise

Distribute to the
Directly or public their
indirectly copy original audio and
their audio and visual fixation and
visual fixation copies thereof

Be entitled to
material
benefits when
the broadcasts
are recorded +
distributed to
the public.
75

economic rights of broadcasting organizations

Formulate
Broadcast or re- [into a fixed
broadcast their
broadcasts form] their
broadcasts;

Exclusive right to exercise or


to authorize others to
exercise

Distribute
their Reproduce
broadcasts formulated
broadcasts
to the public
76

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Summary

Performances Audio/ Visual Broadcasts


Fixation
Performers

Owner

50 years calculated from the year following the


year of formulation of a performance; publication;
formulation of any unpublished audio and visual
fixation; or making a broadcast.

77
Moral rights Economic rights

Term of protection

Peformances are
formulated

•50
•Years calculated from the year
Records are published/
formulated
following the year

Broadcasts are made


78

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Related rights may be exercised without having to


seek permission or pay royalties or remuneration

•Make one copy of a work for personal scientific research purposes


•Make a copy of a work for teaching purposes
•Make provisional copies of a work by a broadcasting organization for broadcasting purposes
•Reasonable quoting from a work in order to provide information

79

Published works may be used without having to


seek permission but royalties or remuneration must
be paid
A broadcasting organization which Broadcasting without permission,
uses a published work to make a but royalties or remuneration.
broadcast which is sponsored, NOT cause prejudice to the rights of
contains an advertisement or which the author or copyright holder.
collects fees in any form shall not MUST provide information being the
be required to seek permission but author's name and the source and
must pay royalties or remuneration origin of the work.
to the copyright holder in
INAPPLICABLE to cinematographic
accordance with regulations of the works.
Government.

Exclusive right is replaced by


Compulsory Licence?
Right to receive royalties or
remuneration
80

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Related rights may be exercised without having


to seek permission or pay royalties or
remuneration
Organizations and individuals who exercise NO affect the normal use of
related rights in the following cases shall not performances, audio and visual
be required to seek permission but must pay fixation or broadcasts.
agreed royalties or remuneration to
NO cause prejudice to the rights of
performers, producers of audio and visual
performers, producers of audio
fixation, or to broadcasting organizations
and visual fixation or broadcasting
In case of no agreement reached, the parties organizations.
shall comply with the Government regulations
or sue in court according to the law.
Broadcasting, but no funding, no levy is paid
under the Government regulations.

Exclusive right is replaced by


Compulsory Licence?
Right to receive royalties or
remuneration
81

Infringement of related rights

• Deliberately deleting or
Economic right modifying electronic
information regarding
management of rights
• Appropriating • Deliberately destroying or
• Impersonating de-activating the technical
• Modifying, • Copying or reciting solutions
editing or • Publishing, distributing or • Manufacturing, assembling,
distorting importing for public distribution transforming, distributing,
performances, copies of a fixed importing, exporting,
• Publishing, performance or audio and visual
producing and selling or leasing out
fixation knowing, or having equipment knowing, or
distributing grounds to know, that electronic having grounds to know,
without information regarding
that such equipment helps
permission management of rights has been
deleted or modified without to illegally decode satellite
permission signals carrying coded
• Deliberately receiving or relaying programmes.
satellite signals carrying coded
Moral right programmes without permission
from the legal distributor.
Anti self-
protection
82

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Copyright and related rights management

Individual Collective
management Management
• Monitor/ detect • Collective
Infringement
• Prevent, handle Management
infringements
• Self mine
applications in
manufacturing and
business
• Transfer rights
• Capital
contribution

83

Transfer of Copyright and Related Rights

• Licensing of copyright and related rights means


the grant of permission by the copyright holder or
related right holder for another organization or
individual to use for a definite term one, several
or all of the rights stipulated in articles 19,3, 20,
29.3, 30 and 31 of this Law.
(Art.47.1 IPL)

84

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Transfer of Copyright and Related Rights

Transfer

Assignment Licensing
Chuyển nhượng quyền Chuyển giao quyền sử dụng

Transfer a Transfer a Exclusive


part of / part of /
the whole the whole
ownership ownership Non Exclusive

85

Contracts for Transfer of Copyright and Related


Rights
a) Full names and
addresses of the
licensor and the
licensee.
b) Grounds for the licence.
c) Scope of the licence.
d) Price and method of
payment
e) Rights and obligations
of the parties.
f) Liability for contractual
breach.
• Form: http://www.cov.gov.vn/cbqen/index.php?option=com_content&view=article&id=701:form-of-
contract-for-assignment-or-use-of-copyright-related-rights&catid=61:th-tc-ng-ky
86

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Collective management

Authors authorize CMOs

• Collective Management Organizations (CMOs)


means a non-profit making organization established pursuant
to an agreement between authors, copyright holders or
related right holders and operating pursuant to the law on
protection of copyright and related rights.
87

Collective management organizations

Manage

Conduct
Organize a negotiations for
conciliation if a licensing
dispute arises. CMOs

Protect the Collect and


legitimate rights distribute royalties
and interests and remuneration

88

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Activity Process

89

IpMatrix: Wrap up (15 mn)


Important

• Write down an issue or a


5-
question related to
4- Copyright, classify it by
3- the importance and
2- difficulty to be enforced
1-
Facile Difficult
5 4 3 2 1 1 2 3 4 5

1-
2-
3-
4-
5- 90
Ít quan trọng

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Chứng minh hành vi xâm phạm


91

- Quyền sở hữu đối với tác phẩm: thời điểm hình


thành và hình thức thể hiện
- Hành vi xâm phạm: giống toàn bộ hoặc phần lớn các
yếu tố cơ bản

91 © Lê Hà - FTU

Cariou vs. Prince


• Richard Prince is a well known
appropriation artist — one who
transforms the work of others to
create new meaning in his own
work. For an exhibition in the
Gagosian Gallery, Prince
appropriated 41 images from a
photography book by French
photographer Patrick Cariou,
claiming fair use that he created
new meaning out of the
photographs. Cariou argued that
it wasn’t fair use, but copyright
infringement.

92

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Modern Dog Design vs. Target


Corporation
• Seattle design firm
Modern Dog utilized a
series of sketches of
dogs in their
compendium put out
by Chronicle Books in
2008. The firm alleges
that illustrations from
that design have been
used in a T-shirt
produced by
Disney/Target for sale,
and filed a93lawsuit in
2011.

Ideas not protected


Leigh v. Warner Brothers
212 F. 3d 1210 (11th Cir. 2000)

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Thank you for the kind attention !


Q&A

Email: [email protected]
Tel: 0912211178
95

48

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